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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8D7E5 it is the complementary color #47281A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8D7E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8D7E5 shade: #BDD7E0, #CEE9F3, #DFFBFF and #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8D7E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8D7E5 shade: #B8D7E5, #A7C5D2, #96B3BF, #85A1AC and #748F99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8D7E5 shade: #B8D6E4, #B8CAE4, #B8BEE4, #BDB8E4 and #C9B8E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8D7E5 shade: #B8D6E4, #B8CAE4, #B8BEE4 and #B8B8E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8D7E5 shade matches the following richer shades: #B8D6E4, #B0D9EC, #A8DCF4 and #A0DFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8D7E5 shade: #B8D6E4, #C0D4DC, #C7D1D5, #CFCECD and #D7CBC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8D7E5 shade: #B8E4DA, #B8E3E4, #B8D7E4, #B8CBE4 and #B8BFE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8D7E5 shade: #7CB4CE, #9AC5D9, #B8D6E4, #D6E8EF and #F4F9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8D7E5 shade: #B8D7E5, #CEB8E4 and #E4E0B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8D7E5 shade: #B8D7E5, #E4B8D7 and #D7E4B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8D7E5 shade: #B8D7E5, #CEB8E4, #E4C5B8 and #CEE4B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8D7E5 shade: #B8D7E5, #DBB8E4, #E4C5B8 and #C1E4B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

Complementary color

CMYK 0 / 44 / 63 / 72

HEX #47281A

RGB 71 40 26

HSL 18.67, 0.46%, 0.19%

LAB 19.77, 12.86, 15.31

 

CMYK 16 / 4 / 0 / 12

HEX #BDD7E0

RGB 189 215 224

HSL 195.43, 0.36%, 0.81%

LAB 84.38, -6.78, -7.35

 

CMYK 15 / 4 / 0 / 5

HEX #CEE9F3

RGB 206 233 243

HSL 196.22, 0.61%, 0.88%

LAB 90.72, -6.82, -7.84

 

CMYK 13 / 2 / 0 / 0

HEX #DFFBFF

RGB 223 251 255

HSL 187.5, 1%, 0.94%

LAB 96.78, -8.25, -4.99

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

CMYK 20 / 6 / 0 / 18

HEX #A7C5D2

RGB 167 197 210

HSL 198.14, 0.32%, 0.74%

LAB 77.76, -7.24, -9.85

 

CMYK 21 / 6 / 0 / 25

HEX #96B3BF

RGB 150 179 191

HSL 197.56, 0.24%, 0.67%

LAB 71.2, -7.21, -9.39

 

CMYK 23 / 6 / 0 / 33

HEX #85A1AC

RGB 133 161 172

HSL 196.92, 0.19%, 0.6%

LAB 64.53, -7.18, -8.93

 

CMYK 24 / 7 / 0 / 40

HEX #748F99

RGB 116 143 153

HSL 196.22, 0.15%, 0.53%

LAB 57.71, -7.16, -8.45

 

CMYK 19 / 6 / 0 / 11

HEX #B8D6E4

RGB 184 214 228

HSL 199.09, 0.45%, 0.81%

LAB 83.91, -6.98, -10.21

 

CMYK 19 / 11 / 0 / 11

HEX #B8CAE4

RGB 184 202 228

HSL 215.45, 0.45%, 0.81%

LAB 80.76, -0.67, -14.92

 

CMYK 19 / 17 / 0 / 11

HEX #B8BEE4

RGB 184 190 228

HSL 231.82, 0.45%, 0.81%

LAB 77.65, 5.76, -19.61

 

CMYK 17 / 19 / 0 / 11

HEX #BDB8E4

RGB 189 184 228

HSL 246.82, 0.45%, 0.81%

LAB 76.5, 10.58, -21.32

 

CMYK 12 / 19 / 0 / 11

HEX #C9B8E4

RGB 201 184 228

HSL 263.18, 0.45%, 0.81%

LAB 77.46, 14.4, -19.77

 

CMYK 19 / 6 / 0 / 11

HEX #B8D6E4

RGB 184 214 228

HSL 199.09, 0.45%, 0.81%

LAB 83.91, -6.98, -10.21

 

CMYK 19 / 11 / 0 / 11

HEX #B8CAE4

RGB 184 202 228

HSL 215.45, 0.45%, 0.81%

LAB 80.76, -0.67, -14.92

 

CMYK 19 / 17 / 0 / 11

HEX #B8BEE4

RGB 184 190 228

HSL 231.82, 0.45%, 0.81%

LAB 77.65, 5.76, -19.61

 

CMYK 19 / 19 / 0 / 11

HEX #B8B8E4

RGB 184 184 228

HSL 240, 0.45%, 0.81%

LAB 76.11, 9.02, -21.94

 

CMYK 19 / 6 / 0 / 11

HEX #B8D6E4

RGB 184 214 228

HSL 199.09, 0.45%, 0.81%

LAB 83.91, -6.98, -10.21

 

CMYK 25 / 8 / 0 / 7

HEX #B0D9EC

RGB 176 217 236

HSL 199, 0.61%, 0.81%

LAB 84.44, -9.17, -13.72

 

CMYK 31 / 10 / 0 / 4

HEX #A8DCF4

RGB 168 220 244

HSL 198.95, 0.78%, 0.81%

LAB 85.02, -11.15, -17.13

 

