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Color name
HEX #B67925

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B67925 it is the complementary color #4986DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B67925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B67925 shade: #BB7920, #CC8B33, #DD9D46, #EEAF59 and #FFC16C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B67925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B67925 shade: #B67925, #A56712, #945500, #834300 and #723100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B67925 shade: #B67925, #B65225, #B62B25 and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B67925 shade: #B67925, #B6A025, #A4B625, #7DB625 and #56B625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B67925 shade matches the following richer shades: #B67925, #C77B13 and #D97E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B67925 shade: #B67925, #A47637, #927348, #80705A and #6F6D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B67925 shade: #B62A25, #B65025, #B67725, #B69D25 and #A7B625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B67925 shade: #714B17, #93621E, #B67925, #D48F2F and #DBA152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B67925 shade: #B67925, #47B625 and #3D25B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B67925 shade: #B67925, #25B677 and #7725B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B67925 shade: #B67925, #47B625, #2564B6 and #9425B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B67925 shade: #B67925, #25B62E, #2564B6 and #B625AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

Complementary color

CMYK 67 / 39 / 0 / 15

HEX #4986DA

RGB 73 134 218

HSL 214.76, 0.66%, 0.57%

LAB 55.61, 7.04, -48.82

 

CMYK 0 / 35 / 83 / 27

HEX #BB7920

RGB 187 121 32

HSL 34.45, 0.71%, 0.43%

LAB 56.43, 18.87, 55.17

 

CMYK 0 / 32 / 75 / 20

HEX #CC8B33

RGB 204 139 51

HSL 34.51, 0.6%, 0.5%

LAB 62.96, 17.11, 54.56

 

CMYK 0 / 29 / 68 / 13

HEX #DD9D46

RGB 221 157 70

HSL 34.57, 0.69%, 0.57%

LAB 69.42, 15.6, 53.46

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF59

RGB 238 175 89

HSL 34.63, 0.81%, 0.64%

LAB 75.8, 14.29, 52.17

 

CMYK 0 / 24 / 58 / 0

HEX #FFC16C

RGB 255 193 108

HSL 34.69, 1%, 0.71%

LAB 82.1, 13.15, 50.83

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 38 / 89 / 35

HEX #A56712

RGB 165 103 18

HSL 34.69, 0.8%, 0.36%

LAB 49.18, 18.77, 52.54

 

CMYK 0 / 43 / 100 / 42

HEX #945500

RGB 148 85 0

HSL 34.46, 1%, 0.29%

LAB 42.45, 21.01, 51.24

 

CMYK 0 / 49 / 100 / 49

HEX #834300

RGB 131 67 0

HSL 30.69, 1%, 0.26%

LAB 35.67, 23.61, 45.76

 

CMYK 0 / 57 / 100 / 55

HEX #723100

RGB 114 49 0

HSL 25.79, 1%, 0.22%

LAB 28.84, 26.21, 39.83

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 55 / 80 / 29

HEX #B65225

RGB 182 82 37

HSL 18.62, 0.66%, 0.43%

LAB 47.12, 37.87, 44.24

 

CMYK 0 / 76 / 80 / 29

HEX #B62B25

RGB 182 43 37

HSL 2.48, 0.66%, 0.43%

LAB 40.91, 54.51, 38.05

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 12 / 80 / 29

HEX #B6A025

RGB 182 160 37

HSL 50.9, 0.66%, 0.43%

LAB 65.92, -4.56, 61.69

 

CMYK 10 / 0 / 80 / 29

HEX #A4B625

RGB 164 182 37

HSL 67.45, 0.66%, 0.43%

LAB 70.51, -23.72, 65.21

 

CMYK 31 / 0 / 80 / 29

HEX #7DB625

RGB 125 182 37

HSL 83.59, 0.66%, 0.43%

LAB 67.98, -39.43, 61.98

 

CMYK 53 / 0 / 80 / 29

HEX #56B625

RGB 86 182 37

HSL 99.72, 0.66%, 0.43%

LAB 66.19, -52.47, 59.67

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 38 / 90 / 22

HEX #C77B13

RGB 199 123 19

HSL 34.67, 0.83%, 0.43%

LAB 58.37, 22.69, 61.29

 

CMYK 0 / 42 / 100 / 15

HEX #D97E01

RGB 217 126 1

HSL 34.72, 0.99%, 0.43%

LAB 61.37, 28.53, 67.73

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 28 / 66 / 36

HEX #A47637

RGB 164 118 55

HSL 34.68, 0.5%, 0.43%

LAB 53.09, 11.42, 40.92

 

