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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89D5C it is the complementary color #4762A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89D5C shade: #BD9D57, #CEAF6A, #DFC17D, #F0D390 and #FFE5A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89D5C shade: #B89D5C, #A78B49, #967936, #856723 and #745510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89D5C shade: #B79C5B, #B7835B, #B76B5B and #B75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89D5C shade: #B79C5B, #B7B55B, #A0B75B, #88B75B and #6FB75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89D5C shade matches the following richer shades: #B79C5B, #CAA448, #DDAC35 and #F0B423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89D5C shade: #B79C5B, #A4946E, #918C81, #7E8594 and #6B7DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89D5C shade: #B76B5B, #B7835B, #B79B5B, #B7B45B and #A2B75B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89D5C shade: #866F3A, #A28747, #B79C5B, #C4AD78 and #D0BF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89D5C shade: #B89D5C, #65B75B and #775BB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89D5C shade: #B89D5C, #5BB79B and #9B5BB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89D5C shade: #B89D5C, #65B75B, #5B77B7 and #AE5BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89D5C shade: #B89D5C, #5BB76E, #5B77B7 and #B75BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

Complementary color

CMYK 56 / 40 / 0 / 36

HEX #4762A3

RGB 71 98 163

HSL 222.39, 0.39%, 0.46%

LAB 42.34, 9.92, -38.21

 

CMYK 0 / 17 / 54 / 26

HEX #BD9D57

RGB 189 157 87

HSL 41.18, 0.44%, 0.54%

LAB 66.23, 3.14, 40.68

 

CMYK 0 / 15 / 49 / 19

HEX #CEAF6A

RGB 206 175 106

HSL 41.4, 0.51%, 0.61%

LAB 72.77, 2.33, 39.37

 

CMYK 0 / 13 / 44 / 13

HEX #DFC17D

RGB 223 193 125

HSL 41.63, 0.6%, 0.68%

LAB 79.22, 1.64, 38.1

 

CMYK 0 / 12 / 40 / 6

HEX #F0D390

RGB 240 211 144

HSL 41.88, 0.76%, 0.75%

LAB 85.57, 1.05, 36.88

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A3

RGB 255 229 163

HSL 43.04, 1%, 0.82%

LAB 91.66, -0.23, 35.46

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 0 / 17 / 56 / 35

HEX #A78B49

RGB 167 139 73

HSL 42.13, 0.39%, 0.47%

LAB 59.12, 2.3, 38.82

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 0 / 23 / 74 / 48

HEX #856723

RGB 133 103 35

HSL 41.63, 0.58%, 0.33%

LAB 45.37, 4.63, 41.22

 

CMYK 0 / 27 / 86 / 55

HEX #745510

RGB 116 85 16

HSL 41.4, 0.76%, 0.26%

LAB 38.28, 6.27, 41.6

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5B

RGB 183 156 91

HSL 42.39, 0.39%, 0.54%

LAB 65.44, 1.49, 37.53

 

CMYK 0 / 28 / 50 / 28

HEX #B7835B

RGB 183 131 91

HSL 26.09, 0.39%, 0.54%

LAB 59.03, 15.27, 29.47

 

CMYK 0 / 42 / 50 / 28

HEX #B76B5B

RGB 183 107 91

HSL 10.43, 0.39%, 0.54%

LAB 53.32, 28.58, 22.02

 

CMYK 0 / 50 / 50 / 28

HEX #B75B5B

RGB 183 91 91

HSL 0, 0.39%, 0.54%

LAB 49.86, 37.14, 17.39

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5B

RGB 183 156 91

HSL 42.39, 0.39%, 0.54%

LAB 65.44, 1.49, 37.53

 

CMYK 0 / 1 / 50 / 28

HEX #B7B55B

RGB 183 181 91

HSL 58.7, 0.39%, 0.54%

LAB 72.14, -11.77, 45.63

 

CMYK 13 / 0 / 50 / 28

HEX #A0B75B

RGB 160 183 91

HSL 75, 0.39%, 0.54%

LAB 70.94, -22.18, 43.77

 

CMYK 26 / 0 / 50 / 28

HEX #88B75B

RGB 136 183 91

HSL 90.65, 0.39%, 0.54%

LAB 69.37, -31.45, 41.51

 

CMYK 39 / 0 / 50 / 28

HEX #6FB75B

RGB 111 183 91

HSL 106.96, 0.39%, 0.54%

LAB 68.02, -40.2, 39.56

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5B

RGB 183 156 91

HSL 42.39, 0.39%, 0.54%

LAB 65.44, 1.49, 37.53

 

CMYK 0 / 19 / 64 / 21

HEX #CAA448

RGB 202 164 72

HSL 42.46, 0.55%, 0.54%

LAB 69.17, 3.82, 51.69

 

CMYK 0 / 22 / 76 / 13

HEX #DDAC35

RGB 221 172 53

HSL 42.5, 0.71%, 0.54%

LAB 72.98, 6.78, 64.1

 

