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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B658DE it is the complementary color #49A721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B658DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B658DE shade: #BB58D9, #CC6AEC, #DD7CFF, #EE8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B658DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B658DE shade: #B658DE, #A546CB, #9434B8, #8322A5 and #721092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B658DE shade: #B658DE, #DA58DE, #DE58BE, #DE589A and #DE5876

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B658DE shade: #B658DE, #9258DE, #6E58DE and #5858DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B658DE shade matches the following richer shades: #B658DE, #BC48EE and #C338FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B658DE shade: #B658DE, #AF69CE, #A979BD, #A289AD and #9C999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B658DE shade: #6F58DE, #9258DE, #B658DE, #D958DE and #DE58BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B658DE shade: #9125BE, #A736D7, #B658DE, #C57BE4 and #D49DEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B658DE shade: #B658DE, #DE5866 and #58DE80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B658DE shade: #B658DE, #DEB658 and #58DEB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B658DE shade: #B658DE, #DE5866, #80DE58 and #58DED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B658DE shade: #B658DE, #DE7358, #80DE58 and #58C3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

Complementary color

CMYK 56 / 0 / 80 / 35

HEX #49A721

RGB 73 167 33

HSL 102.09, 0.67%, 0.39%

LAB 60.93, -50.75, 55.77

 

CMYK 14 / 59 / 0 / 15

HEX #BB58D9

RGB 187 88 217

HSL 286.05, 0.63%, 0.6%

LAB 54.61, 59.1, -49.28

 

CMYK 14 / 55 / 0 / 7

HEX #CC6AEC

RGB 204 106 236

HSL 285.23, 0.77%, 0.67%

LAB 60.96, 58.54, -49.73

 

CMYK 13 / 51 / 0 / 0

HEX #DD7CFF

RGB 221 124 255

HSL 284.43, 1%, 0.74%

LAB 67.28, 57.87, -50.07

 

CMYK 7 / 44 / 0 / 0

HEX #EE8EFF

RGB 238 142 255

HSL 290.97, 1%, 0.78%

LAB 72.72, 53.49, -41.39

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 19 / 66 / 0 / 20

HEX #A546CB

RGB 165 70 203

HSL 282.86, 0.56%, 0.54%

LAB 47.87, 59.31, -52.21

 

CMYK 20 / 72 / 0 / 28

HEX #9434B8

RGB 148 52 184

HSL 283.64, 0.56%, 0.46%

LAB 41.55, 59.36, -51.43

 

CMYK 21 / 79 / 0 / 35

HEX #8322A5

RGB 131 34 165

HSL 284.43, 0.66%, 0.39%

LAB 35.37, 58.74, -50.22

 

CMYK 22 / 89 / 0 / 43

HEX #721092

RGB 114 16 146

HSL 285.23, 0.8%, 0.32%

LAB 29.47, 57, -48.34

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 2 / 60 / 0 / 13

HEX #DA58DE

RGB 218 88 222

HSL 298.21, 0.67%, 0.61%

LAB 59.12, 67.59, -44.68

 

CMYK 0 / 60 / 14 / 13

HEX #DE58BE

RGB 222 88 190

HSL 314.33, 0.67%, 0.61%

LAB 58.25, 63.51, -27.82

 

CMYK 0 / 60 / 31 / 13

HEX #DE589A

RGB 222 88 154

HSL 330.45, 0.67%, 0.61%

LAB 56.92, 58.64, -9.01

 

CMYK 0 / 60 / 47 / 13

HEX #DE5876

RGB 222 88 118

HSL 346.57, 0.67%, 0.61%

LAB 55.9, 54.77, 10.68

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 34 / 60 / 0 / 13

HEX #9258DE

RGB 146 88 222

HSL 265.97, 0.67%, 0.61%

LAB 49.94, 50.57, -59.87

 

CMYK 50 / 60 / 0 / 13

HEX #6E58DE

RGB 110 88 222

HSL 249.85, 0.67%, 0.61%

LAB 46.4, 43.07, -65.75

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 21 / 70 / 0 / 7

HEX #BC48EE

RGB 188 72 238

HSL 281.93, 0.83%, 0.61%

LAB 53.49, 70.38, -62.89

 

