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Color name
HEX #B59534

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59534 it is the complementary color #4A6ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59534 shade: #BA952F, #CBA742, #DCB955, #EDCB68 and #FEDD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59534 shade: #B59534, #A48321, #93710E, #825F00 and #714D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59534 shade: #B59534, #B57334, #B55034 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59534 shade: #B59534, #B3B534, #90B534, #6DB534 and #4AB534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59534 shade matches the following richer shades: #B59534, #C89F21 and #DBA80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59534 shade: #B59534, #A28C47, #8F825A, #7C796D and #696F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59534 shade: #B55034, #B57334, #B59534, #B3B534 and #91B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59534 shade: #756122, #957B2B, #B59534, #CAAA49 and #D3B969

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59534 shade: #B59534, #3BB534 and #6134B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59534 shade: #B59534, #34B595 and #9534B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59534 shade: #B59534, #3BB534, #3455B5 and #AF34B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59534 shade: #B59534, #34B555, #3455B5 and #B53495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

Complementary color

CMYK 64 / 48 / 0 / 20

HEX #4A6ACB

RGB 74 106 203

HSL 225.12, 0.55%, 0.54%

LAB 47.07, 19.24, -53.95

 

CMYK 0 / 20 / 75 / 27

HEX #BA952F

RGB 186 149 47

HSL 44.03, 0.6%, 0.46%

LAB 63.46, 3.56, 56

 

CMYK 0 / 18 / 67 / 20

HEX #CBA742

RGB 203 167 66

HSL 44.23, 0.57%, 0.53%

LAB 69.98, 2.29, 55.28

 

CMYK 0 / 16 / 61 / 14

HEX #DCB955

RGB 220 185 85

HSL 44.44, 0.66%, 0.6%

LAB 76.42, 1.21, 54.24

 

CMYK 0 / 14 / 56 / 7

HEX #EDCB68

RGB 237 203 104

HSL 44.66, 0.79%, 0.67%

LAB 82.76, 0.29, 53.08

 

CMYK 0 / 13 / 52 / 0

HEX #FEDD7B

RGB 254 221 123

HSL 44.89, 0.98%, 0.74%

LAB 89.02, -0.5, 51.87

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 20 / 80 / 36

HEX #A48321

RGB 164 131 33

HSL 44.89, 0.66%, 0.39%

LAB 56.32, 2.98, 53.71

 

CMYK 0 / 23 / 90 / 42

HEX #93710E

RGB 147 113 14

HSL 44.66, 0.83%, 0.32%

LAB 49.55, 4.68, 52.96

 

CMYK 0 / 27 / 100 / 49

HEX #825F00

RGB 130 95 0

HSL 43.85, 1%, 0.25%

LAB 42.66, 6.73, 50.23

 

CMYK 0 / 32 / 100 / 56

HEX #714D00

RGB 113 77 0

HSL 40.88, 1%, 0.22%

LAB 35.63, 9.19, 44.47

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 36 / 71 / 29

HEX #B57334

RGB 181 115 52

HSL 29.3, 0.55%, 0.46%

LAB 54.38, 20.41, 44.4

 

CMYK 0 / 56 / 71 / 29

HEX #B55034

RGB 181 80 52

HSL 13.02, 0.55%, 0.46%

LAB 46.72, 39.15, 35.99

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 20 / 0 / 71 / 29

HEX #90B534

RGB 144 181 52

HSL 77.21, 0.55%, 0.46%

LAB 68.91, -30.78, 58.29

 

CMYK 40 / 0 / 71 / 29

HEX #6DB534

RGB 109 181 52

HSL 93.49, 0.55%, 0.46%

LAB 66.94, -43.88, 55.66

 

CMYK 59 / 0 / 71 / 29

HEX #4AB534

RGB 74 181 52

HSL 109.77, 0.55%, 0.46%

LAB 65.55, -54.29, 53.8

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 21 / 84 / 22

HEX #C89F21

RGB 200 159 33

HSL 45.27, 0.72%, 0.46%

LAB 67.42, 3.85, 64.89

 

