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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B625A7 it is the complementary color #49DA58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B625A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B625A7 shade: #BB25A2, #CC37B5, #DD49C8, #EE5BDB and #FF6DEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B625A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B625A7 shade: #B625A7, #A51394, #940181, #83006E and #72005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B625A7 shade: #B625A7, #B62580, #B62558, #B62531 and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B625A7 shade: #B625A7, #9D25B6, #7625B6, #4F25B6 and #2825B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B625A7 shade matches the following richer shades: #B625A7, #C713B5 and #D901C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B625A7 shade: #B625A7, #A43798, #92488A, #805A7C and #6F6C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B625A7 shade: #7725B6, #9D25B6, #B625A7, #B62580 and #B6255A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B625A7 shade: #711768, #931E87, #B625A7, #D42FC3 and #DB52CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B625A7 shade: #B625A7, #B65025 and #25B68A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B625A7 shade: #B625A7, #A7B625 and #25A7B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B625A7 shade: #B625A7, #B65025, #25B633 and #258AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B625A7 shade: #B625A7, #B67C25, #25B633 and #255FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

Complementary color

CMYK 67 / 0 / 60 / 15

HEX #49DA58

RGB 73 218 88

HSL 126.21, 0.66%, 0.57%

LAB 77.44, -63.91, 51.82

 

CMYK 0 / 80 / 13 / 27

HEX #BB25A2

RGB 187 37 162

HSL 310, 0.67%, 0.44%

LAB 44.94, 68.75, -32.62

 

CMYK 0 / 73 / 11 / 20

HEX #CC37B5

RGB 204 55 181

HSL 309.26, 0.59%, 0.51%

LAB 50.58, 70.07, -34.78

 

CMYK 0 / 67 / 10 / 13

HEX #DD49C8

RGB 221 73 200

HSL 308.51, 0.69%, 0.58%

LAB 56.39, 70.68, -36.45

 

CMYK 0 / 62 / 8 / 7

HEX #EE5BDB

RGB 238 91 219

HSL 307.76, 0.81%, 0.65%

LAB 62.32, 70.81, -37.77

 

CMYK 0 / 57 / 7 / 0

HEX #FF6DEE

RGB 255 109 238

HSL 306.99, 1%, 0.71%

LAB 68.29, 70.63, -38.84

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 88 / 10 / 35

HEX #A51394

RGB 165 19 148

HSL 306.99, 0.79%, 0.36%

LAB 38.9, 66.07, -33.95

 

CMYK 0 / 99 / 13 / 42

HEX #940181

RGB 148 1 129

HSL 307.76, 0.99%, 0.29%

LAB 33.78, 62.58, -30.53

 

CMYK 0 / 100 / 16 / 49

HEX #83006E

RGB 131 0 110

HSL 309.62, 1%, 0.26%

LAB 29.29, 56.83, -25.8

 

CMYK 0 / 100 / 20 / 55

HEX #72005B

RGB 114 0 91

HSL 312.11, 1%, 0.22%

LAB 24.74, 50.82, -20.79

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 80 / 30 / 29

HEX #B62580

RGB 182 37 128

HSL 322.34, 0.66%, 0.43%

LAB 42.5, 63.21, -15.85

 

CMYK 0 / 80 / 52 / 29

HEX #B62558

RGB 182 37 88

HSL 338.9, 0.66%, 0.43%

LAB 41.17, 59.23, 7.15

 

CMYK 0 / 80 / 73 / 29

HEX #B62531

RGB 182 37 49

HSL 355.03, 0.66%, 0.43%

LAB 40.39, 56.81, 30.51

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 14 / 80 / 0 / 29

HEX #9D25B6

RGB 157 37 182

HSL 289.66, 0.66%, 0.43%

LAB 41.01, 65.9, -51.06

 

CMYK 35 / 80 / 0 / 29

HEX #7625B6

RGB 118 37 182

HSL 273.52, 0.66%, 0.43%

LAB 35.11, 59.06, -60.9

 

CMYK 57 / 80 / 0 / 29

HEX #4F25B6

RGB 79 37 182

HSL 257.38, 0.66%, 0.43%

LAB 30.31, 53.5, -68.95

 

CMYK 78 / 80 / 0 / 29

HEX #2825B6

RGB 40 37 182

HSL 241.24, 0.66%, 0.43%

LAB 27.16, 49.84, -74.25

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 90 / 9 / 22

HEX #C713B5

RGB 199 19 181

HSL 306, 0.83%, 0.43%

LAB 46.9, 77.17, -40.64

 

