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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D745 it is the complementary color #4728BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D745. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D745 shade: #BDD740, #CEE953, #DFFB66, #F0FF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D745. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D745 shade: #B8D745, #A7C532, #96B31F, #85A10C and #748F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D745 shade: #B8D745, #D7CF45, #D7A845, #D78045 and #D75945

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D745 shade: #B8D745, #91D745, #6AD745, #45D748 and #45D770

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D745 shade matches the following richer shades: #B8D745, #C3E933 and #CDFC21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D745 shade: #B8D745, #AEC558, #A3B36A, #99A17C and #8E8F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D745 shade: #D7A745, #D7CE45, #BAD745, #93D745 and #6CD745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D745 shade: #8BA723, #A7C92A, #B8D745, #C5DE67 and #D2E689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D745 shade: #B8D745, #45D780 and #BA45D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D745 shade: #B8D745, #45BAD7 and #D745BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D745 shade: #B8D745, #45D780, #6345D7 and #D7459D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D745 shade: #B8D745, #45D7AB, #6345D7 and #D74571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

Complementary color

CMYK 62 / 78 / 0 / 27

HEX #4728BA

RGB 71 40 186

HSL 252.74, 0.65%, 0.44%

LAB 30.41, 52.33, -71.19

 

CMYK 12 / 0 / 70 / 16

HEX #BDD740

RGB 189 215 64

HSL 70.33, 0.65%, 0.55%

LAB 81.72, -28.06, 67.65

 

CMYK 12 / 0 / 64 / 9

HEX #CEE953

RGB 206 233 83

HSL 70.8, 0.77%, 0.62%

LAB 87.98, -28.64, 67.27

 

CMYK 11 / 0 / 59 / 2

HEX #DFFB66

RGB 223 251 102

HSL 71.28, 0.95%, 0.69%

LAB 94.16, -29.11, 66.57

 

CMYK 6 / 0 / 53 / 0

HEX #F0FF79

RGB 240 255 121

HSL 66.72, 1%, 0.74%

LAB 96.59, -22.94, 61.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 15 / 0 / 75 / 23

HEX #A7C532

RGB 167 197 50

HSL 72.24, 0.6%, 0.48%

LAB 75.06, -29.15, 65.49

 

CMYK 16 / 0 / 83 / 30

HEX #96B31F

RGB 150 179 31

HSL 71.76, 0.7%, 0.41%

LAB 68.62, -28.36, 64.79

 

CMYK 17 / 0 / 93 / 37

HEX #85A10C

RGB 133 161 12

HSL 71.28, 0.86%, 0.34%

LAB 62.09, -27.35, 62.77

 

CMYK 19 / 0 / 100 / 44

HEX #748F00

RGB 116 143 0

HSL 71.33, 1%, 0.28%

LAB 55.44, -26.08, 58.91

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 0 / 4 / 68 / 16

HEX #D7CF45

RGB 215 207 69

HSL 56.71, 0.65%, 0.56%

LAB 81.57, -13.16, 66.31

 

CMYK 0 / 22 / 68 / 16

HEX #D7A845

RGB 215 168 69

HSL 40.68, 0.65%, 0.56%

LAB 71.47, 7.09, 55.91

 

CMYK 0 / 40 / 68 / 16

HEX #D78045

RGB 215 128 69

HSL 24.25, 0.65%, 0.56%

LAB 61.93, 28.6, 45.52

 

CMYK 0 / 59 / 68 / 16

HEX #D75945

RGB 215 89 69

HSL 8.22, 0.65%, 0.56%

LAB 54.05, 48.31, 36.46

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 33 / 0 / 68 / 16

HEX #91D745

RGB 145 215 69

HSL 88.77, 0.65%, 0.56%

LAB 79.07, -44.53, 62.25

 

CMYK 51 / 0 / 68 / 16

HEX #6AD745

RGB 106 215 69

HSL 104.79, 0.65%, 0.56%

LAB 77.34, -56.97, 59.9

 

CMYK 68 / 0 / 67 / 16

HEX #45D748

RGB 69 215 72

HSL 121.23, 0.65%, 0.56%

LAB 76.27, -65.34, 57.26

 

CMYK 68 / 0 / 48 / 16

HEX #45D770

RGB 69 215 112

HSL 137.67, 0.65%, 0.56%

LAB 76.7, -60.36, 39.66

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 16 / 0 / 78 / 9

HEX #C3E933

RGB 195 233 51

HSL 72.53, 0.81%, 0.56%

LAB 87.06, -34.63, 76.95

 

