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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A980 it is the complementary color #49567F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A980 shade: #BBA97B, #CCBB8E, #DDCDA1, #EEDFB4 and #FFF1C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A980 shade: #B6A980, #A5976D, #94855A, #837347 and #726134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A980 shade: #B6A980, #B69A80, #B68C80 and #B68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A980 shade: #B6A980, #B4B680, #A6B680, #97B680 and #89B680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A980 shade matches the following richer shades: #B6A980, #C6B170, #D6BA60, #E6C250 and #F6CA40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A980 shade: #B6A980, #A6A190, #9698A0, #8690B0 and #7688C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A980 shade: #B68C80, #B69A80, #B6A880, #B5B680 and #A7B680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A980 shade: #918253, #A79766, #B6A980, #C5BB9A and #D4CCB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A980 shade: #B6A980, #83B680 and #9380B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A980 shade: #B6A980, #80B6A8 and #A880B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A980 shade: #B6A980, #83B680, #808EB6 and #B380B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A980 shade: #B6A980, #80B68E, #808EB6 and #B680A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

Complementary color

CMYK 43 / 32 / 0 / 50

HEX #49567F

RGB 73 86 127

HSL 225.56, 0.27%, 0.39%

LAB 37.12, 6.32, -24.71

 

CMYK 0 / 10 / 34 / 27

HEX #BBA97B

RGB 187 169 123

HSL 43.13, 0.32%, 0.61%

LAB 69.73, -0.37, 26.14

 

CMYK 0 / 8 / 30 / 20

HEX #CCBB8E

RGB 204 187 142

HSL 43.55, 0.38%, 0.68%

LAB 76.27, -0.79, 25.02

 

CMYK 0 / 7 / 27 / 13

HEX #DDCDA1

RGB 221 205 161

HSL 44, 0.47%, 0.75%

LAB 82.7, -1.15, 23.96

 

CMYK 0 / 6 / 24 / 7

HEX #EEDFB4

RGB 238 223 180

HSL 44.48, 0.63%, 0.82%

LAB 89.04, -1.47, 22.96

 

CMYK 0 / 5 / 22 / 0

HEX #FFF1C7

RGB 255 241 199

HSL 45, 1%, 0.89%

LAB 95.28, -1.75, 22.01

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 0 / 8 / 34 / 35

HEX #A5976D

RGB 165 151 109

HSL 45, 0.24%, 0.54%

LAB 62.71, -1.32, 24.04

 

CMYK 0 / 10 / 39 / 42

HEX #94855A

RGB 148 133 90

HSL 44.48, 0.24%, 0.47%

LAB 55.9, -0.84, 25.26

 

CMYK 0 / 12 / 46 / 49

HEX #837347

RGB 131 115 71

HSL 44, 0.3%, 0.4%

LAB 48.94, -0.25, 26.58

 

CMYK 0 / 15 / 54 / 55

HEX #726134

RGB 114 97 52

HSL 43.55, 0.37%, 0.33%

LAB 41.81, 0.51, 27.98

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 0 / 15 / 30 / 29

HEX #B69A80

RGB 182 154 128

HSL 28.89, 0.27%, 0.61%

LAB 65.45, 6.44, 17.52

 

CMYK 0 / 23 / 30 / 29

HEX #B68C80

RGB 182 140 128

HSL 13.33, 0.27%, 0.61%

LAB 61.88, 14.19, 12.55

 

CMYK 0 / 30 / 30 / 29

HEX #B68080

RGB 182 128 128

HSL 0, 0.27%, 0.61%

LAB 58.92, 20.9, 8.37

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 1 / 0 / 30 / 29

HEX #B4B680

RGB 180 182 128

HSL 62.22, 0.27%, 0.61%

LAB 72.71, -9.39, 27.33

 

CMYK 9 / 0 / 30 / 29

HEX #A6B680

RGB 166 182 128

HSL 77.78, 0.27%, 0.61%

LAB 71.64, -14.81, 25.71

 

CMYK 17 / 0 / 30 / 29

HEX #97B680

RGB 151 182 128

HSL 94.44, 0.27%, 0.61%

LAB 70.59, -20.44, 24.12

 

CMYK 25 / 0 / 30 / 29

HEX #89B680

RGB 137 182 128

HSL 110, 0.27%, 0.61%

LAB 69.71, -25.47, 22.78

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 0 / 11 / 43 / 22

HEX #C6B170

RGB 198 177 112

HSL 45.35, 0.43%, 0.61%

LAB 72.64, -1.43, 35.95

 

CMYK 0 / 13 / 55 / 16

HEX #D6BA60

RGB 214 186 96

HSL 45.76, 0.59%, 0.61%

LAB 76.23, -1.02, 48.7

 