CMYK 37 / 12 / 0 / 1

HEX #A0DFFC

RGB 160 223 252

HSL 198.91, 0.94%, 0.81%

LAB 85.64, -12.91, -20.45

 

CMYK 19 / 6 / 0 / 11

HEX #B8D6E4

RGB 184 214 228

HSL 199.09, 0.45%, 0.81%

LAB 83.91, -6.98, -10.21

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 7 / 2 / 0 / 16

HEX #C7D1D5

RGB 199 209 213

HSL 197.14, 0.14%, 0.81%

LAB 83.2, -2.62, -3.16

 

CMYK 0 / 0 / 1 / 19

HEX #CFCECD

RGB 207 206 205

HSL 30, 0.02%, 0.81%

LAB 82.82, 0.17, 0.61

 

CMYK 0 / 6 / 8 / 16

HEX #D7CBC5

RGB 215 203 197

HSL 20, 0.18%, 0.81%

LAB 82.48, 3.14, 4.47

 

CMYK 19 / 0 / 4 / 11

HEX #B8E4DA

RGB 184 228 218

HSL 166.36, 0.45%, 0.81%

LAB 87.36, -16.2, 0.16

 

CMYK 19 / 0 / 0 / 11

HEX #B8E3E4

RGB 184 227 228

HSL 181.36, 0.45%, 0.81%

LAB 87.35, -13.64, -5.11

 

CMYK 19 / 6 / 0 / 11

HEX #B8D7E4

RGB 184 215 228

HSL 197.73, 0.45%, 0.81%

LAB 84.17, -7.49, -9.82

 

CMYK 19 / 11 / 0 / 11

HEX #B8CBE4

RGB 184 203 228

HSL 214.09, 0.45%, 0.81%

LAB 81.02, -1.2, -14.53

 

CMYK 19 / 16 / 0 / 11

HEX #B8BFE4

RGB 184 191 228

HSL 230.45, 0.45%, 0.81%

LAB 77.91, 5.22, -19.22

 

CMYK 40 / 13 / 0 / 19

HEX #7CB4CE

RGB 124 180 206

HSL 199.02, 0.46%, 0.65%

LAB 70.44, -11.6, -18.92

 

CMYK 29 / 9 / 0 / 15

HEX #9AC5D9

RGB 154 197 217

HSL 199.05, 0.45%, 0.73%

LAB 77.17, -9.55, -14.6

 

CMYK 19 / 6 / 0 / 11

HEX #B8D6E4

RGB 184 214 228

HSL 199.09, 0.45%, 0.81%

LAB 83.91, -6.98, -10.21

 

CMYK 10 / 3 / 0 / 6

HEX #D6E8EF

RGB 214 232 239

HSL 196.8, 0.44%, 0.89%

LAB 90.89, -4.58, -5.44

 

CMYK 3 / 1 / 0 / 2

HEX #F4F9FB

RGB 244 249 251

HSL 197.14, 0.47%, 0.97%

LAB 97.61, -1.28, -1.54

 

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

CMYK 10 / 19 / 0 / 11

HEX #CEB8E4

RGB 206 184 228

HSL 270, 0.45%, 0.81%

LAB 77.88, 16.01, -19.1

 

CMYK 0 / 2 / 19 / 11

HEX #E4E0B8

RGB 228 224 184

HSL 54.55, 0.45%, 0.81%

LAB 88.57, -5.1, 20.12

 

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

CMYK 0 / 19 / 6 / 11

HEX #E4B8D7

RGB 228 184 215

HSL 317.73, 0.45%, 0.81%

LAB 79.43, 20.89, -9.54

 

CMYK 6 / 0 / 19 / 11

HEX #D7E4B8

RGB 215 228 184

HSL 77.73, 0.45%, 0.81%

LAB 88.64, -11.81, 20.05

 

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

CMYK 10 / 19 / 0 / 11

HEX #CEB8E4

RGB 206 184 228

HSL 270, 0.45%, 0.81%

LAB 77.88, 16.01, -19.1

 

CMYK 0 / 14 / 19 / 11

HEX #E4C5B8

RGB 228 197 184

HSL 17.73, 0.45%, 0.81%

LAB 81.78, 8.92, 10.55

 

CMYK 10 / 0 / 19 / 11

HEX #CEE4B8

RGB 206 228 184

HSL 90, 0.45%, 0.81%

LAB 88, -15.01, 19.07

 

CMYK 20 / 6 / 0 / 10

HEX #B8D7E5

RGB 184 215 229

HSL 198.67, 0.46%, 0.81%

LAB 84.2, -7.28, -10.31

 

CMYK 4 / 19 / 0 / 11

HEX #DBB8E4

RGB 219 184 228

HSL 287.73, 0.45%, 0.81%

LAB 79.01, 20.25, -17.28

 

CMYK 0 / 14 / 19 / 11

HEX #E4C5B8

RGB 228 197 184

HSL 17.73, 0.45%, 0.81%

LAB 81.78, 8.92, 10.55

 

CMYK 15 / 0 / 19 / 11

HEX #C1E4B8

RGB 193 228 184

HSL 107.73, 0.45%, 0.81%

LAB 87.14, -19.51, 17.74

 

Description

Color code: HEX #B8D7E5 | qconv.com Color code: HEX #B8D7E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 215 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 215 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 6 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 6% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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