CMYK 19 / 0 / 87 / 1

HEX #CDFC21

RGB 205 252 33

HSL 72.88, 0.97%, 0.56%

LAB 92.89, -39.8, 86.25

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 12 / 0 / 55 / 23

HEX #AEC558

RGB 174 197 88

HSL 72.66, 0.48%, 0.56%

LAB 75.85, -23.76, 51.19

 

CMYK 9 / 0 / 41 / 30

HEX #A3B36A

RGB 163 179 106

HSL 73.15, 0.32%, 0.56%

LAB 70.22, -17.32, 35.39

 

CMYK 5 / 0 / 23 / 37

HEX #99A17C

RGB 153 161 124

HSL 72.97, 0.16%, 0.56%

LAB 64.74, -9.4, 18.35

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 0 / 22 / 68 / 16

HEX #D7A745

RGB 215 167 69

HSL 40.27, 0.65%, 0.56%

LAB 71.22, 7.62, 55.64

 

CMYK 0 / 4 / 68 / 16

HEX #D7CE45

RGB 215 206 69

HSL 56.3, 0.65%, 0.56%

LAB 81.3, -12.66, 66.04

 

CMYK 13 / 0 / 68 / 16

HEX #BAD745

RGB 186 215 69

HSL 71.92, 0.65%, 0.56%

LAB 81.55, -28.98, 65.58

 

CMYK 32 / 0 / 68 / 16

HEX #93D745

RGB 147 215 69

HSL 87.95, 0.65%, 0.56%

LAB 79.18, -43.82, 62.39

 

CMYK 50 / 0 / 68 / 16

HEX #6CD745

RGB 108 215 69

HSL 103.97, 0.65%, 0.56%

LAB 77.41, -56.41, 60

 

CMYK 17 / 0 / 79 / 35

HEX #8BA723

RGB 139 167 35

HSL 72.73, 0.65%, 0.4%

LAB 64.36, -27.01, 59.59

 

CMYK 17 / 0 / 79 / 21

HEX #A7C92A

RGB 167 201 42

HSL 72.83, 0.65%, 0.48%

LAB 76.16, -31.39, 68.94

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 11 / 0 / 54 / 13

HEX #C5DE67

RGB 197 222 103

HSL 72.61, 0.64%, 0.64%

LAB 84.53, -25.45, 54.78

 

CMYK 9 / 0 / 40 / 10

HEX #D2E689

RGB 210 230 137

HSL 72.9, 0.65%, 0.72%

LAB 88.02, -20.89, 43.05

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 68 / 0 / 40 / 16

HEX #45D780

RGB 69 215 128

HSL 144.25, 0.65%, 0.56%

LAB 76.94, -57.71, 31.95

 

CMYK 13 / 68 / 0 / 16

HEX #BA45D7

RGB 186 69 215

HSL 288.08, 0.65%, 0.56%

LAB 51.38, 66.71, -53.29

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 0 / 68 / 13 / 16

HEX #D745BA

RGB 215 69 186

HSL 311.92, 0.65%, 0.56%

LAB 54.29, 68.62, -31.75

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 68 / 0 / 40 / 16

HEX #45D780

RGB 69 215 128

HSL 144.25, 0.65%, 0.56%

LAB 76.94, -57.71, 31.95

 

CMYK 54 / 68 / 0 / 16

HEX #6345D7

RGB 99 69 215

HSL 252.33, 0.65%, 0.56%

LAB 40.92, 49.75, -70.73

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 14 / 0 / 68 / 16

HEX #B8D745

RGB 184 215 69

HSL 72.74, 0.65%, 0.56%

LAB 81.41, -29.78, 65.4

 

CMYK 68 / 0 / 20 / 16

HEX #45D7AB

RGB 69 215 171

HSL 161.92, 0.65%, 0.56%

LAB 77.76, -48.84, 10.59

 

CMYK 54 / 68 / 0 / 16

HEX #6345D7

RGB 99 69 215

HSL 252.33, 0.65%, 0.56%

LAB 40.92, 49.75, -70.73

 

CMYK 0 / 68 / 47 / 16

HEX #D74571

RGB 215 69 113

HSL 341.92, 0.65%, 0.56%

LAB 51.72, 60, 7.57

 

Description

Color code: HEX #B8D745 | qconv.com Color code: HEX #B8D745 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 215 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 215 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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