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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B722D9 it is the complementary color #48DD26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B722D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B722D9 shade: #BC22D4, #CD34E7, #DE46FA, #EF58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B722D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B722D9 shade: #B722D9, #A610C6, #9500B3, #8400A0 and #73008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B722D9 shade: #B621D8, #D821C8, #D82197, #D82166 and #D82135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B722D9 shade: #B621D8, #8521D8, #5321D8, #2221D8 and #2121D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B722D9 shade matches the following richer shades: #B621D8 and #C20DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B722D9 shade: #B621D8, #A935C3, #9C4AAF, #905E9B and #837287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B722D9 shade: #5221D8, #8321D8, #B321D8, #D821CC and #D8219B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B722D9 shade: #7A1690, #981CB4, #B621D8, #C341E1 and #CE65E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B722D9 shade: #B722D9, #D82121 and #21D86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B722D9 shade: #B722D9, #D8B321 and #21D8B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B722D9 shade: #B722D9, #D82121, #46D821 and #21D8D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B722D9 shade: #B722D9, #D85821, #46D821 and #21A1D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

Complementary color

CMYK 67 / 0 / 83 / 13

HEX #48DD26

RGB 72 221 38

HSL 108.85, 0.73%, 0.51%

LAB 78.01, -69.08, 70.12

 

CMYK 11 / 84 / 0 / 17

HEX #BC22D4

RGB 188 34 212

HSL 291.91, 0.72%, 0.48%

LAB 47.74, 77.38, -57.41

 

CMYK 11 / 77 / 0 / 9

HEX #CD34E7

RGB 205 52 231

HSL 291.28, 0.79%, 0.55%

LAB 53.17, 79.11, -59.34

 

CMYK 11 / 72 / 0 / 2

HEX #DE46FA

RGB 222 70 250

HSL 290.67, 0.95%, 0.63%

LAB 58.8, 80.05, -60.8

 

CMYK 6 / 65 / 0 / 0

HEX #EF58FF

RGB 239 88 255

HSL 294.25, 1%, 0.67%

LAB 63.8, 78.04, -55.44

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

CMYK 16 / 92 / 0 / 22

HEX #A610C6

RGB 166 16 198

HSL 289.45, 0.85%, 0.42%

LAB 42.08, 74.64, -58.63

 

CMYK 17 / 100 / 0 / 30

HEX #9500B3

RGB 149 0 179

HSL 289.94, 1%, 0.35%

LAB 37.2, 70.71, -55.5

 

CMYK 18 / 100 / 0 / 37

HEX #8400A0

RGB 132 0 160

HSL 289.5, 1%, 0.31%

LAB 32.8, 64.95, -51.37

 

CMYK 18 / 100 / 0 / 45

HEX #73008D

RGB 115 0 141

HSL 288.94, 1%, 0.28%

LAB 28.3, 59.05, -47.15

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 0 / 85 / 7 / 15

HEX #D821C8

RGB 216 33 200

HSL 305.25, 0.73%, 0.49%

LAB 51.67, 80.76, -43.95

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 85 / 53 / 15

HEX #D82166

RGB 216 33 102

HSL 337.38, 0.73%, 0.49%

LAB 47.81, 70.09, 8.75

 

CMYK 0 / 85 / 75 / 15

HEX #D82135

RGB 216 33 53

HSL 353.44, 0.73%, 0.49%

LAB 46.9, 67.43, 37.36

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 38 / 85 / 0 / 15

HEX #8521D8

RGB 133 33 216

HSL 272.79, 0.73%, 0.49%

LAB 39.63, 70.01, -73.26

 

CMYK 62 / 85 / 0 / 15

HEX #5321D8

RGB 83 33 216

HSL 256.39, 0.73%, 0.49%

LAB 33.74, 64.55, -83.17

 

CMYK 84 / 85 / 0 / 15

HEX #2221D8

RGB 34 33 216

HSL 240.33, 0.73%, 0.49%

LAB 30.37, 61.66, -88.88

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 18 / 94 / 0 / 7

HEX #C20DEC

RGB 194 13 236

HSL 288.7, 0.9%, 0.49%

LAB 49.27, 85.49, -68.55

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 13 / 73 / 0 / 24

HEX #A935C3

RGB 169 53 195

HSL 289.01, 0.57%, 0.49%

LAB 45.53, 65.44, -51.31

 

CMYK 11 / 58 / 0 / 31

HEX #9C4AAF

RGB 156 74 175

HSL 288.71, 0.41%, 0.49%

LAB 45.72, 49.55, -39.42

 

