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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61583 it is the complementary color #49EA7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61583. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61583 shade: #BB157E, #CC2791, #DD39A4, #EE4BB7 and #FF5DCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61583. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61583 shade: #B61583, #A50370, #94005D, #83004A and #720037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61583 shade: #B61583, #B61558, #B6152C and #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61583 shade: #B61583, #B615AE, #9215B6, #6715B6 and #3B15B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61583 shade matches the following richer shades: #B61583 and #C70489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61583 shade: #B61583, #A6257D, #953677, #854671 and #74576B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61583 shade: #9315B6, #B615AE, #B61583, #B61558 and #B6152D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61583 shade: #6C0C4E, #911168, #B61583, #DB199E and #E736AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61583 shade: #B61583, #B66815 and #15B6A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61583 shade: #B61583, #83B615 and #1583B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61583 shade: #B61583, #B66815, #15B648 and #1563B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61583 shade: #B61583, #B69915, #15B648 and #1532B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

Complementary color

CMYK 69 / 0 / 47 / 8

HEX #49EA7C

RGB 73 234 124

HSL 139.01, 0.79%, 0.6%

LAB 82.76, -64.58, 41.46

 

CMYK 0 / 89 / 33 / 27

HEX #BB157E

RGB 187 21 126

HSL 322.05, 0.8%, 0.41%

LAB 42.17, 67.61, -15.05

 

CMYK 0 / 81 / 29 / 20

HEX #CC2791

RGB 204 39 145

HSL 321.45, 0.68%, 0.48%

LAB 47.41, 69.89, -18.34

 

CMYK 0 / 74 / 26 / 13

HEX #DD39A4

RGB 221 57 164

HSL 320.85, 0.71%, 0.55%

LAB 52.93, 71.19, -20.94

 

CMYK 0 / 68 / 23 / 7

HEX #EE4BB7

RGB 238 75 183

HSL 320.25, 0.83%, 0.61%

LAB 58.63, 71.81, -23.01

 

CMYK 0 / 64 / 21 / 0

HEX #FF5DCA

RGB 255 93 202

HSL 319.63, 1%, 0.68%

LAB 64.45, 71.96, -24.7

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 98 / 32 / 35

HEX #A50370

RGB 165 3 112

HSL 319.63, 0.96%, 0.33%

LAB 36.43, 63.63, -15.44

 

CMYK 0 / 100 / 37 / 42

HEX #94005D

RGB 148 0 93

HSL 322.3, 1%, 0.29%

LAB 32, 58.33, -10.32

 

CMYK 0 / 100 / 44 / 49

HEX #83004A

RGB 131 0 74

HSL 326.11, 1%, 0.26%

LAB 27.63, 52.6, -4.7

 

CMYK 0 / 100 / 52 / 55

HEX #720037

RGB 114 0 55

HSL 331.05, 1%, 0.22%

LAB 23.18, 46.8, 1.31

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 88 / 76 / 29

HEX #B6152C

RGB 182 21 44

HSL 351.43, 0.79%, 0.4%

LAB 39.01, 60.36, 31.95

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 88 / 4 / 29

HEX #B615AE

RGB 182 21 174

HSL 302.98, 0.79%, 0.4%

LAB 43.56, 72.76, -41.99

 

CMYK 20 / 88 / 0 / 29

HEX #9215B6

RGB 146 21 182

HSL 286.58, 0.79%, 0.4%

LAB 37.89, 67.9, -56.19

 

CMYK 43 / 88 / 0 / 29

HEX #6715B6

RGB 103 21 182

HSL 270.56, 0.79%, 0.4%

LAB 31.34, 61.91, -67.15

 

CMYK 68 / 88 / 0 / 29

HEX #3B15B6

RGB 59 21 182

HSL 254.16, 0.79%, 0.4%

LAB 26.28, 57.77, -75.67

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 98 / 31 / 22

HEX #C70489

RGB 199 4 137

HSL 319.08, 0.96%, 0.4%

LAB 44.28, 73.29, -18.36

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 78 / 25 / 35

HEX #A6257D

RGB 166 37 125

HSL 319.07, 0.64%, 0.4%

LAB 39.43, 58.91, -18.97

 

