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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9633B it is the complementary color #469CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9633B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9633B shade: #BE6336, #CF7549, #E0875C, #F1996F and #FFAB82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9633B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9633B shade: #B9633B, #A85128, #973F15, #862D02 and #751B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9633B shade: #BA633A, #BA403A and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9633B shade: #BA633A, #BA853A, #BAA73A, #A9BA3A and #87BA3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9633B shade matches the following richer shades: #BA633A, #CD5B26 and #E15413

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9633B shade: #BA633A, #A66A4E, #927162, #7E7876 and #6A8089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9633B shade: #BA3A56, #BA413A, #BA633A, #BA853A and #BAA63A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9633B shade: #7B4126, #9A5230, #BA633A, #C97954 and #D39274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9633B shade: #B9633B, #78BA3A and #3A45BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9633B shade: #B9633B, #3ABA63 and #633ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9633B shade: #B9633B, #78BA3A, #3A91BA and #7C3ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9633B shade: #B9633B, #52BA3A, #3A91BA and #A23ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

Complementary color

CMYK 64 / 20 / 0 / 23

HEX #469CC4

RGB 70 156 196

HSL 199.05, 0.52%, 0.52%

LAB 60.84, -13.52, -28.28

 

CMYK 0 / 48 / 72 / 25

HEX #BE6336

RGB 190 99 54

HSL 19.85, 0.56%, 0.48%

LAB 51.99, 33.01, 41.17

 

CMYK 0 / 43 / 65 / 19

HEX #CF7549

RGB 207 117 73

HSL 19.7, 0.58%, 0.55%

LAB 58.48, 31.44, 39.22

 

CMYK 0 / 40 / 59 / 12

HEX #E0875C

RGB 224 135 92

HSL 19.55, 0.68%, 0.62%

LAB 64.92, 30.02, 37.39

 

CMYK 0 / 37 / 54 / 5

HEX #F1996F

RGB 241 153 111

HSL 19.38, 0.82%, 0.69%

LAB 71.3, 28.76, 35.7

 

CMYK 0 / 33 / 49 / 0

HEX #FFAB82

RGB 255 171 130

HSL 19.68, 1%, 0.75%

LAB 77.28, 26.45, 33.64

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 0 / 52 / 76 / 34

HEX #A85128

RGB 168 81 40

HSL 19.22, 0.62%, 0.41%

LAB 44.75, 32.92, 39.65

 

CMYK 0 / 58 / 86 / 41

HEX #973F15

RGB 151 63 21

HSL 19.38, 0.76%, 0.34%

LAB 38.18, 34.71, 41.51

 

CMYK 0 / 66 / 99 / 47

HEX #862D02

RGB 134 45 2

HSL 19.55, 0.97%, 0.27%

LAB 31.69, 36.47, 42.76

 

CMYK 0 / 77 / 100 / 54

HEX #751B00

RGB 117 27 0

HSL 13.85, 1%, 0.23%

LAB 25.46, 37.9, 37.12

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 66 / 69 / 27

HEX #BA403A

RGB 186 64 58

HSL 2.81, 0.52%, 0.48%

LAB 44.82, 48.74, 30.57

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 28 / 69 / 27

HEX #BA853A

RGB 186 133 58

HSL 35.16, 0.52%, 0.48%

LAB 59.45, 12.93, 47.15

 

CMYK 0 / 10 / 69 / 27

HEX #BAA73A

RGB 186 167 58

HSL 51.09, 0.52%, 0.48%

LAB 68.3, -5.56, 56.41

 

CMYK 9 / 0 / 69 / 27

HEX #A9BA3A

RGB 169 186 58

HSL 67.97, 0.52%, 0.48%

LAB 72.13, -22.58, 59.83

 

CMYK 27 / 0 / 69 / 27

HEX #87BA3A

RGB 135 186 58

HSL 83.91, 0.52%, 0.48%

LAB 69.88, -36.22, 56.81

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 56 / 81 / 20

HEX #CD5B26

RGB 205 91 38

HSL 19.04, 0.69%, 0.48%

LAB 52.51, 42.34, 50.18

 