CMYK 0 / 100 / 10 / 15

HEX #D901C3

RGB 217 1 195

HSL 306.11, 0.99%, 0.43%

LAB 50.35, 83.88, -43.14

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 66 / 7 / 36

HEX #A43798

RGB 164 55 152

HSL 306.61, 0.5%, 0.43%

LAB 42.6, 56, -30.56

 

CMYK 0 / 51 / 5 / 43

HEX #92488A

RGB 146 72 138

HSL 306.49, 0.34%, 0.43%

LAB 42.12, 40.57, -23.04

 

CMYK 0 / 30 / 3 / 50

HEX #805A7C

RGB 128 90 124

HSL 306.32, 0.17%, 0.43%

LAB 43.3, 21.62, -12.94

 

CMYK 0 / 3 / 1 / 56

HEX #6F6C6E

RGB 111 108 110

HSL 320, 0.01%, 0.43%

LAB 45.95, 1.57, -0.71

 

CMYK 35 / 80 / 0 / 29

HEX #7725B6

RGB 119 37 182

HSL 273.93, 0.66%, 0.43%

LAB 35.25, 59.23, -60.66

 

CMYK 14 / 80 / 0 / 29

HEX #9D25B6

RGB 157 37 182

HSL 289.66, 0.66%, 0.43%

LAB 41.01, 65.9, -51.06

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 80 / 30 / 29

HEX #B62580

RGB 182 37 128

HSL 322.34, 0.66%, 0.43%

LAB 42.5, 63.21, -15.85

 

CMYK 0 / 80 / 51 / 29

HEX #B6255A

RGB 182 37 90

HSL 338.07, 0.66%, 0.43%

LAB 41.23, 59.39, 5.97

 

CMYK 0 / 80 / 8 / 56

HEX #711768

RGB 113 23 104

HSL 306, 0.66%, 0.27%

LAB 27.08, 47.28, -25.64

 

CMYK 0 / 80 / 8 / 42

HEX #931E87

RGB 147 30 135

HSL 306.15, 0.66%, 0.35%

LAB 35.75, 57.92, -31.16

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 78 / 8 / 17

HEX #D42FC3

RGB 212 47 195

HSL 306.18, 0.66%, 0.51%

LAB 51.8, 76.14, -40.9

 

CMYK 0 / 63 / 6 / 14

HEX #DB52CD

RGB 219 82 205

HSL 306.13, 0.66%, 0.59%

LAB 57.56, 67.5, -37.5

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 80 / 0 / 24 / 29

HEX #25B68A

RGB 37 182 138

HSL 161.79, 0.66%, 0.43%

LAB 66.28, -47.29, 12.05

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 8 / 0 / 80 / 29

HEX #A7B625

RGB 167 182 37

HSL 66.21, 0.66%, 0.43%

LAB 70.74, -22.45, 65.5

 

CMYK 80 / 8 / 0 / 29

HEX #25A7B6

RGB 37 167 182

HSL 186.21, 0.66%, 0.43%

LAB 62.85, -28.18, -17.42

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 80 / 0 / 72 / 29

HEX #25B633

RGB 37 182 51

HSL 125.79, 0.66%, 0.43%

LAB 65.03, -61.68, 53.38

 

CMYK 80 / 24 / 0 / 29

HEX #258AB6

RGB 37 138 182

HSL 198.21, 0.66%, 0.43%

LAB 53.97, -12.91, -31.07

 

CMYK 0 / 80 / 8 / 29

HEX #B625A7

RGB 182 37 167

HSL 306.21, 0.66%, 0.43%

LAB 44.32, 68.41, -36.64

 

CMYK 0 / 32 / 80 / 29

HEX #B67C25

RGB 182 124 37

HSL 36, 0.66%, 0.43%

LAB 56.58, 15.16, 53.21

 

CMYK 80 / 0 / 72 / 29

HEX #25B633

RGB 37 182 51

HSL 125.79, 0.66%, 0.43%

LAB 65.03, -61.68, 53.38

 

CMYK 80 / 48 / 0 / 29

HEX #255FB6

RGB 37 95 182

HSL 216, 0.66%, 0.43%

LAB 41.14, 13.26, -51.4

 

Description

Color code: HEX #B625A7 | qconv.com Color code: HEX #B625A7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 37 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 37 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 8% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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