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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61F85 it is the complementary color #49E07A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61F85 shade: #BB1F80, #CC3193, #DD43A6, #EE55B9 and #FF67CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61F85 shade: #B61F85, #A50D72, #94005F, #83004C and #720039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61F85 shade: #B71F85, #B71F5C, #B71F33 and #B71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61F85 shade: #B71F85, #B71FAE, #961FB7, #6D1FB7 and #441FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61F85 shade matches the following richer shades: #B71F85 and #C80D8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61F85 shade: #B71F85, #A5307F, #944179, #835373 and #71646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61F85 shade: #961FB7, #B71FAF, #B71F86, #B71F5E and #B71F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61F85 shade: #701352, #93196C, #B71F85, #DA259F and #E048AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61F85 shade: #B61F85, #B76D1F and #1FB7AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61F85 shade: #B61F85, #86B71F and #1F86B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61F85 shade: #B61F85, #B76D1F, #1FB74F and #1F68B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61F85 shade: #B61F85, #B79B1F, #1FB74F and #1F3AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

Complementary color

CMYK 67 / 0 / 46 / 12

HEX #49E07A

RGB 73 224 122

HSL 139.47, 0.71%, 0.58%

LAB 79.69, -61.33, 38.54

 

CMYK 0 / 83 / 32 / 27

HEX #BB1F80

RGB 187 31 128

HSL 322.69, 0.72%, 0.43%

LAB 42.92, 65.89, -15.13

 

CMYK 0 / 76 / 28 / 20

HEX #CC3193

RGB 204 49 147

HSL 322.06, 0.61%, 0.5%

LAB 48.44, 67.41, -17.97

 

CMYK 0 / 70 / 25 / 13

HEX #DD43A6

RGB 221 67 166

HSL 321.43, 0.69%, 0.56%

LAB 54.17, 68.14, -20.2

 

CMYK 0 / 64 / 22 / 7

HEX #EE55B9

RGB 238 85 185

HSL 320.78, 0.82%, 0.63%

LAB 60.05, 68.34, -21.99

 

CMYK 0 / 60 / 20 / 0

HEX #FF67CC

RGB 255 103 204

HSL 320.13, 1%, 0.7%

LAB 66, 68.18, -23.45

 

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

CMYK 0 / 92 / 31 / 35

HEX #A50D72

RGB 165 13 114

HSL 320.13, 0.85%, 0.35%

LAB 36.93, 62.64, -15.94

 

CMYK 0 / 100 / 36 / 42

HEX #94005F

RGB 148 0 95

HSL 321.49, 1%, 0.29%

LAB 32.08, 58.54, -11.5

 

CMYK 0 / 100 / 42 / 49

HEX #83004C

RGB 131 0 76

HSL 325.19, 1%, 0.26%

LAB 27.7, 52.79, -5.93

 

CMYK 0 / 100 / 50 / 55

HEX #720039

RGB 114 0 57

HSL 330, 1%, 0.22%

LAB 23.25, 46.98, 0.02

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 72 / 28

HEX #B71F33

RGB 183 31 51

HSL 352.11, 0.71%, 0.42%

LAB 40.06, 58.79, 28.95

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 18 / 83 / 0 / 28

HEX #961FB7

RGB 150 31 183

HSL 286.97, 0.71%, 0.42%

LAB 39.38, 66.48, -54.32

 

CMYK 40 / 83 / 0 / 28

HEX #6D1FB7

RGB 109 31 183

HSL 270.79, 0.71%, 0.42%

LAB 33.24, 60, -64.59

 

CMYK 63 / 83 / 0 / 28

HEX #441FB7

RGB 68 31 183

HSL 254.61, 0.71%, 0.42%

LAB 28.45, 55.12, -72.64

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 94 / 31 / 22

HEX #C80D8B

RGB 200 13 139

HSL 319.57, 0.88%, 0.42%

LAB 44.85, 72.88, -18.7

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 71 / 23 / 35

HEX #A5307F

RGB 165 48 127

HSL 319.49, 0.55%, 0.42%

LAB 40.65, 55.22, -18.34

 

CMYK 0 / 56 / 18 / 42

HEX #944179

RGB 148 65 121

HSL 319.52, 0.39%, 0.42%

LAB 40.34, 41.9, -15.36

 

