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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61558 it is the complementary color #49EAA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61558 shade: #BB1553, #CC2766, #DD3979, #EE4B8C and #FF5D9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61558 shade: #B61558, #A50345, #940032, #83001F and #72000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61558 shade: #B61558, #B6152D and #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61558 shade: #B61558, #B61583, #B615AF, #9215B6 and #6615B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61558 shade matches the following richer shades: #B61558 and #C70455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61558 shade: #B61558, #A6255B, #95365E, #854660 and #745763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61558 shade: #B615AE, #B61583, #B61558, #B6152D and #B62815

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61558 shade: #6C0C34, #911146, #B61558, #DB196A and #E73680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61558 shade: #B61558, #B69315 and #1599B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61558 shade: #B61558, #58B615 and #1558B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61558 shade: #B61558, #B69315, #15B673 and #1538B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61558 shade: #B61558, #A9B615, #15B673 and #2215B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

Complementary color

CMYK 69 / 0 / 29 / 8

HEX #49EAA7

RGB 73 234 167

HSL 155.03, 0.79%, 0.6%

LAB 83.47, -56.74, 20.71

 

CMYK 0 / 89 / 56 / 27

HEX #BB1553

RGB 187 21 83

HSL 337.59, 0.8%, 0.41%

LAB 40.78, 63.76, 9.91

 

CMYK 0 / 81 / 50 / 20

HEX #CC2766

RGB 204 39 102

HSL 337.09, 0.68%, 0.48%

LAB 45.97, 65.68, 5.82

 

CMYK 0 / 74 / 45 / 13

HEX #DD3979

RGB 221 57 121

HSL 336.59, 0.71%, 0.55%

LAB 51.47, 66.64, 2.53

 

CMYK 0 / 68 / 41 / 7

HEX #EE4B8C

RGB 238 75 140

HSL 336.07, 0.83%, 0.61%

LAB 57.18, 66.96, -0.13

 

CMYK 0 / 64 / 38 / 0

HEX #FF5D9F

RGB 255 93 159

HSL 335.56, 1%, 0.68%

LAB 63, 66.86, -2.32

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 98 / 58 / 35

HEX #A50345

RGB 165 3 69

HSL 335.56, 0.96%, 0.33%

LAB 34.99, 59.83, 10.18

 

CMYK 0 / 100 / 66 / 42

HEX #940032

RGB 148 0 50

HSL 339.73, 1%, 0.29%

LAB 30.7, 54.9, 16.31

 

CMYK 0 / 100 / 76 / 49

HEX #83001F

RGB 131 0 31

HSL 345.8, 1%, 0.26%

LAB 26.52, 49.65, 22.93

 

CMYK 0 / 100 / 89 / 55

HEX #72000C

RGB 114 0 12

HSL 353.68, 1%, 0.22%

LAB 22.32, 44.48, 28.83

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 88 / 75 / 29

HEX #B6152D

RGB 182 21 45

HSL 351.06, 0.79%, 0.4%

LAB 39.02, 60.4, 31.35

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 88 / 4 / 29

HEX #B615AF

RGB 182 21 175

HSL 302.61, 0.79%, 0.4%

LAB 43.62, 72.91, -42.49

 

CMYK 20 / 88 / 0 / 29

HEX #9215B6

RGB 146 21 182

HSL 286.58, 0.79%, 0.4%

LAB 37.89, 67.9, -56.19

 

CMYK 44 / 88 / 0 / 29

HEX #6615B6

RGB 102 21 182

HSL 270.19, 0.79%, 0.4%

LAB 31.2, 61.79, -67.38

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 98 / 57 / 22

HEX #C70455

RGB 199 4 85

HSL 335.08, 0.96%, 0.4%

LAB 42.59, 68.83, 11.54

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 78 / 45 / 35

HEX #A6255B

RGB 166 37 91

HSL 334.88, 0.64%, 0.4%

LAB 38.17, 55.09, 0.54

 

