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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B743D9 it is the complementary color #48BC26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B743D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B743D9 shade: #BC43D4, #CD55E7, #DE67FA, #EF79FF and #FF8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B743D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B743D9 shade: #B743D9, #A631C6, #951FB3, #840DA0 and #73008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B743D9 shade: #B744D8, #D844D2, #D844AA, #D84482 and #D8445A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B743D9 shade: #B744D8, #8F44D8, #6744D8 and #4444D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B743D9 shade matches the following richer shades: #B744D8, #C132EB and #CB20FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B743D9 shade: #B744D8, #AD56C6, #A369B4, #997BA2 and #8F8D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B743D9 shade: #6744D8, #8E44D8, #B644D8, #D844D3 and #D844AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B743D9 shade: #8A22A8, #A629CA, #B744D8, #C466DF and #D189E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B743D9 shade: #B743D9, #D84449 and #44D87B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B743D9 shade: #B743D9, #D8B644 and #44D8B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B743D9 shade: #B743D9, #D84449, #67D844 and #44D8D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B743D9 shade: #B743D9, #D86C44, #67D844 and #44B1D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

Complementary color

CMYK 62 / 0 / 80 / 26

HEX #48BC26

RGB 72 188 38

HSL 106.4, 0.66%, 0.44%

LAB 67.64, -58.21, 60.57

 

CMYK 11 / 68 / 0 / 17

HEX #BC43D4

RGB 188 67 212

HSL 290.07, 0.63%, 0.55%

LAB 51.22, 67.37, -51.83

 

CMYK 11 / 63 / 0 / 9

HEX #CD55E7

RGB 205 85 231

HSL 289.32, 0.75%, 0.62%

LAB 57.31, 67.38, -52.72

 

CMYK 11 / 59 / 0 / 2

HEX #DE67FA

RGB 222 103 250

HSL 288.57, 0.94%, 0.69%

LAB 63.45, 67.07, -53.38

 

CMYK 6 / 53 / 0 / 0

HEX #EF79FF

RGB 239 121 255

HSL 292.84, 1%, 0.74%

LAB 68.93, 64, -47.32

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 17 / 83 / 0 / 30

HEX #951FB3

RGB 149 31 179

HSL 287.84, 0.7%, 0.41%

LAB 38.94, 65.56, -52.68

 

CMYK 18 / 92 / 0 / 37

HEX #840DA0

RGB 132 13 160

HSL 288.57, 0.85%, 0.34%

LAB 33.42, 63.1, -50.36

 

CMYK 18 / 100 / 0 / 45

HEX #73008D

RGB 115 0 141

HSL 288.94, 1%, 0.28%

LAB 28.3, 59.05, -47.15

 

CMYK 15 / 69 / 0 / 15

HEX #B744D8

RGB 183 68 216

HSL 286.62, 0.65%, 0.56%

LAB 50.87, 66.66, -54.71

 

CMYK 0 / 69 / 3 / 15

HEX #D844D2

RGB 216 68 210

HSL 302.43, 0.65%, 0.56%

LAB 55.47, 72.84, -43.68

 

CMYK 0 / 69 / 21 / 15

HEX #D844AA

RGB 216 68 170

HSL 318.65, 0.65%, 0.56%

LAB 53.64, 67.02, -23.44

 

CMYK 0 / 69 / 40 / 15

HEX #D84482

RGB 216 68 130

HSL 334.86, 0.65%, 0.56%

LAB 52.22, 62.3, -1.88

 

CMYK 0 / 69 / 58 / 15

HEX #D8445A

RGB 216 68 90

HSL 351.08, 0.65%, 0.56%

LAB 51.23, 58.87, 20.75

 

CMYK 15 / 69 / 0 / 15

HEX #B744D8

RGB 183 68 216

HSL 286.62, 0.65%, 0.56%

LAB 50.87, 66.66, -54.71

 

CMYK 34 / 69 / 0 / 15

HEX #8F44D8

RGB 143 68 216

HSL 270.41, 0.65%, 0.56%

LAB 45.54, 58.44, -63.57

 

CMYK 52 / 69 / 0 / 15

HEX #6744D8

RGB 103 68 216

HSL 254.19, 0.65%, 0.56%

LAB 41.18, 51.21, -70.87

 

CMYK 69 / 69 / 0 / 15

HEX #4444D8

RGB 68 68 216

HSL 240, 0.65%, 0.56%

LAB 38.41, 46.32, -75.51

 

CMYK 15 / 69 / 0 / 15

HEX #B744D8

RGB 183 68 216

HSL 286.62, 0.65%, 0.56%

LAB 50.87, 66.66, -54.71

 

CMYK 18 / 79 / 0 / 8

HEX #C132EB

RGB 193 50 235

HSL 286.38, 0.82%, 0.56%

LAB 51.4, 78.23, -64.54

 

CMYK 20 / 87 / 0 / 1

HEX #CB20FD

RGB 203 32 253

HSL 286.43, 0.98%, 0.56%

LAB 52.75, 87.11, -72.36

 

