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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B99331 it is the complementary color #466CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B99331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B99331 shade: #BE932C, #CFA53F, #E0B752, #F1C965 and #FFDB78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B99331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B99331 shade: #B99331, #A8811E, #976F0B, #865D00 and #754B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B99331 shade: #B99331, #B96E31, #B94931 and #B93131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B99331 shade: #B99331, #B9B831, #95B931, #71B931 and #4CB931

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B99331 shade matches the following richer shades: #B99331, #CC9B1E and #DFA40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B99331 shade: #B99331, #A68A44, #938257, #807A6A and #6D717D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B99331 shade: #B94A31, #B96E31, #B99231, #B9B731 and #97B931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B99331 shade: #785F1F, #987928, #B99331, #CDA746 and #D6B766

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B99331 shade: #B99331, #3CB931 and #5C31B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B99331 shade: #B99331, #31B992 and #9231B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B99331 shade: #B99331, #3CB931, #3157B9 and #AD31B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B99331 shade: #B99331, #31B94E, #3157B9 and #B9319B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

Complementary color

CMYK 66 / 48 / 0 / 19

HEX #466CCE

RGB 70 108 206

HSL 223.24, 0.58%, 0.54%

LAB 47.6, 18.35, -54.83

 

CMYK 0 / 23 / 77 / 25

HEX #BE932C

RGB 190 147 44

HSL 42.33, 0.62%, 0.46%

LAB 63.34, 6.3, 57.19

 

CMYK 0 / 20 / 70 / 19

HEX #CFA53F

RGB 207 165 63

HSL 42.5, 0.6%, 0.53%

LAB 69.85, 4.92, 56.55

 

CMYK 0 / 18 / 63 / 12

HEX #E0B752

RGB 224 183 82

HSL 42.68, 0.7%, 0.6%

LAB 76.27, 3.75, 55.55

 

CMYK 0 / 17 / 58 / 5

HEX #F1C965

RGB 241 201 101

HSL 42.86, 0.83%, 0.67%

LAB 82.6, 2.75, 54.39

 

CMYK 0 / 14 / 53 / 0

HEX #FFDB78

RGB 255 219 120

HSL 44, 1%, 0.74%

LAB 88.58, 0.67, 52.79

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 23 / 82 / 34

HEX #A8811E

RGB 168 129 30

HSL 43.04, 0.7%, 0.39%

LAB 56.21, 5.81, 54.8

 

CMYK 0 / 26 / 93 / 41

HEX #976F0B

RGB 151 111 11

HSL 42.86, 0.86%, 0.32%

LAB 49.46, 7.64, 53.76

 

CMYK 0 / 31 / 100 / 47

HEX #865D00

RGB 134 93 0

HSL 41.64, 1%, 0.26%

LAB 42.61, 9.83, 50.43

 

CMYK 0 / 36 / 100 / 54

HEX #754B00

RGB 117 75 0

HSL 38.46, 1%, 0.23%

LAB 35.62, 12.36, 44.72

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 41 / 74 / 27

HEX #B96E31

RGB 185 110 49

HSL 26.91, 0.58%, 0.46%

LAB 53.69, 24.74, 45.28

 

CMYK 0 / 61 / 74 / 27

HEX #B94931

RGB 185 73 49

HSL 10.59, 0.58%, 0.46%

LAB 46.04, 43.9, 37.06

 

CMYK 0 / 74 / 74 / 27

HEX #B93131

RGB 185 49 49

HSL 0, 0.58%, 0.46%

LAB 42.36, 53.87, 32.92

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 1 / 74 / 27

HEX #B9B831

RGB 185 184 49

HSL 59.56, 0.58%, 0.46%

LAB 72.77, -15.26, 64.13

 

CMYK 19 / 0 / 74 / 27

HEX #95B931

RGB 149 185 49

HSL 75.88, 0.58%, 0.46%

LAB 70.39, -30.82, 60.93

 

CMYK 39 / 0 / 74 / 27

HEX #71B931

RGB 113 185 49

HSL 91.76, 0.58%, 0.46%

LAB 68.34, -44.39, 58.22

 

CMYK 59 / 0 / 74 / 27

HEX #4CB931

RGB 76 185 49

HSL 108.09, 0.58%, 0.46%

LAB 66.87, -55.47, 56.27

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 24 / 85 / 20

HEX #CC9B1E

RGB 204 155 30

HSL 43.1, 0.74%, 0.46%

LAB 66.8, 7.7, 65.38

 

