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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71EA1 it is the complementary color #48E15E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71EA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71EA1 shade: #BC1E9C, #CD30AF, #DE42C2, #EF54D5 and #FF66E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71EA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71EA1 shade: #B71EA1, #A60C8E, #95007B, #840068 and #730055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71EA1 shade: #B81DA2, #B81D78, #B81D4E, #B81D25 and #B81D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71EA1 shade: #B81DA2, #A41DB8, #7B1DB8, #511DB8 and #281DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71EA1 shade matches the following richer shades: #B81DA2 and #C90CAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71EA1 shade: #B81DA2, #A62F95, #954089, #84517C and #726370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71EA1 shade: #7A1DB8, #A31DB8, #B81DA3, #B81D7A and #B81D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71EA1 shade: #711263, #941882, #B81DA2, #DB24C1 and #E147CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71EA1 shade: #B71EA1, #B8511D and #1DB88F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71EA1 shade: #B71EA1, #A3B81D and #1DA3B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71EA1 shade: #B71EA1, #B8511D, #1DB832 and #1D84B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71EA1 shade: #B71EA1, #B87F1D, #1DB832 and #1D56B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

Complementary color

CMYK 68 / 0 / 58 / 12

HEX #48E15E

RGB 72 225 94

HSL 128.63, 0.72%, 0.58%

LAB 79.63, -65.77, 51.69

 

CMYK 0 / 84 / 17 / 26

HEX #BC1E9C

RGB 188 30 156

HSL 312.15, 0.72%, 0.43%

LAB 44.26, 69.76, -30.07

 

CMYK 0 / 77 / 15 / 20

HEX #CD30AF

RGB 205 48 175

HSL 311.46, 0.62%, 0.5%

LAB 49.72, 71.55, -32.59

 

CMYK 0 / 70 / 13 / 13

HEX #DE42C2

RGB 222 66 194

HSL 310.77, 0.7%, 0.56%

LAB 55.4, 72.5, -34.55

 

CMYK 0 / 65 / 11 / 6

HEX #EF54D5

RGB 239 84 213

HSL 310.06, 0.83%, 0.63%

LAB 61.22, 72.88, -36.1

 

CMYK 0 / 60 / 9 / 0

HEX #FF66E8

RGB 255 102 232

HSL 309.02, 1%, 0.7%

LAB 66.97, 72.62, -37.58

 

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

CMYK 0 / 93 / 14 / 35

HEX #A60C8E

RGB 166 12 142

HSL 309.35, 0.87%, 0.35%

LAB 38.42, 66.47, -31.03

 

CMYK 0 / 100 / 17 / 42

HEX #95007B

RGB 149 0 123

HSL 310.47, 1%, 0.29%

LAB 33.6, 62.09, -27.03

 

CMYK 0 / 100 / 21 / 48

HEX #840068

RGB 132 0 104

HSL 312.73, 1%, 0.26%

LAB 29.17, 56.23, -22.1

 

CMYK 0 / 100 / 26 / 55

HEX #730055

RGB 115 0 85

HSL 315.65, 1%, 0.23%

LAB 24.64, 50.24, -16.94

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 0 / 84 / 35 / 28

HEX #B81D78

RGB 184 29 120

HSL 324.77, 0.73%, 0.42%

LAB 41.88, 64.75, -11.81

 

CMYK 0 / 84 / 58 / 28

HEX #B81D4E

RGB 184 29 78

HSL 341.03, 0.73%, 0.42%

LAB 40.6, 61.05, 12.75

 

CMYK 0 / 84 / 80 / 28

HEX #B81D25

RGB 184 29 37

HSL 356.9, 0.73%, 0.42%

LAB 39.92, 59.02, 37.17

 

CMYK 0 / 84 / 84 / 28

HEX #B81D1D

RGB 184 29 29

HSL 0, 0.73%, 0.42%

LAB 39.84, 58.79, 41.49

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 11 / 84 / 0 / 28

HEX #A41DB8

RGB 164 29 184

HSL 292.26, 0.73%, 0.42%

LAB 41.58, 69.58, -51.25

 

CMYK 33 / 84 / 0 / 28

HEX #7B1DB8

RGB 123 29 184

HSL 276.39, 0.73%, 0.42%

LAB 35.1, 62.86, -62.06

 

CMYK 56 / 84 / 0 / 28

HEX #511DB8

RGB 81 29 184

HSL 260.13, 0.73%, 0.42%

LAB 29.64, 57.46, -71.24

 

