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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B869DD it is the complementary color #479622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B869DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B869DD shade: #BD69D8, #CE7BEB, #DF8DFE, #F09FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B869DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B869DD shade: #B869DD, #A757CA, #9645B7, #8533A4 and #742191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B869DD shade: #B869DD, #D769DD, #DD69C3, #DD69A4 and #DD6985

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B869DD shade: #B869DD, #9869DD, #7969DD and #6969DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B869DD shade matches the following richer shades: #B869DD, #BD5AEB and #C24BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B869DD shade: #B869DD, #B278CE, #AD87BF, #A895B0 and #A2A4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B869DD shade: #7869DD, #9769DD, #B669DD, #D569DD and #DD69C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B869DD shade: #952DC6, #A847D5, #B869DD, #C88AE4 and #D7ACEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B869DD shade: #B869DD, #DD6978 and #69DD88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B869DD shade: #B869DD, #DDB669 and #69DDB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B869DD shade: #B869DD, #DD6978, #8FDD69 and #69DDCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B869DD shade: #B869DD, #DD7C69, #8FDD69 and #69C9DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

Complementary color

CMYK 53 / 0 / 77 / 41

HEX #479622

RGB 71 150 34

HSL 100.86, 0.63%, 0.36%

LAB 55.35, -44.78, 50.09

 

CMYK 13 / 51 / 0 / 15

HEX #BD69D8

RGB 189 105 216

HSL 285.41, 0.59%, 0.63%

LAB 57.92, 51.1, -43.45

 

CMYK 12 / 48 / 0 / 8

HEX #CE7BEB

RGB 206 123 235

HSL 284.46, 0.74%, 0.7%

LAB 64.39, 50.36, -43.74

 

CMYK 12 / 44 / 0 / 0

HEX #DF8DFE

RGB 223 141 254

HSL 283.54, 0.98%, 0.77%

LAB 70.8, 49.6, -43.98

 

CMYK 6 / 38 / 0 / 0

HEX #F09FFF

RGB 240 159 255

HSL 290.63, 1%, 0.81%

LAB 76.4, 45.34, -35.65

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 17 / 57 / 0 / 21

HEX #A757CA

RGB 167 87 202

HSL 281.74, 0.52%, 0.57%

LAB 51.03, 51.52, -46.57

 

CMYK 18 / 62 / 0 / 28

HEX #9645B7

RGB 150 69 183

HSL 282.63, 0.45%, 0.49%

LAB 44.46, 52.11, -46.16

 

CMYK 19 / 69 / 0 / 36

HEX #8533A4

RGB 133 51 164

HSL 283.54, 0.53%, 0.42%

LAB 37.9, 52.41, -45.53

 

CMYK 20 / 77 / 0 / 43

HEX #742191

RGB 116 33 145

HSL 284.46, 0.63%, 0.35%

LAB 31.45, 52.14, -44.5

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 3 / 52 / 0 / 13

HEX #D769DD

RGB 215 105 221

HSL 296.9, 0.63%, 0.64%

LAB 61.46, 59.06, -40.47

 

CMYK 0 / 52 / 12 / 13

HEX #DD69C3

RGB 221 105 195

HSL 313.45, 0.63%, 0.64%

LAB 61.15, 56.36, -26.22

 

CMYK 0 / 52 / 26 / 13

HEX #DD69A4

RGB 221 105 164

HSL 329.48, 0.63%, 0.64%

LAB 60.03, 51.83, -10.18

 

CMYK 0 / 52 / 40 / 13

HEX #DD6985

RGB 221 105 133

HSL 345.52, 0.63%, 0.64%

LAB 59.13, 48.04, 6.46

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 31 / 52 / 0 / 13

HEX #9869DD

RGB 152 105 221

HSL 264.31, 0.63%, 0.64%

LAB 54.03, 42.53, -52.71

 

CMYK 45 / 52 / 0 / 13

HEX #7969DD

RGB 121 105 221

HSL 248.28, 0.63%, 0.64%

LAB 51.14, 35.13, -57.5

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 20 / 62 / 0 / 8

HEX #BD5AEB

RGB 189 90 235

HSL 280.97, 0.78%, 0.64%

LAB 56.22, 62.28, -56.83

 

