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Color name
HEX #B3B534

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3B534 it is the complementary color #4C4ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3B534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3B534 shade: #B8B52F, #C9C742, #DAD955, #EBEB68 and #FCFD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3B534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3B534 shade: #B3B534, #A2A321, #91910E, #807F00 and #6F6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3B534 shade: #B3B534, #B59534, #B57234, #B54F34 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3B534 shade: #B3B534, #91B534, #6EB534, #4BB534 and #34B540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3B534 shade matches the following richer shades: #B3B534, #C6C821 and #D8DB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3B534 shade: #B3B534, #A1A247, #8F8F5A, #7C7C6D and #6A6980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3B534 shade: #B57034, #B59334, #B5B534, #93B534 and #70B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3B534 shade: #747522, #94952B, #B3B534, #C8CA49 and #D1D369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3B534 shade: #B3B534, #34B54E and #8234B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3B534 shade: #B3B534, #34B5B5 and #B534B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3B534 shade: #B3B534, #34B54E, #3434B5 and #B5349C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3B534 shade: #B3B534, #34B575, #3434B5 and #B53475

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

Complementary color

CMYK 63 / 64 / 0 / 20

HEX #4C4ACB

RGB 76 74 203

HSL 240.93, 0.55%, 0.54%

LAB 39.15, 39.56, -66.78

 

CMYK 0 / 2 / 74 / 28

HEX #B8B52F

RGB 184 181 47

HSL 58.69, 0.59%, 0.45%

LAB 71.85, -14.25, 63.92

 

CMYK 0 / 1 / 67 / 21

HEX #C9C742

RGB 201 199 66

HSL 59.11, 0.56%, 0.52%

LAB 78.26, -15.18, 63.75

 

CMYK 0 / 0 / 61 / 15

HEX #DAD955

RGB 218 217 85

HSL 59.55, 0.64%, 0.59%

LAB 84.58, -15.96, 63.12

 

CMYK 0 / 0 / 56 / 8

HEX #EBEB68

RGB 235 235 104

HSL 60, 0.77%, 0.66%

LAB 90.82, -16.6, 62.25

 

CMYK 0 / 0 / 51 / 1

HEX #FCFD7B

RGB 252 253 123

HSL 60.46, 0.97%, 0.74%

LAB 96.97, -17.15, 61.24

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 1 / 0 / 80 / 36

HEX #A2A321

RGB 162 163 33

HSL 60.46, 0.66%, 0.38%

LAB 64.95, -15.16, 61.37

 

CMYK 0 / 0 / 90 / 43

HEX #91910E

RGB 145 145 14

HSL 60, 0.82%, 0.31%

LAB 58.32, -13.91, 59.83

 

CMYK 0 / 1 / 100 / 50

HEX #807F00

RGB 128 127 0

HSL 59.53, 1%, 0.25%

LAB 51.57, -12.39, 56.46

 

CMYK 0 / 2 / 100 / 56

HEX #6F6D00

RGB 111 109 0

HSL 58.92, 1%, 0.22%

LAB 44.68, -10.57, 50.74

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 0 / 18 / 71 / 29

HEX #B59534

RGB 181 149 52

HSL 45.12, 0.55%, 0.46%

LAB 62.98, 1.58, 53.33

 

CMYK 0 / 37 / 71 / 29

HEX #B57234

RGB 181 114 52

HSL 28.84, 0.55%, 0.46%

LAB 54.14, 20.97, 44.15

 

CMYK 0 / 56 / 71 / 29

HEX #B54F34

RGB 181 79 52

HSL 12.56, 0.55%, 0.46%

LAB 46.53, 39.65, 35.77

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 20 / 0 / 71 / 29

HEX #91B534

RGB 145 181 52

HSL 76.74, 0.55%, 0.46%

LAB 68.98, -30.38, 58.38

 

CMYK 39 / 0 / 71 / 29

HEX #6EB534

RGB 110 181 52

HSL 93.02, 0.55%, 0.46%

LAB 66.98, -43.54, 55.72

 

CMYK 59 / 0 / 71 / 29

HEX #4BB534

RGB 75 181 52

HSL 109.3, 0.55%, 0.46%

LAB 65.59, -54.04, 53.84

 