CMYK 0 / 64 / 37 / 42

HEX #95365E

RGB 149 54 94

HSL 334.74, 0.47%, 0.4%

LAB 37.55, 43.73, -2.65

 

CMYK 0 / 47 / 28 / 48

HEX #854660

RGB 133 70 96

HSL 335.24, 0.31%, 0.4%

LAB 38.22, 30.19, -3.2

 

CMYK 0 / 25 / 15 / 55

HEX #745763

RGB 116 87 99

HSL 335.17, 0.14%, 0.4%

LAB 40.3, 14.05, -2.25

 

CMYK 0 / 88 / 4 / 29

HEX #B615AE

RGB 182 21 174

HSL 302.98, 0.79%, 0.4%

LAB 43.56, 72.76, -41.99

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 88 / 75 / 29

HEX #B6152D

RGB 182 21 45

HSL 351.06, 0.79%, 0.4%

LAB 39.02, 60.4, 31.35

 

CMYK 0 / 78 / 88 / 29

HEX #B62815

RGB 182 40 21

HSL 7.08, 0.79%, 0.4%

LAB 40.44, 55.05, 45.72

 

CMYK 0 / 89 / 52 / 58

HEX #6C0C34

RGB 108 12 52

HSL 335, 0.8%, 0.24%

LAB 22.65, 42.34, 2.46

 

CMYK 0 / 88 / 52 / 43

HEX #911146

RGB 145 17 70

HSL 335.16, 0.79%, 0.32%

LAB 31.49, 52.79, 3.98

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 89 / 52 / 14

HEX #DB196A

RGB 219 25 106

HSL 334.95, 0.8%, 0.48%

LAB 48, 72.55, 6.64

 

CMYK 0 / 77 / 45 / 9

HEX #E73680

RGB 231 54 128

HSL 334.92, 0.79%, 0.56%

LAB 53.15, 70.82, 0.99

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 19 / 88 / 29

HEX #B69315

RGB 182 147 21

HSL 46.96, 0.79%, 0.4%

LAB 62.39, 1.99, 63.1

 

CMYK 88 / 16 / 0 / 29

HEX #1599B6

RGB 21 153 182

HSL 190.81, 0.79%, 0.4%

LAB 58.34, -22.32, -24.33

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 52 / 0 / 88 / 29

HEX #58B615

RGB 88 182 21

HSL 95.03, 0.79%, 0.4%

LAB 66.2, -52.58, 63.65

 

CMYK 88 / 52 / 0 / 29

HEX #1558B6

RGB 21 88 182

HSL 215.03, 0.79%, 0.4%

LAB 38.75, 16.5, -55.28

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 19 / 88 / 29

HEX #B69315

RGB 182 147 21

HSL 46.96, 0.79%, 0.4%

LAB 62.39, 1.99, 63.1

 

CMYK 88 / 0 / 37 / 29

HEX #15B673

RGB 21 182 115

HSL 155.03, 0.79%, 0.4%

LAB 65.63, -53.82, 23.59

 

CMYK 88 / 69 / 0 / 29

HEX #1538B6

RGB 21 56 182

HSL 226.96, 0.79%, 0.4%

LAB 30.32, 37.71, -69.06

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 7 / 0 / 88 / 29

HEX #A9B615

RGB 169 182 21

HSL 64.84, 0.79%, 0.4%

LAB 70.83, -22.06, 69.38

 

CMYK 88 / 0 / 37 / 29

HEX #15B673

RGB 21 182 115

HSL 155.03, 0.79%, 0.4%

LAB 65.63, -53.82, 23.59

 

CMYK 81 / 88 / 0 / 29

HEX #2215B6

RGB 34 21 182

HSL 244.84, 0.79%, 0.4%

LAB 24.49, 56.45, -78.7

 

Description

Color code: HEX #B61558 | qconv.com Color code: HEX #B61558 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 21 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 21 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 52% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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