CMYK 0 / 64 / 20 / 42

HEX #953677

RGB 149 54 119

HSL 318.95, 0.47%, 0.4%

LAB 38.48, 47.12, -16.95

 

CMYK 0 / 47 / 15 / 48

HEX #854671

RGB 133 70 113

HSL 319.05, 0.31%, 0.4%

LAB 38.83, 32.93, -12.91

 

CMYK 0 / 25 / 8 / 55

HEX #74576B

RGB 116 87 107

HSL 318.62, 0.14%, 0.4%

LAB 40.56, 15.56, -6.8

 

CMYK 19 / 88 / 0 / 29

HEX #9315B6

RGB 147 21 182

HSL 286.96, 0.79%, 0.4%

LAB 38.05, 68.06, -55.91

 

CMYK 0 / 88 / 4 / 29

HEX #B615AE

RGB 182 21 174

HSL 302.98, 0.79%, 0.4%

LAB 43.56, 72.76, -41.99

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 88 / 52 / 29

HEX #B61558

RGB 182 21 88

HSL 335.03, 0.79%, 0.4%

LAB 39.89, 62.89, 5.33

 

CMYK 0 / 88 / 75 / 29

HEX #B6152D

RGB 182 21 45

HSL 351.06, 0.79%, 0.4%

LAB 39.02, 60.4, 31.35

 

CMYK 0 / 89 / 28 / 58

HEX #6C0C4E

RGB 108 12 78

HSL 318.75, 0.8%, 0.24%

LAB 23.68, 45.25, -13.85

 

CMYK 0 / 88 / 28 / 43

HEX #911168

RGB 145 17 104

HSL 319.22, 0.79%, 0.32%

LAB 32.74, 56.3, -16.35

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 89 / 28 / 14

HEX #DB199E

RGB 219 25 158

HSL 318.87, 0.8%, 0.48%

LAB 49.77, 77.39, -22.27

 

CMYK 0 / 77 / 24 / 9

HEX #E736AF

RGB 231 54 175

HSL 318.98, 0.79%, 0.56%

LAB 54.79, 75.77, -24.38

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 43 / 88 / 29

HEX #B66815

RGB 182 104 21

HSL 30.93, 0.79%, 0.4%

LAB 51.72, 25.76, 54.63

 

CMYK 88 / 0 / 7 / 29

HEX #15B6A9

RGB 21 182 169

HSL 175.16, 0.79%, 0.4%

LAB 66.88, -40.36, -4.17

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 28 / 0 / 88 / 29

HEX #83B615

RGB 131 182 21

HSL 79.01, 0.79%, 0.4%

LAB 68.27, -37.72, 66.22

 

CMYK 88 / 28 / 0 / 29

HEX #1583B6

RGB 21 131 182

HSL 199.01, 0.79%, 0.4%

LAB 51.58, -10.29, -34.84

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 43 / 88 / 29

HEX #B66815

RGB 182 104 21

HSL 30.93, 0.79%, 0.4%

LAB 51.72, 25.76, 54.63

 

CMYK 88 / 0 / 60 / 29

HEX #15B648

RGB 21 182 72

HSL 139.01, 0.79%, 0.4%

LAB 65.03, -61.03, 44.49

 

CMYK 88 / 46 / 0 / 29

HEX #1563B6

RGB 21 99 182

HSL 210.93, 0.79%, 0.4%

LAB 41.94, 9.29, -50.14

 

CMYK 0 / 88 / 28 / 29

HEX #B61583

RGB 182 21 131

HSL 319.01, 0.79%, 0.4%

LAB 41.41, 67.07, -19.38

 

CMYK 0 / 16 / 88 / 29

HEX #B69915

RGB 182 153 21

HSL 49.19, 0.79%, 0.4%

LAB 63.98, -1.26, 64.36

 

CMYK 88 / 0 / 60 / 29

HEX #15B648

RGB 21 182 72

HSL 139.01, 0.79%, 0.4%

LAB 65.03, -61.03, 44.49

 

CMYK 88 / 73 / 0 / 29

HEX #1532B6

RGB 21 50 182

HSL 229.19, 0.79%, 0.4%

LAB 28.95, 41.46, -71.32

 

Description

Color code: HEX #B61583 | qconv.com Color code: HEX #B61583 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 21 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 21 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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