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Color name
HEX #7688C1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7688C1 it is the complementary color #89773E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7688C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7688C1 shade: #7B88BC, #8C9ACF, #9DACE2, #AEBEF5 and #BFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7688C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7688C1 shade: #7688C1, #6576AE, #54649B, #435288 and #324075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7688C1 shade: #7587C1, #7875C1, #8C75C1, #A075C1 and #B575C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7688C1 shade: #7587C1 and #7575C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7688C1 shade matches the following richer shades: #7587C1, #657FD1, #5577E1 and #456EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7688C1 shade: #7587C1, #8590B1, #9598A1, #A6A191 and #B6A980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7688C1 shade: #75B0C1, #759CC1, #7588C1, #7775C1 and #8B75C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7688C1 shade: #465B9D, #596FB4, #7587C1, #92A0CE and #AEB9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7688C1 shade: #7688C1, #BD75C1 and #A6C175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7688C1 shade: #7688C1, #C17588 and #88C175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7688C1 shade: #7688C1, #BD75C1, #C1AE75 and #79C175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7688C1 shade: #7688C1, #C175AE, #C1AE75 and #75C188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

Complementary color

CMYK 0 / 13 / 55 / 46

HEX #89773E

RGB 137 119 62

HSL 45.6, 0.38%, 0.39%

LAB 50.52, -0.76, 33.59

 

CMYK 35 / 28 / 0 / 26

HEX #7B88BC

RGB 123 136 188

HSL 228, 0.33%, 0.61%

LAB 57.51, 7.92, -28.7

 

CMYK 32 / 26 / 0 / 19

HEX #8C9ACF

RGB 140 154 207

HSL 227.46, 0.41%, 0.68%

LAB 64.32, 7.47, -28.77

 

CMYK 31 / 24 / 0 / 11

HEX #9DACE2

RGB 157 172 226

HSL 226.96, 0.54%, 0.75%

LAB 70.98, 7.07, -28.87

 

CMYK 29 / 22 / 0 / 4

HEX #AEBEF5

RGB 174 190 245

HSL 226.48, 0.78%, 0.82%

LAB 77.53, 6.71, -29.01

 

CMYK 25 / 18 / 0 / 0

HEX #BFD0FF

RGB 191 208 255

HSL 224.06, 1%, 0.87%

LAB 83.66, 4.29, -24.87

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 42 / 32 / 0 / 32

HEX #6576AE

RGB 101 118 174

HSL 226.03, 0.31%, 0.54%

LAB 50.43, 8.49, -31.8

 

CMYK 46 / 35 / 0 / 39

HEX #54649B

RGB 84 100 155

HSL 226.48, 0.3%, 0.47%

LAB 43.31, 9.23, -31.88

 

CMYK 51 / 40 / 0 / 47

HEX #435288

RGB 67 82 136

HSL 226.96, 0.34%, 0.4%

LAB 35.99, 10.15, -32.03

 

CMYK 57 / 45 / 0 / 54

HEX #324075

RGB 50 64 117

HSL 227.46, 0.4%, 0.33%

LAB 28.46, 11.36, -32.26

 

CMYK 39 / 30 / 0 / 24

HEX #7587C1

RGB 117 135 193

HSL 225.79, 0.38%, 0.61%

LAB 57.04, 8.2, -32.31

 

CMYK 38 / 39 / 0 / 24

HEX #7875C1

RGB 120 117 193

HSL 242.37, 0.38%, 0.61%

LAB 52.47, 19.72, -39.44

 

CMYK 27 / 39 / 0 / 24

HEX #8C75C1

RGB 140 117 193

HSL 258.16, 0.38%, 0.61%

LAB 54.18, 25.36, -36.63

 

CMYK 17 / 39 / 0 / 24

HEX #A075C1

RGB 160 117 193

HSL 273.95, 0.38%, 0.61%

LAB 56.13, 31.33, -33.44

 

CMYK 6 / 39 / 0 / 24

HEX #B575C1

RGB 181 117 193

HSL 290.53, 0.38%, 0.61%

LAB 58.41, 37.79, -29.72

 

CMYK 39 / 30 / 0 / 24

HEX #7587C1

RGB 117 135 193

HSL 225.79, 0.38%, 0.61%

LAB 57.04, 8.2, -32.31

 

CMYK 39 / 39 / 0 / 24

HEX #7575C1

RGB 117 117 193

HSL 240, 0.38%, 0.61%

LAB 52.24, 18.91, -39.83

 

CMYK 39 / 30 / 0 / 24

HEX #7587C1

RGB 117 135 193

HSL 225.79, 0.38%, 0.61%

LAB 57.04, 8.2, -32.31

 

CMYK 52 / 39 / 0 / 18

HEX #657FD1

RGB 101 127 209

HSL 225.56, 0.54%, 0.61%

LAB 54.6, 13.73, -45.26

 

CMYK 62 / 47 / 0 / 12

HEX #5577E1

RGB 85 119 225

HSL 225.43, 0.7%, 0.61%

LAB 52.47, 20.63, -57.75

 

