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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B939C5 it is the complementary color #46C63A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B939C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B939C5 shade: #BE39C0, #CF4BD3, #E05DE6, #F16FF9 and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B939C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B939C5 shade: #B939C5, #A827B2, #97159F, #86038C and #750079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B939C5 shade: #B939C5, #C539AB, #C53985, #C53960 and #C5393A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B939C5 shade: #B939C5, #9339C5, #6D39C5, #4839C5 and #3939C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B939C5 shade matches the following richer shades: #B939C5, #CA24DA and #DB10EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B939C5 shade: #B939C5, #A84EB0, #97629C, #867787 and #758B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B939C5 shade: #6C39C5, #9239C5, #B739C5, #C539AE and #C53988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B939C5 shade: #7D2685, #9B30A5, #B939C5, #C459CE and #D079D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B939C5 shade: #B939C5, #C54739 and #39C57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B939C5 shade: #B939C5, #C5B739 and #39C5B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B939C5 shade: #B939C5, #C54739, #47C539 and #39B7C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B939C5 shade: #B939C5, #C57139, #47C539 and #398DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

Complementary color

CMYK 65 / 0 / 71 / 22

HEX #46C63A

RGB 70 198 58

HSL 114.86, 0.55%, 0.5%

LAB 70.87, -60.68, 56.99

 

CMYK 1 / 70 / 0 / 25

HEX #BE39C0

RGB 190 57 192

HSL 299.11, 0.54%, 0.49%

LAB 49.1, 67.98, -43.66

 

CMYK 2 / 64 / 0 / 17

HEX #CF4BD3

RGB 207 75 211

HSL 298.24, 0.61%, 0.56%

LAB 55.07, 68.36, -44.96

 

CMYK 3 / 60 / 0 / 10

HEX #E05DE6

RGB 224 93 230

HSL 297.37, 0.73%, 0.63%

LAB 61.12, 68.32, -45.95

 

CMYK 3 / 55 / 0 / 2

HEX #F16FF9

RGB 241 111 249

HSL 296.52, 0.92%, 0.71%

LAB 67.21, 68, -46.73

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 6 / 78 / 0 / 30

HEX #A827B2

RGB 168 39 178

HSL 295.68, 0.64%, 0.43%

LAB 42.75, 66.75, -45.8

 

CMYK 5 / 87 / 0 / 38

HEX #97159F

RGB 151 21 159

HSL 296.52, 0.77%, 0.35%

LAB 37.15, 64.73, -43.57

 

CMYK 4 / 98 / 0 / 45

HEX #86038C

RGB 134 3 140

HSL 297.37, 0.96%, 0.28%

LAB 31.87, 61.44, -40.58

 

CMYK 3 / 100 / 0 / 53

HEX #750079

RGB 117 0 121

HSL 298.02, 1%, 0.24%

LAB 27.19, 55.91, -36.34

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 0 / 71 / 13 / 23

HEX #C539AB

RGB 197 57 171

HSL 311.14, 0.55%, 0.5%

LAB 49.18, 66.33, -31.19

 

CMYK 0 / 71 / 32 / 23

HEX #C53985

RGB 197 57 133

HSL 327.43, 0.55%, 0.5%

LAB 47.61, 61.35, -10.9

 

CMYK 0 / 71 / 51 / 23

HEX #C53960

RGB 197 57 96

HSL 343.29, 0.55%, 0.5%

LAB 46.5, 57.66, 10.08

 

CMYK 0 / 71 / 71 / 23

HEX #C5393A

RGB 197 57 58

HSL 359.57, 0.55%, 0.5%

LAB 45.77, 55.17, 32.19

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 25 / 71 / 0 / 23

HEX #9339C5

RGB 147 57 197

HSL 278.57, 0.55%, 0.5%

LAB 43, 59.82, -56.7

 

CMYK 45 / 71 / 0 / 23

HEX #6D39C5

RGB 109 57 197

HSL 262.29, 0.55%, 0.5%

LAB 38.21, 52.64, -64.69

 

CMYK 63 / 71 / 0 / 23

HEX #4839C5

RGB 72 57 197

HSL 246.43, 0.55%, 0.5%

LAB 34.67, 46.98, -70.63

 

CMYK 71 / 71 / 0 / 23

HEX #3939C5

RGB 57 57 197

HSL 240, 0.55%, 0.5%

LAB 33.62, 45.23, -72.4

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 7 / 83 / 0 / 15

HEX #CA24DA

RGB 202 36 218

HSL 294.73, 0.72%, 0.5%

LAB 50.55, 80.35, -56.21

 

