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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B96DE2 it is the complementary color #46921D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B96DE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B96DE2 shade: #BE6DDD, #CF7FF0, #E091FF, #F1A3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B96DE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B96DE2 shade: #B96DE2, #A85BCF, #9749BC, #8637A9 and #752596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B96DE2 shade: #B96EE2, #D86EE2, #E26ECC, #E26EAD and #E26E8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B96DE2 shade: #B96EE2, #9A6EE2, #7B6EE2 and #6E6EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B96DE2 shade matches the following richer shades: #B96EE2, #BD60F0 and #C252FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B96DE2 shade: #B96EE2, #B57CD4, #B18AC6, #AD98B8 and #A8A6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B96DE2 shade: #796EE2, #986EE2, #B76EE2, #D66EE2 and #E26ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B96DE2 shade: #9829D4, #A94BDB, #B96EE2, #CA90E9 and #DAB3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B96DE2 shade: #B96DE2, #E26E81 and #6EE289

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B96DE2 shade: #B96DE2, #E2B76E and #6EE2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B96DE2 shade: #B96DE2, #E26E81, #98E26E and #6EE2CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B96DE2 shade: #B96DE2, #E27D6E, #98E26E and #6ED2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

Complementary color

CMYK 52 / 0 / 80 / 43

HEX #46921D

RGB 70 146 29

HSL 98.97, 0.67%, 0.34%

LAB 53.97, -43.82, 50.42

 

CMYK 14 / 51 / 0 / 13

HEX #BE6DDD

RGB 190 109 221

HSL 283.39, 0.62%, 0.65%

LAB 59.07, 50.34, -44.44

 

CMYK 14 / 47 / 0 / 6

HEX #CF7FF0

RGB 207 127 240

HSL 282.48, 0.79%, 0.72%

LAB 65.54, 49.58, -44.68

 

CMYK 12 / 43 / 0 / 0

HEX #E091FF

RGB 224 145 255

HSL 283.09, 1%, 0.78%

LAB 71.77, 48, -42.99

 

CMYK 5 / 36 / 0 / 0

HEX #F1A3FF

RGB 241 163 255

HSL 290.87, 1%, 0.82%

LAB 77.35, 43.55, -34.18

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

CMYK 19 / 56 / 0 / 19

HEX #A85BCF

RGB 168 91 207

HSL 279.83, 0.55%, 0.58%

LAB 52.19, 50.82, -47.59

 

CMYK 20 / 61 / 0 / 26

HEX #9749BC

RGB 151 73 188

HSL 280.7, 0.46%, 0.51%

LAB 45.6, 51.48, -47.26

 

CMYK 21 / 67 / 0 / 34

HEX #8637A9

RGB 134 55 169

HSL 281.58, 0.51%, 0.44%

LAB 39.01, 51.91, -46.74

 

CMYK 22 / 75 / 0 / 41

HEX #752596

RGB 117 37 150

HSL 282.48, 0.6%, 0.37%

LAB 32.5, 51.86, -45.88

 

CMYK 18 / 51 / 0 / 11

HEX #B96EE2

RGB 185 110 226

HSL 278.79, 0.67%, 0.66%

LAB 58.93, 49.54, -47.5

 

CMYK 4 / 51 / 0 / 11

HEX #D86EE2

RGB 216 110 226

HSL 294.83, 0.67%, 0.66%

LAB 62.71, 57.85, -41.29

 

CMYK 0 / 51 / 10 / 11

HEX #E26ECC

RGB 226 110 204

HSL 311.38, 0.67%, 0.66%

LAB 63.08, 56.87, -28.28

 

CMYK 0 / 51 / 23 / 11

HEX #E26EAD

RGB 226 110 173

HSL 327.41, 0.67%, 0.66%

LAB 61.94, 52.23, -12.4

 

CMYK 0 / 51 / 38 / 11

HEX #E26E8D

RGB 226 110 141

HSL 343.97, 0.67%, 0.66%

LAB 61, 48.19, 4.6

 

CMYK 18 / 51 / 0 / 11

HEX #B96EE2

RGB 185 110 226

HSL 278.79, 0.67%, 0.66%

LAB 58.93, 49.54, -47.5

 

CMYK 32 / 51 / 0 / 11

HEX #9A6EE2

RGB 154 110 226

HSL 262.76, 0.67%, 0.66%

LAB 55.6, 41.5, -53.01

 

CMYK 46 / 51 / 0 / 11

HEX #7B6EE2

RGB 123 110 226

HSL 246.72, 0.67%, 0.66%

LAB 52.79, 34.08, -57.66

 

CMYK 51 / 51 / 0 / 11

HEX #6E6EE2

RGB 110 110 226

HSL 240, 0.67%, 0.66%

LAB 51.79, 31.27, -59.32

 

CMYK 18 / 51 / 0 / 11

HEX #B96EE2

RGB 185 110 226

HSL 278.79, 0.67%, 0.66%

LAB 58.93, 49.54, -47.5

 

CMYK 21 / 60 / 0 / 6

HEX #BD60F0

RGB 189 96 240

HSL 278.75, 0.83%, 0.66%

LAB 57.54, 60.51, -57.51

 

CMYK 24 / 68 / 0 / 0

HEX #C252FE

RGB 194 82 254

HSL 279.07, 0.99%, 0.66%

LAB 56.74, 70.75, -66.53

 