CMYK 0 / 25 / 85 / 6

HEX #F0B423

RGB 240 180 35

HSL 42.44, 0.87%, 0.54%

LAB 76.85, 10.17, 73.89

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5B

RGB 183 156 91

HSL 42.39, 0.39%, 0.54%

LAB 65.44, 1.49, 37.53

 

CMYK 0 / 10 / 33 / 36

HEX #A4946E

RGB 164 148 110

HSL 42.22, 0.23%, 0.54%

LAB 61.82, 0.05, 22.29

 

CMYK 0 / 3 / 11 / 43

HEX #918C81

RGB 145 140 129

HSL 41.25, 0.07%, 0.54%

LAB 58.38, -0.16, 6.53

 

CMYK 15 / 10 / 0 / 42

HEX #7E8594

RGB 126 133 148

HSL 220.91, 0.09%, 0.54%

LAB 55.43, 0.67, -8.91

 

CMYK 36 / 25 / 0 / 35

HEX #6B7DA7

RGB 107 125 167

HSL 222, 0.25%, 0.54%

LAB 52.49, 4.01, -24.5

 

CMYK 0 / 42 / 50 / 28

HEX #B76B5B

RGB 183 107 91

HSL 10.43, 0.39%, 0.54%

LAB 53.32, 28.58, 22.02

 

CMYK 0 / 28 / 50 / 28

HEX #B7835B

RGB 183 131 91

HSL 26.09, 0.39%, 0.54%

LAB 59.03, 15.27, 29.47

 

CMYK 0 / 15 / 50 / 28

HEX #B79B5B

RGB 183 155 91

HSL 41.74, 0.39%, 0.54%

LAB 65.17, 2.03, 37.2

 

CMYK 0 / 2 / 50 / 28

HEX #B7B45B

RGB 183 180 91

HSL 58.04, 0.39%, 0.54%

LAB 71.87, -11.25, 45.31

 

CMYK 11 / 0 / 50 / 28

HEX #A2B75B

RGB 162 183 91

HSL 73.7, 0.39%, 0.54%

LAB 71.08, -21.38, 43.97

 

CMYK 0 / 17 / 57 / 47

HEX #866F3A

RGB 134 111 58

HSL 41.84, 0.4%, 0.38%

LAB 47.93, 2.1, 32.56

 

CMYK 0 / 17 / 56 / 36

HEX #A28747

RGB 162 135 71

HSL 42.2, 0.39%, 0.46%

LAB 57.52, 2.16, 37.83

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5B

RGB 183 156 91

HSL 42.39, 0.39%, 0.54%

LAB 65.44, 1.49, 37.53

 

CMYK 0 / 12 / 39 / 23

HEX #C4AD78

RGB 196 173 120

HSL 41.84, 0.39%, 0.62%

LAB 71.54, 0.76, 30.29

 

CMYK 0 / 8 / 28 / 18

HEX #D0BF95

RGB 208 191 149

HSL 42.71, 0.39%, 0.7%

LAB 77.78, -0.42, 23.4

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 45 / 0 / 50 / 28

HEX #65B75B

RGB 101 183 91

HSL 113.48, 0.39%, 0.54%

LAB 67.57, -43.35, 38.9

 

CMYK 35 / 50 / 0 / 28

HEX #775BB7

RGB 119 91 183

HSL 258.26, 0.39%, 0.54%

LAB 45.39, 32.26, -44.89

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 50 / 0 / 15 / 28

HEX #5BB79B

RGB 91 183 155

HSL 161.74, 0.39%, 0.54%

LAB 68.36, -34.26, 5.88

 

CMYK 15 / 50 / 0 / 28

HEX #9B5BB7

RGB 155 91 183

HSL 281.74, 0.39%, 0.54%

LAB 49.34, 42.14, -38.38

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 45 / 0 / 50 / 28

HEX #65B75B

RGB 101 183 91

HSL 113.48, 0.39%, 0.54%

LAB 67.57, -43.35, 38.9

 

CMYK 50 / 35 / 0 / 28

HEX #5B77B7

RGB 91 119 183

HSL 221.74, 0.39%, 0.54%

LAB 50.5, 8.07, -36.94

 

CMYK 5 / 50 / 0 / 28

HEX #AE5BB7

RGB 174 91 183

HSL 294.13, 0.39%, 0.54%

LAB 51.72, 47.55, -34.46

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 50 / 0 / 40 / 28

HEX #5BB76E

RGB 91 183 110

HSL 132.39, 0.39%, 0.54%

LAB 67.44, -43.35, 28.92

 

CMYK 50 / 35 / 0 / 28

HEX #5B77B7

RGB 91 119 183

HSL 221.74, 0.39%, 0.54%

LAB 50.5, 8.07, -36.94

 

CMYK 0 / 50 / 10 / 28

HEX #B75BA5

RGB 183 91 165

HSL 311.74, 0.39%, 0.54%

LAB 52.14, 46.97, -23.24

 

Description

Color code: HEX #B89D5C | qconv.com Color code: HEX #B89D5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 157 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 157 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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