CMYK 8 / 93 / 0 / 7

HEX #DB10EE

RGB 219 16 238

HSL 294.86, 0.87%, 0.5%

LAB 53.6, 89.19, -62.47

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 5 / 56 / 0 / 31

HEX #A84EB0

RGB 168 78 176

HSL 295.1, 0.39%, 0.5%

LAB 48.14, 51.02, -36.06

 

CMYK 3 / 37 / 0 / 39

HEX #97629C

RGB 151 98 156

HSL 294.83, 0.23%, 0.5%

LAB 49.15, 31.36, -22.9

 

CMYK 1 / 12 / 0 / 47

HEX #867787

RGB 134 119 135

HSL 296.25, 0.06%, 0.5%

LAB 51.85, 8.86, -6.6

 

CMYK 16 / 0 / 17 / 45

HEX #758B73

RGB 117 139 115

HSL 115, 0.09%, 0.5%

LAB 55.57, -12.77, 10.24

 

CMYK 45 / 71 / 0 / 23

HEX #6C39C5

RGB 108 57 197

HSL 261.86, 0.55%, 0.5%

LAB 38.1, 52.46, -64.88

 

CMYK 26 / 71 / 0 / 23

HEX #9239C5

RGB 146 57 197

HSL 278.14, 0.55%, 0.5%

LAB 42.87, 59.62, -56.93

 

CMYK 7 / 71 / 0 / 23

HEX #B739C5

RGB 183 57 197

HSL 294, 0.55%, 0.5%

LAB 48.29, 67.31, -47.92

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 71 / 31 / 23

HEX #C53988

RGB 197 57 136

HSL 326.14, 0.55%, 0.5%

LAB 47.72, 61.7, -12.55

 

CMYK 6 / 71 / 0 / 48

HEX #7D2685

RGB 125 38 133

HSL 294.95, 0.56%, 0.34%

LAB 32.79, 49.84, -34.86

 

CMYK 6 / 71 / 0 / 35

HEX #9B30A5

RGB 155 48 165

HSL 294.87, 0.55%, 0.42%

LAB 40.89, 58.78, -41.15

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 5 / 57 / 0 / 19

HEX #C459CE

RGB 196 89 206

HSL 294.87, 0.54%, 0.58%

LAB 55.42, 58.81, -41.67

 

CMYK 4 / 44 / 0 / 15

HEX #D079D8

RGB 208 121 216

HSL 294.95, 0.55%, 0.66%

LAB 63.38, 48.26, -34.73

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 0 / 64 / 71 / 23

HEX #C54739

RGB 197 71 57

HSL 6, 0.55%, 0.5%

LAB 47.84, 49.46, 35.18

 

CMYK 71 / 0 / 36 / 23

HEX #39C57F

RGB 57 197 127

HSL 150, 0.55%, 0.5%

LAB 71.1, -53.02, 24.67

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 0 / 7 / 71 / 23

HEX #C5B739

RGB 197 183 57

HSL 54, 0.55%, 0.5%

LAB 73.57, -9.2, 62.39

 

CMYK 71 / 0 / 7 / 23

HEX #39C5B7

RGB 57 197 183

HSL 174, 0.55%, 0.5%

LAB 72.38, -39.74, -3.7

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 0 / 64 / 71 / 23

HEX #C54739

RGB 197 71 57

HSL 6, 0.55%, 0.5%

LAB 47.84, 49.46, 35.18

 

CMYK 64 / 0 / 71 / 23

HEX #47C539

RGB 71 197 57

HSL 114, 0.55%, 0.5%

LAB 70.57, -60.21, 57.07

 

CMYK 71 / 7 / 0 / 23

HEX #39B7C5

RGB 57 183 197

HSL 186, 0.55%, 0.5%

LAB 68.58, -29.14, -17.03

 

CMYK 6 / 71 / 0 / 23

HEX #B939C5

RGB 185 57 197

HSL 294.86, 0.55%, 0.5%

LAB 48.6, 67.74, -47.41

 

CMYK 0 / 43 / 71 / 23

HEX #C57139

RGB 197 113 57

HSL 24, 0.55%, 0.5%

LAB 56.06, 28.56, 44.38

 

CMYK 64 / 0 / 71 / 23

HEX #47C539

RGB 71 197 57

HSL 114, 0.55%, 0.5%

LAB 70.57, -60.21, 57.07

 

CMYK 71 / 28 / 0 / 23

HEX #398DC5

RGB 57 141 197

HSL 204, 0.55%, 0.5%

LAB 56.04, -6.85, -36.34

 

Description

Color code: HEX #B939C5 | qconv.com Color code: HEX #B939C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 57 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 57 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 71 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 71% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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