CMYK 18 / 51 / 0 / 11

HEX #B96EE2

RGB 185 110 226

HSL 278.79, 0.67%, 0.66%

LAB 58.93, 49.54, -47.5

 

CMYK 15 / 42 / 0 / 17

HEX #B57CD4

RGB 181 124 212

HSL 278.86, 0.51%, 0.66%

LAB 60.78, 37.89, -36.78

 

CMYK 11 / 30 / 0 / 22

HEX #B18AC6

RGB 177 138 198

HSL 279, 0.34%, 0.66%

LAB 63.01, 25.87, -25.48

 

CMYK 6 / 17 / 0 / 28

HEX #AD98B8

RGB 173 152 184

HSL 279.38, 0.18%, 0.66%

LAB 65.59, 13.76, -13.73

 

CMYK 1 / 2 / 0 / 33

HEX #A8A6AA

RGB 168 166 170

HSL 270, 0.02%, 0.66%

LAB 68.39, 1.48, -1.82

 

CMYK 46 / 51 / 0 / 11

HEX #796EE2

RGB 121 110 226

HSL 245.69, 0.67%, 0.66%

LAB 52.63, 33.64, -57.92

 

CMYK 33 / 51 / 0 / 11

HEX #986EE2

RGB 152 110 226

HSL 261.72, 0.67%, 0.66%

LAB 55.4, 40.99, -53.33

 

CMYK 19 / 51 / 0 / 11

HEX #B76EE2

RGB 183 110 226

HSL 277.76, 0.67%, 0.66%

LAB 58.71, 49.01, -47.88

 

CMYK 5 / 51 / 0 / 11

HEX #D66EE2

RGB 214 110 226

HSL 293.79, 0.67%, 0.66%

LAB 62.46, 57.31, -41.71

 

CMYK 0 / 51 / 8 / 11

HEX #E26ECF

RGB 226 110 207

HSL 309.83, 0.67%, 0.66%

LAB 63.2, 57.36, -29.78

 

CMYK 28 / 81 / 0 / 17

HEX #9829D4

RGB 152 41 212

HSL 278.95, 0.68%, 0.5%

LAB 42.79, 69.62, -65.7

 

CMYK 23 / 66 / 0 / 14

HEX #A94BDB

RGB 169 75 219

HSL 279.17, 0.67%, 0.58%

LAB 50.19, 61.3, -57.61

 

CMYK 18 / 51 / 0 / 11

HEX #B96EE2

RGB 185 110 226

HSL 278.79, 0.67%, 0.66%

LAB 58.93, 49.54, -47.5

 

CMYK 13 / 38 / 0 / 9

HEX #CA90E9

RGB 202 144 233

HSL 279.1, 0.67%, 0.74%

LAB 68.3, 37.64, -36.55

 

CMYK 9 / 25 / 0 / 6

HEX #DAB3F0

RGB 218 179 240

HSL 278.36, 0.67%, 0.82%

LAB 78.13, 24.98, -25.09

 

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

CMYK 0 / 51 / 43 / 11

HEX #E26E81

RGB 226 110 129

HSL 350.17, 0.67%, 0.66%

LAB 60.7, 46.9, 11.1

 

CMYK 51 / 0 / 39 / 11

HEX #6EE289

RGB 110 226 137

HSL 133.97, 0.67%, 0.66%

LAB 81.57, -51.77, 33.69

 

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

CMYK 0 / 19 / 51 / 11

HEX #E2B76E

RGB 226 183 110

HSL 37.76, 0.67%, 0.66%

LAB 76.78, 6.7, 42.72

 

CMYK 51 / 0 / 19 / 11

HEX #6EE2B7

RGB 110 226 183

HSL 157.76, 0.67%, 0.66%

LAB 82.45, -42.98, 11.06

 

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

CMYK 0 / 51 / 43 / 11

HEX #E26E81

RGB 226 110 129

HSL 350.17, 0.67%, 0.66%

LAB 60.7, 46.9, 11.1

 

CMYK 33 / 0 / 51 / 11

HEX #98E26E

RGB 152 226 110

HSL 98.28, 0.67%, 0.66%

LAB 83.02, -43.08, 49.08

 

CMYK 51 / 0 / 8 / 11

HEX #6EE2CF

RGB 110 226 207

HSL 170.17, 0.67%, 0.66%

LAB 83.03, -37.46, -0.78

 

CMYK 18 / 52 / 0 / 11

HEX #B96DE2

RGB 185 109 226

HSL 278.97, 0.67%, 0.66%

LAB 58.74, 50.06, -47.81

 

CMYK 0 / 45 / 51 / 11

HEX #E27D6E

RGB 226 125 110

HSL 7.76, 0.67%, 0.66%

LAB 63.31, 37.5, 25.51

 

CMYK 33 / 0 / 51 / 11

HEX #98E26E

RGB 152 226 110

HSL 98.28, 0.67%, 0.66%

LAB 83.02, -43.08, 49.08

 

CMYK 51 / 7 / 0 / 11

HEX #6ED2E2

RGB 110 210 226

HSL 188.28, 0.67%, 0.66%

LAB 78.98, -24.97, -16.91

 

Description

Color code: HEX #B96DE2 | qconv.com Color code: HEX #B96DE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 109 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 109 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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