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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6F44B it is the complementary color #490BB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6F44B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6F44B shade: #BBF446, #CCFF59, #DDFF6C, #EEFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6F44B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6F44B shade: #B6F44B, #A5E238, #94D025, #83BE12 and #72AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6F44B shade: #B6F34D, #E3F34D, #F3D74D, #F3AA4D and #F37D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6F44B shade: #B6F34D, #89F34D, #5DF34D, #4DF36A and #4DF397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6F44B shade matches the following richer shades: #B6F34D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6F44B shade: #B6F34D, #B2E45C, #AED56C, #AAC57B and #A6B68A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6F44B shade: #F3D84D, #E3F34D, #B6F34D, #8AF34D and #5EF34D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6F44B shade: #93E00E, #A6F126, #B6F34D, #C6F674 and #D6F89B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6F44B shade: #B6F44B, #4DF3AB and #EE4DF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6F44B shade: #B6F44B, #4DB6F3 and #F34DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6F44B shade: #B6F44B, #4DF3AB, #8A4DF3 and #F34D95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6F44B shade: #B6F44B, #4DF3DD, #8A4DF3 and #F34D63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

Complementary color

CMYK 59 / 94 / 0 / 29

HEX #490BB4

RGB 73 11 180

HSL 262.01, 0.88%, 0.37%

LAB 26.59, 60.84, -73.92

 

CMYK 23 / 0 / 71 / 4

HEX #BBF446

RGB 187 244 70

HSL 79.66, 0.89%, 0.62%

LAB 89.72, -41.72, 73.41

 

CMYK 20 / 0 / 65 / 0

HEX #CCFF59

RGB 204 255 89

HSL 78.43, 1%, 0.67%

LAB 93.92, -39.07, 71.13

 

CMYK 13 / 0 / 58 / 0

HEX #DDFF6C

RGB 221 255 108

HSL 73.88, 1%, 0.71%

LAB 95.15, -31.28, 65.11

 

CMYK 7 / 0 / 50 / 0

HEX #EEFF7F

RGB 238 255 127

HSL 67.97, 1%, 0.75%

LAB 96.5, -23.2, 58.63

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

CMYK 27 / 0 / 75 / 11

HEX #A5E238

RGB 165 226 56

HSL 81.53, 0.75%, 0.55%

LAB 83.27, -42.79, 71.31

 

CMYK 29 / 0 / 82 / 18

HEX #94D025

RGB 148 208 37

HSL 81.05, 0.7%, 0.48%

LAB 77.01, -42.15, 70.58

 

CMYK 31 / 0 / 91 / 25

HEX #83BE12

RGB 131 190 18

HSL 80.58, 0.83%, 0.41%

LAB 70.66, -41.31, 68.72

 

CMYK 34 / 0 / 100 / 33

HEX #72AC00

RGB 114 172 0

HSL 80.23, 1%, 0.34%

LAB 64.23, -40.25, 65.57

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 7 / 0 / 68 / 5

HEX #E3F34D

RGB 227 243 77

HSL 65.78, 0.87%, 0.63%

LAB 92.12, -25.35, 74.22

 

CMYK 0 / 12 / 68 / 5

HEX #F3D74D

RGB 243 215 77

HSL 49.88, 0.87%, 0.63%

LAB 86.1, -5.06, 68.59

 

CMYK 0 / 30 / 68 / 5

HEX #F3AA4D

RGB 243 170 77

HSL 33.61, 0.87%, 0.63%

LAB 75.04, 18.3, 57.05

 

CMYK 0 / 49 / 68 / 5

HEX #F37D4D

RGB 243 125 77

HSL 17.35, 0.87%, 0.63%

LAB 65.17, 41.67, 46.15

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 44 / 0 / 68 / 5

HEX #89F34D

RGB 137 243 77

HSL 98.31, 0.87%, 0.63%

LAB 86.97, -57.93, 67.33

 

CMYK 62 / 0 / 68 / 5

HEX #5DF34D

RGB 93 243 77

HSL 114.22, 0.87%, 0.63%

LAB 85.49, -69.41, 65.31

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 68 / 0 / 38 / 5

HEX #4DF397

RGB 77 243 151

HSL 146.75, 0.87%, 0.63%

LAB 85.96, -62.64, 32.27

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 22 / 0 / 60 / 11

HEX #B2E45C

RGB 178 228 92

HSL 82.06, 0.72%, 0.63%

LAB 84.86, -36.45, 59.67

 

CMYK 18 / 0 / 49 / 16

HEX #AED56C

RGB 174 213 108

HSL 82.29, 0.56%, 0.63%

LAB 80.55, -29.52, 47.36

 