CMYK 22 / 70 / 0 / 2

HEX #C24BFA

RGB 194 75 250

HSL 280.8, 0.95%, 0.64%

LAB 55.49, 72.77, -66.34

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 14 / 42 / 0 / 19

HEX #B278CE

RGB 178 120 206

HSL 280.47, 0.47%, 0.64%

LAB 59.3, 37.92, -35.73

 

CMYK 9 / 29 / 0 / 25

HEX #AD87BF

RGB 173 135 191

HSL 280.71, 0.3%, 0.64%

LAB 61.63, 24.79, -23.69

 

CMYK 5 / 15 / 0 / 31

HEX #A895B0

RGB 168 149 176

HSL 282.22, 0.15%, 0.64%

LAB 64.12, 12.1, -11.49

 

CMYK 1 / 0 / 2 / 36

HEX #A2A4A1

RGB 162 164 161

HSL 100, 0.02%, 0.64%

LAB 67.13, -1.28, 1.3

 

CMYK 46 / 52 / 0 / 13

HEX #7869DD

RGB 120 105 221

HSL 247.76, 0.63%, 0.64%

LAB 51.06, 34.91, -57.63

 

CMYK 32 / 52 / 0 / 13

HEX #9769DD

RGB 151 105 221

HSL 263.79, 0.63%, 0.64%

LAB 53.92, 42.28, -52.88

 

CMYK 18 / 52 / 0 / 13

HEX #B669DD

RGB 182 105 221

HSL 279.83, 0.63%, 0.64%

LAB 57.34, 50.27, -47.24

 

CMYK 4 / 52 / 0 / 13

HEX #D569DD

RGB 213 105 221

HSL 295.86, 0.63%, 0.64%

LAB 61.19, 58.53, -40.9

 

CMYK 0 / 52 / 11 / 13

HEX #DD69C5

RGB 221 105 197

HSL 312.41, 0.63%, 0.64%

LAB 61.23, 56.68, -27.23

 

CMYK 25 / 77 / 0 / 22

HEX #952DC6

RGB 149 45 198

HSL 280.78, 0.63%, 0.48%

LAB 41.76, 64.98, -59.28

 

CMYK 21 / 67 / 0 / 16

HEX #A847D5

RGB 168 71 213

HSL 280.99, 0.63%, 0.56%

LAB 49.05, 61.59, -56.03

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 12 / 39 / 0 / 11

HEX #C88AE4

RGB 200 138 228

HSL 281.33, 0.63%, 0.72%

LAB 66.56, 39.26, -36.52

 

CMYK 9 / 27 / 0 / 7

HEX #D7ACEC

RGB 215 172 236

HSL 280.31, 0.63%, 0.8%

LAB 76.07, 27.02, -26.09

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 52 / 0 / 38 / 13

HEX #69DD88

RGB 105 221 136

HSL 136.03, 0.63%, 0.64%

LAB 79.89, -51.15, 31.96

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 0 / 18 / 52 / 13

HEX #DDB669

RGB 221 182 105

HSL 39.83, 0.63%, 0.64%

LAB 75.98, 4.73, 44.14

 

CMYK 52 / 0 / 18 / 13

HEX #69DDB6

RGB 105 221 182

HSL 159.83, 0.63%, 0.64%

LAB 80.79, -42.12, 9.2

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 35 / 0 / 52 / 13

HEX #8FDD69

RGB 143 221 105

HSL 100.34, 0.63%, 0.64%

LAB 81.06, -44.48, 48.96

 

CMYK 52 / 0 / 7 / 13

HEX #69DDCD

RGB 105 221 205

HSL 171.72, 0.63%, 0.64%

LAB 81.36, -36.71, -2.18

 

CMYK 17 / 52 / 0 / 13

HEX #B869DD

RGB 184 105 221

HSL 280.86, 0.63%, 0.64%

LAB 57.57, 50.8, -46.86

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 35 / 0 / 52 / 13

HEX #8FDD69

RGB 143 221 105

HSL 100.34, 0.63%, 0.64%

LAB 81.06, -44.48, 48.96

 

CMYK 52 / 9 / 0 / 13

HEX #69C9DD

RGB 105 201 221

HSL 190.34, 0.63%, 0.64%

LAB 76.07, -22.89, -18.64

 

Description

Color code: HEX #B869DD | qconv.com Color code: HEX #B869DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 105 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 105 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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