CMYK 0 / 37 / 12 / 49

HEX #835373

RGB 131 83 115

HSL 320, 0.22%, 0.42%

LAB 41.61, 25.13, -9.96

 

CMYK 0 / 12 / 4 / 56

HEX #71646D

RGB 113 100 109

HSL 318.46, 0.06%, 0.42%

LAB 43.84, 6.92, -3.18

 

CMYK 18 / 83 / 0 / 28

HEX #961FB7

RGB 150 31 183

HSL 286.97, 0.71%, 0.42%

LAB 39.38, 66.48, -54.32

 

CMYK 0 / 83 / 4 / 28

HEX #B71FAF

RGB 183 31 175

HSL 303.16, 0.71%, 0.42%

LAB 44.44, 71.22, -41.18

 

CMYK 0 / 83 / 27 / 28

HEX #B71F86

RGB 183 31 134

HSL 319.34, 0.71%, 0.42%

LAB 42.41, 65.66, -19.66

 

CMYK 0 / 83 / 49 / 28

HEX #B71F5E

RGB 183 31 94

HSL 335.13, 0.71%, 0.42%

LAB 40.99, 61.55, 3.12

 

CMYK 0 / 83 / 71 / 28

HEX #B71F35

RGB 183 31 53

HSL 351.32, 0.71%, 0.42%

LAB 40.09, 58.88, 27.76

 

CMYK 0 / 83 / 27 / 56

HEX #701352

RGB 112 19 82

HSL 319.35, 0.71%, 0.26%

LAB 25.32, 44.95, -13.93

 

CMYK 0 / 83 / 27 / 42

HEX #93196C

RGB 147 25 108

HSL 319.18, 0.71%, 0.34%

LAB 33.94, 55.45, -17.03

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 83 / 27 / 15

HEX #DA259F

RGB 218 37 159

HSL 319.56, 0.71%, 0.5%

LAB 50.37, 75.12, -21.95

 

CMYK 0 / 68 / 22 / 12

HEX #E048AE

RGB 224 72 174

HSL 319.74, 0.71%, 0.58%

LAB 55.62, 68.14, -22.61

 

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

CMYK 0 / 40 / 83 / 28

HEX #B76D1F

RGB 183 109 31

HSL 30.79, 0.71%, 0.42%

LAB 53.06, 23.72, 52.37

 

CMYK 83 / 0 / 7 / 28

HEX #1FB7AA

RGB 31 183 170

HSL 174.87, 0.71%, 0.42%

LAB 67.32, -39.84, -4.07

 

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

CMYK 27 / 0 / 83 / 28

HEX #86B71F

RGB 134 183 31

HSL 79.34, 0.71%, 0.42%

LAB 68.78, -36.68, 64.52

 

CMYK 83 / 27 / 0 / 28

HEX #1F86B7

RGB 31 134 183

HSL 199.34, 0.71%, 0.42%

LAB 52.69, -10.87, -33.66

 

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

CMYK 0 / 40 / 83 / 28

HEX #B76D1F

RGB 183 109 31

HSL 30.79, 0.71%, 0.42%

LAB 53.06, 23.72, 52.37

 

CMYK 83 / 0 / 57 / 28

HEX #1FB74F

RGB 31 183 79

HSL 138.95, 0.71%, 0.42%

LAB 65.53, -59.54, 41.83

 

CMYK 83 / 43 / 0 / 28

HEX #1F68B7

RGB 31 104 183

HSL 211.18, 0.71%, 0.42%

LAB 43.67, 7.26, -47.93

 

CMYK 0 / 83 / 27 / 29

HEX #B61F85

RGB 182 31 133

HSL 319.47, 0.71%, 0.42%

LAB 42.18, 65.31, -19.41

 

CMYK 0 / 15 / 83 / 28

HEX #B79B1F

RGB 183 155 31

HSL 48.95, 0.71%, 0.42%

LAB 64.65, -1.63, 62.43

 

CMYK 83 / 0 / 57 / 28

HEX #1FB74F

RGB 31 183 79

HSL 138.95, 0.71%, 0.42%

LAB 65.53, -59.54, 41.83

 

CMYK 83 / 68 / 0 / 28

HEX #1F3AB7

RGB 31 58 183

HSL 229.34, 0.71%, 0.42%

LAB 31.2, 37.42, -68.19

 

Description

Color code: HEX #B61F85 | qconv.com Color code: HEX #B61F85 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 31 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 31 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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