CMYK 14 / 0 / 38 / 23

HEX #AAC57B

RGB 170 197 123

HSL 81.89, 0.39%, 0.63%

LAB 76.01, -21.54, 34.15

 

CMYK 9 / 0 / 24 / 29

HEX #A6B68A

RGB 166 182 138

HSL 81.82, 0.23%, 0.63%

LAB 71.82, -13.33, 20.6

 

CMYK 0 / 11 / 68 / 5

HEX #F3D84D

RGB 243 216 77

HSL 50.24, 0.87%, 0.63%

LAB 86.36, -5.57, 68.85

 

CMYK 7 / 0 / 68 / 5

HEX #E3F34D

RGB 227 243 77

HSL 65.78, 0.87%, 0.63%

LAB 92.12, -25.35, 74.22

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 43 / 0 / 68 / 5

HEX #8AF34D

RGB 138 243 77

HSL 97.95, 0.87%, 0.63%

LAB 87.02, -57.62, 67.39

 

CMYK 61 / 0 / 68 / 5

HEX #5EF34D

RGB 94 243 77

HSL 113.86, 0.87%, 0.63%

LAB 85.51, -69.19, 65.35

 

CMYK 34 / 0 / 94 / 12

HEX #93E00E

RGB 147 224 14

HSL 82, 0.88%, 0.47%

LAB 81.59, -49.84, 78.43

 

CMYK 31 / 0 / 84 / 5

HEX #A6F126

RGB 166 241 38

HSL 82.17, 0.88%, 0.55%

LAB 87.56, -49.51, 79.91

 

CMYK 25 / 0 / 68 / 5

HEX #B6F34D

RGB 182 243 77

HSL 82.05, 0.87%, 0.63%

LAB 89.2, -42.72, 70.32

 

CMYK 20 / 0 / 53 / 4

HEX #C6F674

RGB 198 246 116

HSL 82.15, 0.88%, 0.71%

LAB 91.31, -35.09, 56.83

 

CMYK 14 / 0 / 38 / 3

HEX #D6F89B

RGB 214 248 155

HSL 81.94, 0.87%, 0.79%

LAB 93.36, -25.93, 41.09

 

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

CMYK 68 / 0 / 30 / 5

HEX #4DF3AB

RGB 77 243 171

HSL 153.98, 0.87%, 0.63%

LAB 86.32, -58.78, 22.59

 

CMYK 2 / 68 / 0 / 5

HEX #EE4DF3

RGB 238 77 243

HSL 298.19, 0.87%, 0.63%

LAB 61.62, 79.8, -52.28

 

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

CMYK 68 / 25 / 0 / 5

HEX #4DB6F3

RGB 77 182 243

HSL 202.05, 0.87%, 0.63%

LAB 70.53, -11.32, -39.14

 

CMYK 0 / 68 / 25 / 5

HEX #F34DB6

RGB 243 77 182

HSL 322.05, 0.87%, 0.63%

LAB 59.65, 72.25, -20.8

 

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

CMYK 68 / 0 / 30 / 5

HEX #4DF3AB

RGB 77 243 171

HSL 153.98, 0.87%, 0.63%

LAB 86.32, -58.78, 22.59

 

CMYK 43 / 68 / 0 / 5

HEX #8A4DF3

RGB 138 77 243

HSL 262.05, 0.87%, 0.63%

LAB 48.49, 59.84, -74.09

 

CMYK 0 / 68 / 39 / 5

HEX #F34D95

RGB 243 77 149

HSL 333.98, 0.87%, 0.63%

LAB 58.54, 68.53, -3.31

 

CMYK 25 / 0 / 69 / 4

HEX #B6F44B

RGB 182 244 75

HSL 82.01, 0.88%, 0.63%

LAB 89.47, -43.28, 71.32

 

CMYK 68 / 0 / 9 / 5

HEX #4DF3DD

RGB 77 243 221

HSL 172.05, 0.87%, 0.63%

LAB 87.44, -47.22, -1.8

 

CMYK 43 / 68 / 0 / 5

HEX #8A4DF3

RGB 138 77 243

HSL 262.05, 0.87%, 0.63%

LAB 48.49, 59.84, -74.09

 

CMYK 0 / 68 / 59 / 5

HEX #F34D63

RGB 243 77 99

HSL 352.05, 0.87%, 0.63%

LAB 57.33, 64.36, 24.36

 

Description

Color code: HEX #B6F44B | qconv.com Color code: HEX #B6F44B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 244 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 244 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 69 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 69% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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