CMYK 15 / 69 / 0 / 15

HEX #B744D8

RGB 183 68 216

HSL 286.62, 0.65%, 0.56%

LAB 50.87, 66.66, -54.71

 

CMYK 13 / 57 / 0 / 22

HEX #AD56C6

RGB 173 86 198

HSL 286.61, 0.5%, 0.56%

LAB 51.4, 52.74, -43.64

 

CMYK 9 / 42 / 0 / 29

HEX #A369B4

RGB 163 105 180

HSL 286.4, 0.33%, 0.56%

LAB 53.15, 36.18, -30.6

 

CMYK 6 / 24 / 0 / 36

HEX #997BA2

RGB 153 123 162

HSL 286.15, 0.17%, 0.56%

LAB 55.63, 18.88, -16.46

 

CMYK 1 / 2 / 0 / 44

HEX #8F8D90

RGB 143 141 144

HSL 280, 0.01%, 0.56%

LAB 58.88, 1.32, -1.34

 

CMYK 52 / 69 / 0 / 15

HEX #6744D8

RGB 103 68 216

HSL 254.19, 0.65%, 0.56%

LAB 41.18, 51.21, -70.87

 

CMYK 34 / 69 / 0 / 15

HEX #8E44D8

RGB 142 68 216

HSL 270, 0.65%, 0.56%

LAB 45.42, 58.24, -63.78

 

CMYK 16 / 69 / 0 / 15

HEX #B644D8

RGB 182 68 216

HSL 286.22, 0.65%, 0.56%

LAB 50.73, 66.44, -54.94

 

CMYK 0 / 69 / 2 / 15

HEX #D844D3

RGB 216 68 211

HSL 302.03, 0.65%, 0.56%

LAB 55.52, 73, -44.16

 

CMYK 0 / 69 / 20 / 15

HEX #D844AC

RGB 216 68 172

HSL 317.84, 0.65%, 0.56%

LAB 53.72, 67.28, -24.48

 

CMYK 18 / 80 / 0 / 34

HEX #8A22A8

RGB 138 34 168

HSL 286.57, 0.66%, 0.4%

LAB 36.7, 60.64, -49.83

 

CMYK 18 / 80 / 0 / 21

HEX #A629CA

RGB 166 41 202

HSL 286.58, 0.66%, 0.48%

LAB 44.17, 70.05, -57.58

 

CMYK 15 / 69 / 0 / 15

HEX #B744D8

RGB 183 68 216

HSL 286.62, 0.65%, 0.56%

LAB 50.87, 66.66, -54.71

 

CMYK 12 / 54 / 0 / 13

HEX #C466DF

RGB 196 102 223

HSL 286.61, 0.65%, 0.64%

LAB 58.57, 55.86, -46.31

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

CMYK 0 / 69 / 66 / 15

HEX #D84449

RGB 216 68 73

HSL 357.97, 0.65%, 0.56%

LAB 50.94, 57.82, 30.45

 

CMYK 69 / 0 / 43 / 15

HEX #44D87B

RGB 68 216 123

HSL 142.3, 0.65%, 0.56%

LAB 77.14, -59.11, 34.75

 

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

CMYK 0 / 16 / 69 / 15

HEX #D8B644

RGB 216 182 68

HSL 46.22, 0.65%, 0.56%

LAB 75.12, 0.05, 60.17

 

CMYK 69 / 0 / 16 / 15

HEX #44D8B6

RGB 68 216 182

HSL 166.22, 0.65%, 0.56%

LAB 78.3, -46.77, 5.49

 

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

CMYK 0 / 69 / 66 / 15

HEX #D84449

RGB 216 68 73

HSL 357.97, 0.65%, 0.56%

LAB 50.94, 57.82, 30.45

 

CMYK 52 / 0 / 69 / 15

HEX #67D844

RGB 103 216 68

HSL 105.81, 0.65%, 0.56%

LAB 77.53, -58.25, 60.45

 

CMYK 69 / 0 / 2 / 15

HEX #44D8D3

RGB 68 216 211

HSL 177.97, 0.65%, 0.56%

LAB 79.07, -39.19, -8.88

 

CMYK 16 / 69 / 0 / 15

HEX #B743D9

RGB 183 67 217

HSL 286.4, 0.66%, 0.56%

LAB 50.79, 67.24, -55.4

 

CMYK 0 / 50 / 69 / 15

HEX #D86C44

RGB 216 108 68

HSL 16.22, 0.65%, 0.56%

LAB 57.79, 39.38, 41.39

 

CMYK 52 / 0 / 69 / 15

HEX #67D844

RGB 103 216 68

HSL 105.81, 0.65%, 0.56%

LAB 77.53, -58.25, 60.45

 

CMYK 69 / 18 / 0 / 15

HEX #44B1D8

RGB 68 177 216

HSL 195.81, 0.65%, 0.56%

LAB 67.75, -18.67, -28.73

 

Description

Color code: HEX #B743D9 | qconv.com Color code: HEX #B743D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 67 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 67 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 69 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 69% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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