CMYK 0 / 21 / 51 / 43

HEX #927348

RGB 146 115 72

HSL 34.86, 0.34%, 0.43%

LAB 50.5, 6.51, 28.32

 

CMYK 0 / 13 / 30 / 50

HEX #80705A

RGB 128 112 90

HSL 34.74, 0.17%, 0.43%

LAB 48.15, 2.63, 14.54

 

CMYK 0 / 2 / 3 / 56

HEX #6F6D6C

RGB 111 109 108

HSL 20, 0.01%, 0.43%

LAB 46.18, 0.57, 0.82

 

CMYK 0 / 77 / 80 / 29

HEX #B62A25

RGB 182 42 37

HSL 2.07, 0.66%, 0.43%

LAB 40.79, 54.84, 37.93

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 35 / 80 / 29

HEX #B67725

RGB 182 119 37

HSL 33.93, 0.66%, 0.43%

LAB 55.35, 17.95, 52.07

 

CMYK 0 / 14 / 80 / 29

HEX #B69D25

RGB 182 157 37

HSL 49.66, 0.66%, 0.43%

LAB 65.12, -2.95, 60.97

 

CMYK 8 / 0 / 80 / 29

HEX #A7B625

RGB 167 182 37

HSL 66.21, 0.66%, 0.43%

LAB 70.74, -22.45, 65.5

 

CMYK 0 / 34 / 80 / 56

HEX #714B17

RGB 113 75 23

HSL 34.67, 0.66%, 0.27%

LAB 35.21, 11.14, 35.78

 

CMYK 0 / 33 / 80 / 42

HEX #93621E

RGB 147 98 30

HSL 34.87, 0.66%, 0.35%

LAB 45.68, 13.83, 44.28

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 0 / 33 / 78 / 17

HEX #D48F2F

RGB 212 143 47

HSL 34.91, 0.66%, 0.51%

LAB 64.84, 18.22, 58.33

 

CMYK 0 / 26 / 63 / 14

HEX #DBA152

RGB 219 161 82

HSL 34.6, 0.66%, 0.59%

LAB 70.29, 13.34, 48.71

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 61 / 0 / 80 / 29

HEX #47B625

RGB 71 182 37

HSL 105.93, 0.66%, 0.43%

LAB 65.69, -56.42, 59.03

 

CMYK 66 / 80 / 0 / 29

HEX #3D25B6

RGB 61 37 182

HSL 249.93, 0.66%, 0.43%

LAB 28.62, 51.54, -71.79

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 80 / 0 / 35 / 29

HEX #25B677

RGB 37 182 119

HSL 153.93, 0.66%, 0.43%

LAB 65.89, -51.56, 21.83

 

CMYK 35 / 80 / 0 / 29

HEX #7725B6

RGB 119 37 182

HSL 273.93, 0.66%, 0.43%

LAB 35.25, 59.23, -60.66

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 61 / 0 / 80 / 29

HEX #47B625

RGB 71 182 37

HSL 105.93, 0.66%, 0.43%

LAB 65.69, -56.42, 59.03

 

CMYK 80 / 45 / 0 / 29

HEX #2564B6

RGB 37 100 182

HSL 213.93, 0.66%, 0.43%

LAB 42.59, 10.02, -49.07

 

CMYK 19 / 80 / 0 / 29

HEX #9425B6

RGB 148 37 182

HSL 285.93, 0.66%, 0.43%

LAB 39.57, 64.24, -53.44

 

CMYK 0 / 34 / 80 / 29

HEX #B67925

RGB 182 121 37

HSL 34.76, 0.66%, 0.43%

LAB 55.84, 16.83, 52.53

 

CMYK 80 / 0 / 75 / 29

HEX #25B62E

RGB 37 182 46

HSL 123.72, 0.66%, 0.43%

LAB 65, -62.09, 55.17

 

CMYK 80 / 45 / 0 / 29

HEX #2564B6

RGB 37 100 182

HSL 213.93, 0.66%, 0.43%

LAB 42.59, 10.02, -49.07

 

CMYK 0 / 80 / 5 / 29

HEX #B625AC

RGB 182 37 172

HSL 304.14, 0.66%, 0.43%

LAB 44.58, 69.16, -39.18

 

Description

Color code: HEX #B67925 | qconv.com Color code: HEX #B67925 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 121 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 121 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 80 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 80% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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