CMYK 7 / 39 / 0 / 39

HEX #905E9B

RGB 144 94 155

HSL 289.18, 0.24%, 0.49%

LAB 47.37, 31.14, -25.13

 

CMYK 3 / 16 / 0 / 47

HEX #837287

RGB 131 114 135

HSL 288.57, 0.08%, 0.49%

LAB 50.23, 10.69, -9.05

 

CMYK 62 / 85 / 0 / 15

HEX #5221D8

RGB 82 33 216

HSL 256.07, 0.73%, 0.49%

LAB 33.65, 64.47, -83.33

 

CMYK 39 / 85 / 0 / 15

HEX #8321D8

RGB 131 33 216

HSL 272.13, 0.73%, 0.49%

LAB 39.36, 69.75, -73.71

 

CMYK 17 / 85 / 0 / 15

HEX #B321D8

RGB 179 33 216

HSL 287.87, 0.73%, 0.49%

LAB 46.48, 76.79, -61.8

 

CMYK 0 / 85 / 6 / 15

HEX #D821CC

RGB 216 33 204

HSL 303.93, 0.73%, 0.49%

LAB 51.89, 81.32, -45.91

 

CMYK 0 / 85 / 28 / 15

HEX #D8219B

RGB 216 33 155

HSL 320, 0.73%, 0.49%

LAB 49.56, 75.04, -20.85

 

CMYK 15 / 85 / 0 / 44

HEX #7A1690

RGB 122 22 144

HSL 289.18, 0.73%, 0.33%

LAB 31.17, 56.56, -44.29

 

CMYK 16 / 84 / 0 / 29

HEX #981CB4

RGB 152 28 180

HSL 288.95, 0.73%, 0.41%

LAB 39.24, 67.02, -52.76

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 13 / 71 / 0 / 12

HEX #C341E1

RGB 195 65 225

HSL 288.75, 0.73%, 0.57%

LAB 52.75, 71.96, -56.71

 

CMYK 11 / 56 / 0 / 9

HEX #CE65E7

RGB 206 101 231

HSL 288.46, 0.73%, 0.65%

LAB 60.07, 60.46, -48.33

 

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

CMYK 0 / 85 / 85 / 15

HEX #D82121

RGB 216 33 33

HSL 0, 0.73%, 0.49%

LAB 46.71, 66.85, 48.03

 

CMYK 85 / 0 / 51 / 15

HEX #21D86A

RGB 33 216 106

HSL 143.93, 0.73%, 0.49%

LAB 76.36, -66.27, 42.04

 

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

CMYK 0 / 17 / 85 / 15

HEX #D8B321

RGB 216 179 33

HSL 47.87, 0.73%, 0.49%

LAB 74.16, 0.26, 71.18

 

CMYK 85 / 0 / 17 / 15

HEX #21D8B3

RGB 33 216 179

HSL 167.87, 0.73%, 0.49%

LAB 77.69, -51.29, 6.15

 

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

CMYK 0 / 85 / 85 / 15

HEX #D82121

RGB 216 33 33

HSL 0, 0.73%, 0.49%

LAB 46.71, 66.85, 48.03

 

CMYK 68 / 0 / 85 / 15

HEX #46D821

RGB 70 216 33

HSL 107.87, 0.73%, 0.49%

LAB 76.39, -68.11, 69.82

 

CMYK 85 / 0 / 0 / 15

HEX #21D8D8

RGB 33 216 216

HSL 180, 0.73%, 0.49%

LAB 78.69, -41.17, -12.17

 

CMYK 16 / 84 / 0 / 15

HEX #B722D9

RGB 183 34 217

HSL 288.85, 0.73%, 0.49%

LAB 47.26, 77.4, -61.09

 

CMYK 0 / 59 / 85 / 15

HEX #D85821

RGB 216 88 33

HSL 18.03, 0.73%, 0.49%

LAB 53.69, 47.73, 54.04

 

CMYK 68 / 0 / 85 / 15

HEX #46D821

RGB 70 216 33

HSL 107.87, 0.73%, 0.49%

LAB 76.39, -68.11, 69.82

 

CMYK 85 / 25 / 0 / 15

HEX #21A1D8

RGB 33 161 216

HSL 198.03, 0.73%, 0.49%

LAB 62.31, -13.96, -37.22

 

Description

Color code: HEX #B722D9 | qconv.com Color code: HEX #B722D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 34 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 34 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 84 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 84% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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