CMYK 0 / 23 / 94 / 14

HEX #DBA80E

RGB 219 168 14

HSL 45.07, 0.88%, 0.46%

LAB 71.62, 7.04, 73.1

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 14 / 56 / 36

HEX #A28C47

RGB 162 140 71

HSL 45.49, 0.39%, 0.46%

LAB 58.87, -0.61, 39.43

 

CMYK 0 / 9 / 37 / 44

HEX #8F825A

RGB 143 130 90

HSL 45.28, 0.23%, 0.46%

LAB 54.6, -1.29, 23.47

 

CMYK 0 / 2 / 12 / 51

HEX #7C796D

RGB 124 121 109

HSL 48, 0.06%, 0.46%

LAB 50.76, -1.12, 6.98

 

CMYK 18 / 13 / 0 / 50

HEX #696F80

RGB 105 111 128

HSL 224.35, 0.1%, 0.46%

LAB 46.88, 1.57, -10.15

 

CMYK 0 / 56 / 71 / 29

HEX #B55034

RGB 181 80 52

HSL 13.02, 0.55%, 0.46%

LAB 46.72, 39.15, 35.99

 

CMYK 0 / 36 / 71 / 29

HEX #B57334

RGB 181 115 52

HSL 29.3, 0.55%, 0.46%

LAB 54.38, 20.41, 44.4

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 20 / 0 / 71 / 29

HEX #91B534

RGB 145 181 52

HSL 76.74, 0.55%, 0.46%

LAB 68.98, -30.38, 58.38

 

CMYK 0 / 17 / 71 / 54

HEX #756122

RGB 117 97 34

HSL 45.54, 0.55%, 0.3%

LAB 41.92, 0.49, 37.57

 

CMYK 0 / 17 / 71 / 42

HEX #957B2B

RGB 149 123 43

HSL 45.28, 0.55%, 0.38%

LAB 52.65, 1.05, 45.63

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 16 / 64 / 21

HEX #CAAA49

RGB 202 170 73

HSL 45.12, 0.55%, 0.54%

LAB 70.72, 0.68, 52.94

 

CMYK 0 / 12 / 50 / 17

HEX #D3B969

RGB 211 185 105

HSL 45.28, 0.55%, 0.62%

LAB 75.8, -0.98, 43.71

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 67 / 0 / 71 / 29

HEX #3BB534

RGB 59 181 52

HSL 116.74, 0.55%, 0.46%

LAB 65.14, -57.66, 53.24

 

CMYK 46 / 71 / 0 / 29

HEX #6134B5

RGB 97 52 181

HSL 260.93, 0.55%, 0.46%

LAB 34.67, 48.76, -61.13

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 71 / 0 / 18 / 29

HEX #34B595

RGB 52 181 149

HSL 165.12, 0.55%, 0.46%

LAB 66.48, -42.3, 6.33

 

CMYK 18 / 71 / 0 / 29

HEX #9534B5

RGB 149 52 181

HSL 285.12, 0.55%, 0.46%

LAB 41.5, 58.96, -49.73

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 67 / 0 / 71 / 29

HEX #3BB534

RGB 59 181 52

HSL 116.74, 0.55%, 0.46%

LAB 65.14, -57.66, 53.24

 

CMYK 71 / 53 / 0 / 29

HEX #3455B5

RGB 52 85 181

HSL 224.65, 0.55%, 0.46%

LAB 38.83, 21.29, -54.51

 

CMYK 3 / 71 / 0 / 29

HEX #AF34B5

RGB 175 52 181

HSL 297.21, 0.55%, 0.46%

LAB 45.51, 64.58, -43.1

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 71 / 0 / 53 / 29

HEX #34B555

RGB 52 181 85

HSL 135.35, 0.55%, 0.46%

LAB 65.31, -55.16, 38.74

 

CMYK 71 / 53 / 0 / 29

HEX #3455B5

RGB 52 85 181

HSL 224.65, 0.55%, 0.46%

LAB 38.83, 21.29, -54.51

 

CMYK 0 / 71 / 18 / 29

HEX #B53495

RGB 181 52 149

HSL 314.88, 0.55%, 0.46%

LAB 44.87, 60.98, -25

 

Description

Color code: HEX #B59534 | qconv.com Color code: HEX #B59534 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 149 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 149 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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