CMYK 71 / 0 / 65 / 29

HEX #34B540

RGB 52 181 64

HSL 125.58, 0.55%, 0.46%

LAB 65.08, -57.82, 48.23

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 1 / 0 / 84 / 22

HEX #C6C821

RGB 198 200 33

HSL 60.72, 0.72%, 0.46%

LAB 78.12, -18.28, 73.83

 

CMYK 1 / 0 / 94 / 14

HEX #D8DB0E

RGB 216 219 14

HSL 60.88, 0.88%, 0.46%

LAB 84.63, -20.35, 82.72

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 1 / 0 / 56 / 36

HEX #A1A247

RGB 161 162 71

HSL 60.66, 0.39%, 0.46%

LAB 64.86, -12.88, 46.31

 

CMYK 0 / 0 / 37 / 44

HEX #8F8F5A

RGB 143 143 90

HSL 60, 0.23%, 0.46%

LAB 58.25, -8.48, 28.23

 

CMYK 0 / 0 / 12 / 51

HEX #7C7C6D

RGB 124 124 109

HSL 60, 0.06%, 0.46%

LAB 51.62, -2.83, 8.2

 

CMYK 17 / 18 / 0 / 50

HEX #6A6980

RGB 106 105 128

HSL 242.61, 0.1%, 0.46%

LAB 45.26, 5.51, -12.59

 

CMYK 0 / 38 / 71 / 29

HEX #B57034

RGB 181 112 52

HSL 27.91, 0.55%, 0.46%

LAB 53.66, 22.08, 43.64

 

CMYK 0 / 19 / 71 / 29

HEX #B59334

RGB 181 147 52

HSL 44.19, 0.55%, 0.46%

LAB 62.46, 2.67, 52.8

 

CMYK 0 / 0 / 71 / 29

HEX #B5B534

RGB 181 181 52

HSL 60, 0.55%, 0.46%

LAB 71.64, -15.31, 61.88

 

CMYK 19 / 0 / 71 / 29

HEX #93B534

RGB 147 181 52

HSL 75.81, 0.55%, 0.46%

LAB 69.11, -29.57, 58.55

 

CMYK 38 / 0 / 71 / 29

HEX #70B534

RGB 112 181 52

HSL 92.09, 0.55%, 0.46%

LAB 67.08, -42.85, 55.85

 

CMYK 1 / 0 / 71 / 54

HEX #747522

RGB 116 117 34

HSL 60.72, 0.55%, 0.3%

LAB 47.69, -11.4, 43.45

 

CMYK 1 / 0 / 71 / 42

HEX #94952B

RGB 148 149 43

HSL 60.57, 0.55%, 0.38%

LAB 59.86, -13.61, 52.82

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 1 / 0 / 64 / 21

HEX #C8CA49

RGB 200 202 73

HSL 60.93, 0.55%, 0.54%

LAB 79.04, -16.7, 61.76

 

CMYK 1 / 0 / 50 / 17

HEX #D1D369

RGB 209 211 105

HSL 61.13, 0.55%, 0.62%

LAB 82.47, -15.12, 51.66

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 0 / 29

HEX #34B5B5

RGB 52 181 181

HSL 180, 0.55%, 0.46%

LAB 67.36, -33.58, -10.05

 

CMYK 0 / 71 / 0 / 29

HEX #B534B5

RGB 181 52 181

HSL 300, 0.55%, 0.46%

LAB 46.47, 65.9, -41.52

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 0 / 71 / 14 / 29

HEX #B5349C

RGB 181 52 156

HSL 311.63, 0.55%, 0.46%

LAB 45.19, 61.99, -28.7

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 35 / 29

HEX #34B575

RGB 52 181 117

HSL 150.23, 0.55%, 0.46%

LAB 65.8, -49.58, 22.82

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 0 / 71 / 35 / 29

HEX #B53475

RGB 181 52 117

HSL 329.77, 0.55%, 0.46%

LAB 43.6, 56.9, -7.43

 

Description

Color code: HEX #B3B534 | qconv.com Color code: HEX #B3B534 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 181 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 181 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 71% 29% C M Y K

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