CMYK 78 / 84 / 0 / 28

HEX #281DB8

RGB 40 29 184

HSL 244.26, 0.73%, 0.42%

LAB 26.13, 54.18, -77.16

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 0 / 94 / 13 / 21

HEX #C90CAE

RGB 201 12 174

HSL 308.57, 0.89%, 0.42%

LAB 46.63, 77.38, -36.92

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 0 / 57 / 8 / 42

HEX #954089

RGB 149 64 137

HSL 308.47, 0.4%, 0.42%

LAB 41, 45.35, -24.15

 

CMYK 0 / 39 / 6 / 48

HEX #84517C

RGB 132 81 124

HSL 309.41, 0.24%, 0.42%

LAB 41.6, 28.34, -15.47

 

CMYK 0 / 13 / 2 / 55

HEX #726370

RGB 114 99 112

HSL 308, 0.07%, 0.42%

LAB 43.76, 8.52, -5.11

 

CMYK 34 / 84 / 0 / 28

HEX #7A1DB8

RGB 122 29 184

HSL 276, 0.73%, 0.42%

LAB 34.96, 62.72, -62.3

 

CMYK 11 / 84 / 0 / 28

HEX #A31DB8

RGB 163 29 184

HSL 291.87, 0.73%, 0.42%

LAB 41.42, 69.4, -51.53

 

CMYK 0 / 84 / 11 / 28

HEX #B81DA3

RGB 184 29 163

HSL 308.13, 0.73%, 0.42%

LAB 43.82, 70.1, -35.01

 

CMYK 0 / 84 / 34 / 28

HEX #B81D7A

RGB 184 29 122

HSL 324, 0.73%, 0.42%

LAB 41.96, 64.96, -12.94

 

CMYK 0 / 84 / 56 / 28

HEX #B81D51

RGB 184 29 81

HSL 339.87, 0.73%, 0.42%

LAB 40.68, 61.26, 10.94

 

CMYK 0 / 84 / 12 / 56

HEX #711263

RGB 113 18 99

HSL 308.84, 0.73%, 0.26%

LAB 26.29, 47.96, -23.64

 

CMYK 0 / 84 / 12 / 42

HEX #941882

RGB 148 24 130

HSL 308.71, 0.72%, 0.34%

LAB 35.12, 58.94, -29.03

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 0 / 84 / 12 / 14

HEX #DB24C1

RGB 219 36 193

HSL 308.52, 0.72%, 0.5%

LAB 52.03, 79.79, -39.3

 

CMYK 0 / 68 / 10 / 12

HEX #E147CB

RGB 225 71 203

HSL 308.57, 0.72%, 0.58%

LAB 56.91, 72.79, -37.32

 

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

CMYK 0 / 56 / 84 / 28

HEX #B8511D

RGB 184 81 29

HSL 20.13, 0.73%, 0.42%

LAB 47.19, 38.9, 48.05

 

CMYK 84 / 0 / 22 / 28

HEX #1DB88F

RGB 29 184 143

HSL 164.13, 0.73%, 0.42%

LAB 66.92, -47.63, 10.21

 

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

CMYK 11 / 0 / 84 / 28

HEX #A3B81D

RGB 163 184 29

HSL 68.13, 0.73%, 0.42%

LAB 70.98, -25.39, 67.66

 

CMYK 84 / 11 / 0 / 28

HEX #1DA3B8

RGB 29 163 184

HSL 188.13, 0.73%, 0.42%

LAB 61.58, -26.23, -20.49

 

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

CMYK 0 / 56 / 84 / 28

HEX #B8511D

RGB 184 81 29

HSL 20.13, 0.73%, 0.42%

LAB 47.19, 38.9, 48.05

 

CMYK 84 / 0 / 73 / 28

HEX #1DB832

RGB 29 184 50

HSL 128.13, 0.73%, 0.42%

LAB 65.57, -63.29, 54.27

 

CMYK 84 / 28 / 0 / 28

HEX #1D84B8

RGB 29 132 184

HSL 200.13, 0.73%, 0.42%

LAB 52.09, -9.53, -35.17

 

CMYK 0 / 84 / 12 / 28

HEX #B71EA1

RGB 183 30 161

HSL 308.63, 0.72%, 0.42%

LAB 43.61, 69.4, -34.16

 

CMYK 0 / 31 / 84 / 28

HEX #B87F1D

RGB 184 127 29

HSL 37.94, 0.73%, 0.42%

LAB 57.52, 14.12, 56.99

 

CMYK 84 / 0 / 73 / 28

HEX #1DB832

RGB 29 184 50

HSL 128.13, 0.73%, 0.42%

LAB 65.57, -63.29, 54.27

 

CMYK 84 / 53 / 0 / 28

HEX #1D56B8

RGB 29 86 184

HSL 217.94, 0.73%, 0.42%

LAB 38.51, 19.21, -56.83

 

Description

Color code: HEX #B71EA1 | qconv.com Color code: HEX #B71EA1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 30 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 30 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 12 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 12% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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