CMYK 71 / 54 / 0 / 5

HEX #456EF1

RGB 69 110 241

HSL 225.7, 0.86%, 0.61%

LAB 50.41, 29.35, -70.07

 

CMYK 39 / 30 / 0 / 24

HEX #7587C1

RGB 117 135 193

HSL 225.79, 0.38%, 0.61%

LAB 57.04, 8.2, -32.31

 

CMYK 25 / 19 / 0 / 31

HEX #8590B1

RGB 133 144 177

HSL 225, 0.22%, 0.61%

LAB 59.99, 3.5, -18.59

 

CMYK 7 / 6 / 0 / 37

HEX #9598A1

RGB 149 152 161

HSL 225, 0.06%, 0.61%

LAB 62.86, 0.73, -5.09

 

CMYK 0 / 3 / 13 / 35

HEX #A6A191

RGB 166 161 145

HSL 45.71, 0.11%, 0.61%

LAB 66.24, -1.03, 8.97

 

CMYK 0 / 7 / 30 / 29

HEX #B6A980

RGB 182 169 128

HSL 45.56, 0.27%, 0.61%

LAB 69.38, -1.72, 22.9

 

CMYK 39 / 9 / 0 / 24

HEX #75B0C1

RGB 117 176 193

HSL 193.42, 0.38%, 0.61%

LAB 68.52, -14.72, -14.71

 

CMYK 39 / 19 / 0 / 24

HEX #759CC1

RGB 117 156 193

HSL 209.21, 0.38%, 0.61%

LAB 62.85, -3.85, -23.32

 

CMYK 39 / 30 / 0 / 24

HEX #7588C1

RGB 117 136 193

HSL 225, 0.38%, 0.61%

LAB 57.31, 7.61, -31.88

 

CMYK 38 / 39 / 0 / 24

HEX #7775C1

RGB 119 117 193

HSL 241.58, 0.38%, 0.61%

LAB 52.39, 19.45, -39.57

 

CMYK 28 / 39 / 0 / 24

HEX #8B75C1

RGB 139 117 193

HSL 257.37, 0.38%, 0.61%

LAB 54.09, 25.07, -36.78

 

CMYK 55 / 42 / 0 / 38

HEX #465B9D

RGB 70 91 157

HSL 225.52, 0.38%, 0.45%

LAB 39.95, 12.12, -38.44

 

CMYK 51 / 38 / 0 / 29

HEX #596FB4

RGB 89 111 180

HSL 225.49, 0.38%, 0.53%

LAB 47.99, 11.53, -39.16

 

CMYK 39 / 30 / 0 / 24

HEX #7587C1

RGB 117 135 193

HSL 225.79, 0.38%, 0.61%

LAB 57.04, 8.2, -32.31

 

CMYK 29 / 22 / 0 / 19

HEX #92A0CE

RGB 146 160 206

HSL 226, 0.38%, 0.69%

LAB 66.3, 5.57, -25.13

 

CMYK 20 / 15 / 0 / 15

HEX #AEB9DA

RGB 174 185 218

HSL 225, 0.37%, 0.77%

LAB 75.3, 3.13, -17.82

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 14 / 0 / 39 / 24

HEX #A6C175

RGB 166 193 117

HSL 81.32, 0.38%, 0.61%

LAB 74.53, -21.84, 35.27

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 0 / 39 / 30 / 24

HEX #C17588

RGB 193 117 136

HSL 345, 0.38%, 0.61%

LAB 57.88, 32.24, 2.43

 

CMYK 30 / 0 / 39 / 24

HEX #88C175

RGB 136 193 117

HSL 105, 0.38%, 0.61%

LAB 72.67, -32.78, 32.5

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 10 / 39 / 24

HEX #C1AE75

RGB 193 174 117

HSL 45, 0.38%, 0.61%

LAB 71.48, -1.33, 31.75

 

CMYK 37 / 0 / 39 / 24

HEX #79C175

RGB 121 193 117

HSL 116.84, 0.38%, 0.61%

LAB 71.89, -37.76, 31.33

 

CMYK 39 / 30 / 0 / 24

HEX #7688C1

RGB 118 136 193

HSL 225.6, 0.38%, 0.61%

LAB 57.38, 7.89, -31.77

 

CMYK 0 / 39 / 10 / 24

HEX #C175AE

RGB 193 117 174

HSL 315, 0.38%, 0.61%

LAB 59.08, 38.11, -17.72

 

CMYK 0 / 10 / 39 / 24

HEX #C1AE75

RGB 193 174 117

HSL 45, 0.38%, 0.61%

LAB 71.48, -1.33, 31.75

 

CMYK 39 / 0 / 30 / 24

HEX #75C188

RGB 117 193 136

HSL 135, 0.38%, 0.61%

LAB 72.03, -35.81, 21.48

 

Description

Color code: HEX #7688C1 | qconv.com Color code: HEX #7688C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 136 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 136 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 30 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 30% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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