CMYK 23 / 78 / 0 / 0

HEX #C338FE

RGB 195 56 254

HSL 282.12, 0.99%, 0.61%

LAB 53.59, 80.32, -71.62

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 15 / 49 / 0 / 19

HEX #AF69CE

RGB 175 105 206

HSL 281.58, 0.51%, 0.61%

LAB 55.76, 45.18, -41.31

 

CMYK 11 / 36 / 0 / 26

HEX #A979BD

RGB 169 121 189

HSL 282.35, 0.34%, 0.61%

LAB 57.83, 30.99, -28.45

 

CMYK 6 / 21 / 0 / 32

HEX #A289AD

RGB 162 137 173

HSL 281.67, 0.18%, 0.61%

LAB 60.42, 16.22, -15.43

 

CMYK 1 / 3 / 0 / 38

HEX #9C999D

RGB 156 153 157

HSL 285, 0.02%, 0.61%

LAB 63.58, 1.86, -1.71

 

CMYK 50 / 60 / 0 / 13

HEX #6F58DE

RGB 111 88 222

HSL 250.3, 0.67%, 0.61%

LAB 46.49, 43.26, -65.61

 

CMYK 34 / 60 / 0 / 13

HEX #9258DE

RGB 146 88 222

HSL 265.97, 0.67%, 0.61%

LAB 49.94, 50.57, -59.87

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 60 / 14 / 13

HEX #DE58BF

RGB 222 88 191

HSL 313.88, 0.67%, 0.61%

LAB 58.29, 63.66, -28.33

 

CMYK 24 / 81 / 0 / 25

HEX #9125BE

RGB 145 37 190

HSL 282.35, 0.67%, 0.45%

LAB 39.68, 65.27, -58

 

CMYK 22 / 75 / 0 / 16

HEX #A736D7

RGB 167 54 215

HSL 282.11, 0.67%, 0.53%

LAB 46.66, 68.53, -61.04

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 14 / 46 / 0 / 11

HEX #C57BE4

RGB 197 123 228

HSL 282.29, 0.66%, 0.69%

LAB 63.04, 46.42, -42.05

 

CMYK 10 / 33 / 0 / 8

HEX #D49DEB

RGB 212 157 235

HSL 282.31, 0.66%, 0.77%

LAB 72.3, 34.03, -31.37

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 0 / 60 / 54 / 13

HEX #DE5866

RGB 222 88 102

HSL 353.73, 0.67%, 0.61%

LAB 55.55, 53.39, 19.61

 

CMYK 60 / 0 / 42 / 13

HEX #58DE80

RGB 88 222 128

HSL 137.91, 0.67%, 0.61%

LAB 79.54, -56.74, 35.44

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 0 / 18 / 60 / 13

HEX #DEB658

RGB 222 182 88

HSL 42.09, 0.67%, 0.61%

LAB 75.88, 3.83, 52.3

 

CMYK 60 / 0 / 18 / 13

HEX #58DEB6

RGB 88 222 182

HSL 162.09, 0.67%, 0.61%

LAB 80.57, -46.01, 8.82

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 0 / 60 / 54 / 13

HEX #DE5866

RGB 222 88 102

HSL 353.73, 0.67%, 0.61%

LAB 55.55, 53.39, 19.61

 

CMYK 42 / 0 / 60 / 13

HEX #80DE58

RGB 128 222 88

HSL 102.09, 0.67%, 0.61%

LAB 80.48, -51.49, 55.77

 

CMYK 60 / 0 / 6 / 13

HEX #58DED0

RGB 88 222 208

HSL 173.73, 0.67%, 0.61%

LAB 81.22, -39.64, -4.04

 

CMYK 18 / 60 / 0 / 13

HEX #B658DE

RGB 182 88 222

HSL 282.09, 0.67%, 0.61%

LAB 54.24, 58.9, -52.74

 

CMYK 0 / 48 / 60 / 13

HEX #DE7358

RGB 222 115 88

HSL 12.09, 0.67%, 0.61%

LAB 60.33, 39.37, 33.82

 

CMYK 42 / 0 / 60 / 13

HEX #80DE58

RGB 128 222 88

HSL 102.09, 0.67%, 0.61%

LAB 80.48, -51.49, 55.77

 

CMYK 60 / 12 / 0 / 13

HEX #58C3DE

RGB 88 195 222

HSL 192.09, 0.67%, 0.61%

LAB 73.79, -22.85, -22.7

 

Description

Color code: HEX #B658DE | qconv.com Color code: HEX #B658DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 88 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 88 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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