CMYK 0 / 26 / 95 / 13

HEX #DFA40B

RGB 223 164 11

HSL 43.3, 0.91%, 0.46%

LAB 71.05, 10.88, 73.28

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 17 / 59 / 35

HEX #A68A44

RGB 166 138 68

HSL 42.86, 0.42%, 0.46%

LAB 58.7, 2.01, 40.84

 

CMYK 0 / 12 / 41 / 42

HEX #938257

RGB 147 130 87

HSL 43, 0.26%, 0.46%

LAB 54.92, 0.05, 25.65

 

CMYK 0 / 5 / 17 / 50

HEX #807A6A

RGB 128 122 106

HSL 43.64, 0.09%, 0.46%

LAB 51.32, -0.61, 9.58

 

CMYK 13 / 10 / 0 / 51

HEX #6D717D

RGB 109 113 125

HSL 225, 0.07%, 0.46%

LAB 47.68, 1.11, -7.13

 

CMYK 0 / 60 / 74 / 27

HEX #B94A31

RGB 185 74 49

HSL 11.03, 0.58%, 0.46%

LAB 46.22, 43.43, 37.26

 

CMYK 0 / 41 / 74 / 27

HEX #B96E31

RGB 185 110 49

HSL 26.91, 0.58%, 0.46%

LAB 53.69, 24.74, 45.28

 

CMYK 0 / 21 / 74 / 27

HEX #B99231

RGB 185 146 49

HSL 42.79, 0.58%, 0.46%

LAB 62.59, 4.85, 54.31

 

CMYK 0 / 1 / 74 / 27

HEX #B9B731

RGB 185 183 49

HSL 59.12, 0.58%, 0.46%

LAB 72.5, -14.75, 63.88

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 0 / 21 / 74 / 53

HEX #785F1F

RGB 120 95 31

HSL 43.15, 0.59%, 0.3%

LAB 41.65, 2.92, 38.8

 

CMYK 0 / 20 / 74 / 40

HEX #987928

RGB 152 121 40

HSL 43.39, 0.58%, 0.38%

LAB 52.4, 3.4, 46.79

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 0 / 19 / 66 / 20

HEX #CDA746

RGB 205 167 70

HSL 43.11, 0.57%, 0.54%

LAB 70.22, 3.38, 53.82

 

CMYK 0 / 14 / 52 / 16

HEX #D6B766

RGB 214 183 102

HSL 43.39, 0.58%, 0.62%

LAB 75.53, 1.05, 44.93

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 68 / 0 / 74 / 27

HEX #3CB931

RGB 60 185 49

HSL 115.15, 0.58%, 0.46%

LAB 66.43, -59.06, 55.68

 

CMYK 50 / 74 / 0 / 27

HEX #5C31B9

RGB 92 49 185

HSL 258.97, 0.58%, 0.46%

LAB 33.93, 50.52, -64.73

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 74 / 0 / 21 / 27

HEX #31B992

RGB 49 185 146

HSL 162.79, 0.58%, 0.46%

LAB 67.6, -45.16, 9.57

 

CMYK 21 / 74 / 0 / 27

HEX #9231B9

RGB 146 49 185

HSL 282.79, 0.58%, 0.46%

LAB 40.91, 60.32, -53.06

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 68 / 0 / 74 / 27

HEX #3CB931

RGB 60 185 49

HSL 115.15, 0.58%, 0.46%

LAB 66.43, -59.06, 55.68

 

CMYK 74 / 53 / 0 / 27

HEX #3157B9

RGB 49 87 185

HSL 223.24, 0.58%, 0.46%

LAB 39.53, 21.07, -55.73

 

CMYK 6 / 74 / 0 / 27

HEX #AD31B9

RGB 173 49 185

HSL 294.71, 0.58%, 0.46%

LAB 45.06, 65.86, -46.18

 

CMYK 0 / 21 / 74 / 27

HEX #B99331

RGB 185 147 49

HSL 43.24, 0.58%, 0.46%

LAB 62.85, 4.3, 54.57

 

CMYK 74 / 0 / 58 / 27

HEX #31B94E

RGB 49 185 78

HSL 132.79, 0.58%, 0.46%

LAB 66.44, -58.01, 43.45

 

CMYK 74 / 53 / 0 / 27

HEX #3157B9

RGB 49 87 185

HSL 223.24, 0.58%, 0.46%

LAB 39.53, 21.07, -55.73

 

CMYK 0 / 74 / 16 / 27

HEX #B9319B

RGB 185 49 155

HSL 313.24, 0.58%, 0.46%

LAB 45.47, 63.84, -27.63

 

Description

Color code: HEX #B99331 | qconv.com Color code: HEX #B99331 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 147 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 147 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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