CMYK 0 / 63 / 92 / 12

HEX #E15413

RGB 225 84 19

HSL 18.93, 0.84%, 0.48%

LAB 54.44, 52.48, 60.2

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 36 / 53 / 35

HEX #A66A4E

RGB 166 106 78

HSL 19.09, 0.36%, 0.48%

LAB 50.65, 20.91, 25.6

 

CMYK 0 / 23 / 33 / 43

HEX #927162

RGB 146 113 98

HSL 18.75, 0.2%, 0.48%

LAB 50.46, 10.77, 13.32

 

CMYK 0 / 5 / 6 / 51

HEX #7E7876

RGB 126 120 118

HSL 15, 0.03%, 0.48%

LAB 50.89, 1.91, 1.91

 

CMYK 23 / 7 / 0 / 46

HEX #6A8089

RGB 106 128 137

HSL 197.42, 0.13%, 0.48%

LAB 52.18, -5.82, -7.51

 

CMYK 0 / 69 / 54 / 27

HEX #BA3A56

RGB 186 58 86

HSL 346.88, 0.52%, 0.48%

LAB 44.43, 53.09, 13.07

 

CMYK 0 / 65 / 69 / 27

HEX #BA413A

RGB 186 65 58

HSL 3.28, 0.52%, 0.48%

LAB 44.98, 48.31, 30.76

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 28 / 69 / 27

HEX #BA853A

RGB 186 133 58

HSL 35.16, 0.52%, 0.48%

LAB 59.45, 12.93, 47.15

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 47 / 69 / 52

HEX #7B4126

RGB 123 65 38

HSL 19.06, 0.53%, 0.32%

LAB 34.26, 22.6, 27.23

 

CMYK 0 / 47 / 69 / 40

HEX #9A5230

RGB 154 82 48

HSL 19.25, 0.52%, 0.4%

LAB 42.94, 26.98, 32.79

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 0 / 40 / 58 / 21

HEX #C97954

RGB 201 121 84

HSL 18.97, 0.52%, 0.56%

LAB 58.73, 27.63, 33.39

 

CMYK 0 / 31 / 45 / 17

HEX #D39274

RGB 211 146 116

HSL 18.95, 0.52%, 0.64%

LAB 66.27, 21.02, 25.76

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 35 / 0 / 69 / 27

HEX #78BA3A

RGB 120 186 58

HSL 90.94, 0.52%, 0.48%

LAB 69.05, -41.74, 55.7

 

CMYK 69 / 63 / 0 / 27

HEX #3A45BA

RGB 58 69 186

HSL 234.84, 0.52%, 0.48%

LAB 35.4, 34.3, -63.02

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 69 / 0 / 47 / 27

HEX #3ABA63

RGB 58 186 99

HSL 139.22, 0.52%, 0.48%

LAB 67.22, -53.77, 34.13

 

CMYK 47 / 69 / 0 / 27

HEX #633ABA

RGB 99 58 186

HSL 259.22, 0.52%, 0.48%

LAB 36.41, 47.38, -61.23

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 35 / 0 / 69 / 27

HEX #78BA3A

RGB 120 186 58

HSL 90.94, 0.52%, 0.48%

LAB 69.05, -41.74, 55.7

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 33 / 69 / 0 / 27

HEX #7C3ABA

RGB 124 58 186

HSL 270.94, 0.52%, 0.48%

LAB 39.34, 52.22, -56.34

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 56 / 0 / 69 / 27

HEX #52BA3A

RGB 82 186 58

HSL 108.75, 0.52%, 0.48%

LAB 67.44, -53.58, 53.51

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 13 / 69 / 0 / 27

HEX #A23ABA

RGB 162 58 186

HSL 288.75, 0.52%, 0.48%

LAB 44.59, 60.36, -47.61

 

Description

Color code: HEX #B9633B | qconv.com Color code: HEX #B9633B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 99 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 99 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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