CMYK 0 / 16 / 65 / 10

HEX #E6C250

RGB 230 194 80

HSL 45.6, 0.75%, 0.61%

LAB 79.61, 0.41, 60.22

 

CMYK 0 / 18 / 74 / 4

HEX #F6CA40

RGB 246 202 64

HSL 45.49, 0.91%, 0.61%

LAB 83.02, 2.22, 70.53

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 0 / 3 / 13 / 35

HEX #A6A190

RGB 166 161 144

HSL 46.36, 0.11%, 0.61%

LAB 66.22, -1.2, 9.49

 

CMYK 6 / 5 / 0 / 37

HEX #9698A0

RGB 150 152 160

HSL 228, 0.05%, 0.61%

LAB 62.91, 0.88, -4.44

 

CMYK 24 / 18 / 0 / 31

HEX #8690B0

RGB 134 144 176

HSL 225.71, 0.21%, 0.61%

LAB 60.02, 3.58, -17.96

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 0 / 23 / 30 / 29

HEX #B68C80

RGB 182 140 128

HSL 13.33, 0.27%, 0.61%

LAB 61.88, 14.19, 12.55

 

CMYK 0 / 15 / 30 / 29

HEX #B69A80

RGB 182 154 128

HSL 28.89, 0.27%, 0.61%

LAB 65.45, 6.44, 17.52

 

CMYK 0 / 8 / 30 / 29

HEX #B6A880

RGB 182 168 128

HSL 44.44, 0.27%, 0.61%

LAB 69.12, -1.18, 22.54

 

CMYK 1 / 0 / 30 / 29

HEX #B5B680

RGB 181 182 128

HSL 61.11, 0.27%, 0.61%

LAB 72.79, -9, 27.45

 

CMYK 8 / 0 / 30 / 29

HEX #A7B680

RGB 167 182 128

HSL 76.67, 0.27%, 0.61%

LAB 71.71, -14.43, 25.82

 

CMYK 0 / 10 / 43 / 43

HEX #918253

RGB 145 130 83

HSL 45.48, 0.27%, 0.45%

LAB 54.67, -1.27, 27.5

 

CMYK 0 / 10 / 39 / 35

HEX #A79766

RGB 167 151 102

HSL 45.23, 0.27%, 0.53%

LAB 62.77, -1.36, 27.98

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 0 / 5 / 22 / 23

HEX #C5BB9A

RGB 197 187 154

HSL 46.05, 0.27%, 0.69%

LAB 75.91, -1.83, 18.01

 

CMYK 0 / 4 / 15 / 17

HEX #D4CCB5

RGB 212 204 181

HSL 44.52, 0.26%, 0.77%

LAB 82.12, -1.07, 12.45

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 28 / 0 / 30 / 29

HEX #83B680

RGB 131 182 128

HSL 116.67, 0.27%, 0.61%

LAB 69.36, -27.54, 22.24

 

CMYK 19 / 30 / 0 / 29

HEX #9380B6

RGB 147 128 182

HSL 261.11, 0.27%, 0.61%

LAB 57.09, 18.41, -25.77

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 30 / 0 / 8 / 29

HEX #80B6A8

RGB 128 182 168

HSL 164.44, 0.27%, 0.61%

LAB 70.09, -20.72, 1.45

 

CMYK 8 / 30 / 0 / 29

HEX #A880B6

RGB 168 128 182

HSL 284.44, 0.27%, 0.61%

LAB 59.1, 25.23, -22.5

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 28 / 0 / 30 / 29

HEX #83B680

RGB 131 182 128

HSL 116.67, 0.27%, 0.61%

LAB 69.36, -27.54, 22.24

 

CMYK 30 / 22 / 0 / 29

HEX #808EB6

RGB 128 142 182

HSL 224.44, 0.27%, 0.61%

LAB 59.26, 4.35, -22.56

 

CMYK 2 / 30 / 0 / 29

HEX #B380B6

RGB 179 128 182

HSL 296.67, 0.27%, 0.61%

LAB 60.25, 28.88, -20.65

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 30 / 0 / 22 / 29

HEX #80B68E

RGB 128 182 142

HSL 135.56, 0.27%, 0.61%

LAB 69.47, -26.04, 14.8

 

CMYK 30 / 22 / 0 / 29

HEX #808EB6

RGB 128 142 182

HSL 224.44, 0.27%, 0.61%

LAB 59.26, 4.35, -22.56

 

CMYK 0 / 30 / 8 / 29

HEX #B680A8

RGB 182 128 168

HSL 315.56, 0.27%, 0.61%

LAB 60.08, 27.28, -12.89

 

Description

Color code: HEX #B6A980 | qconv.com Color code: HEX #B6A980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 169 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 169 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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