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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F1B6 it is the complementary color #460E49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F1B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F1B6 shade: #BEF1B1, #CFFFC4, #E0FFD7, #F1FFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F1B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F1B6 shade: #B9F1B6, #A8DFA3, #97CD90, #86BB7D and #75A96A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F1B6 shade: #B9F1B6, #C9F1B6, #D8F1B6, #E8F1B6 and #F1E9B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F1B6 shade: #B9F1B6, #B6F1C3, #B6F1D2, #B6F1E2 and #B6EFF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F1B6 shade matches the following richer shades: #B9F1B6 and #B2F8AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F1B6 shade: #B9F1B6, #BFEABD, #C5E3C4, #CCDCCB and #D2D5D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F1B6 shade: #D9F1B6, #C9F1B6, #BAF1B6, #B6F1C1 and #B6F1D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F1B6 shade: #76E370, #97EA93, #B9F1B6, #DAF7D8 and #FBFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F1B6 shade: #B9F1B6, #B6E9F1 and #F1B6D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F1B6 shade: #B9F1B6, #B6BAF1 and #F1B6BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F1B6 shade: #B9F1B6, #B6E9F1, #EDB6F1 and #F1BEB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F1B6 shade: #B9F1B6, #B6D7F1, #EDB6F1 and #F1CFB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

Complementary color

CMYK 4 / 81 / 0 / 71

HEX #460E49

RGB 70 14 73

HSL 296.95, 0.68%, 0.17%

LAB 15.99, 34.36, -23.02

 

CMYK 21 / 0 / 27 / 5

HEX #BEF1B1

RGB 190 241 177

HSL 107.81, 0.7%, 0.82%

LAB 90.34, -27.94, 25.75

 

CMYK 19 / 0 / 23 / 0

HEX #CFFFC4

RGB 207 255 196

HSL 108.81, 1%, 0.88%

LAB 95.48, -25.89, 23.3

 

CMYK 12 / 0 / 16 / 0

HEX #E0FFD7

RGB 224 255 215

HSL 106.5, 1%, 0.92%

LAB 96.93, -17.13, 15.8

 

CMYK 5 / 0 / 8 / 0

HEX #F1FFEA

RGB 241 255 234

HSL 100, 1%, 0.96%

LAB 98.5, -8.26, 8.45

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 25 / 0 / 27 / 13

HEX #A8DFA3

RGB 168 223 163

HSL 115, 0.48%, 0.76%

LAB 83.83, -28.99, 23.86

 

CMYK 26 / 0 / 30 / 20

HEX #97CD90

RGB 151 205 144

HSL 113.11, 0.38%, 0.68%

LAB 77.43, -29.2, 24.9

 

CMYK 28 / 0 / 33 / 27

HEX #86BB7D

RGB 134 187 125

HSL 111.29, 0.31%, 0.61%

LAB 70.93, -29.42, 26

 

CMYK 31 / 0 / 37 / 34

HEX #75A96A

RGB 117 169 106

HSL 109.52, 0.27%, 0.54%

LAB 64.32, -29.63, 27.17

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 17 / 0 / 24 / 5

HEX #C9F1B6

RGB 201 241 182

HSL 100.68, 0.68%, 0.83%

LAB 91.1, -23.43, 24.34

 

CMYK 10 / 0 / 24 / 5

HEX #D8F1B6

RGB 216 241 182

HSL 85.42, 0.68%, 0.83%

LAB 92.08, -18.2, 25.85

 

CMYK 4 / 0 / 24 / 5

HEX #E8F1B6

RGB 232 241 182

HSL 69.15, 0.68%, 0.83%

LAB 93.21, -12.46, 27.57

 

CMYK 0 / 3 / 24 / 5

HEX #F1E9B6

RGB 241 233 182

HSL 51.86, 0.68%, 0.83%

LAB 91.84, -5.17, 25.82

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 24 / 0 / 19 / 5

HEX #B6F1C3

RGB 182 241 195

HSL 133.22, 0.68%, 0.83%

LAB 90.23, -27.54, 16.27

 

CMYK 24 / 0 / 13 / 5

HEX #B6F1D2

RGB 182 241 210

HSL 148.47, 0.68%, 0.83%

LAB 90.56, -24.78, 8.95

 

CMYK 24 / 0 / 6 / 5

HEX #B6F1E2

RGB 182 241 226

HSL 164.75, 0.68%, 0.83%

LAB 90.94, -21.61, 1.18

 

CMYK 24 / 1 / 0 / 5

HEX #B6EFF1

RGB 182 239 241

HSL 182.03, 0.68%, 0.83%

LAB 90.79, -17.47, -6.85

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 28 / 0 / 29 / 3

HEX #B2F8AF

RGB 178 248 175

HSL 117.53, 0.84%, 0.83%

LAB 91.55, -35.45, 28.3

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 18 / 0 / 19 / 8

HEX #BFEABD

RGB 191 234 189

HSL 117.33, 0.52%, 0.83%

LAB 88.73, -22.29, 17.35

 

CMYK 13 / 0 / 14 / 11

HEX #C5E3C4

RGB 197 227 196

HSL 118.06, 0.36%, 0.83%

LAB 87.38, -15.62, 11.86

 

CMYK 7 / 0 / 8 / 14

HEX #CCDCCB

RGB 204 220 203

HSL 116.47, 0.2%, 0.83%

LAB 86.17, -8.47, 6.51

 

CMYK 1 / 0 / 1 / 16

HEX #D2D5D2

RGB 210 213 210

HSL 120, 0.03%, 0.83%

LAB 84.97, -1.56, 1.11

 

CMYK 10 / 0 / 24 / 5

HEX #D9F1B6

RGB 217 241 182

HSL 84.41, 0.68%, 0.83%

LAB 92.15, -17.85, 25.95

 

CMYK 17 / 0 / 24 / 5

HEX #C9F1B6

RGB 201 241 182

HSL 100.68, 0.68%, 0.83%

LAB 91.1, -23.43, 24.34

 

CMYK 23 / 0 / 24 / 5

HEX #BAF1B6

RGB 186 241 182

HSL 115.93, 0.68%, 0.83%

LAB 90.2, -28.47, 22.96

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 24 / 0 / 13 / 5

HEX #B6F1D1

RGB 182 241 209

HSL 147.46, 0.68%, 0.83%

LAB 90.53, -24.97, 9.44

 

CMYK 48 / 0 / 51 / 11

HEX #76E370

RGB 118 227 112

HSL 116.87, 0.67%, 0.66%

LAB 81.82, -53.72, 46.33

 

CMYK 35 / 0 / 37 / 8

HEX #97EA93

RGB 151 234 147

HSL 117.24, 0.67%, 0.75%

LAB 85.77, -42.02, 34.49

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 12 / 0 / 13 / 3

HEX #DAF7D8

RGB 218 247 216

HSL 116.13, 0.66%, 0.91%

LAB 94.48, -15.04, 11.75

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFB

RGB 251 254 251

HSL 120, 0.6%, 0.99%

LAB 99.36, -1.51, 1.07

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 24 / 3 / 0 / 5

HEX #B6E9F1

RGB 182 233 241

HSL 188.14, 0.68%, 0.83%

LAB 89.19, -14.47, -9.22

 

CMYK 0 / 24 / 13 / 5

HEX #F1B6D1

RGB 241 182 209

HSL 332.54, 0.68%, 0.83%

LAB 80.04, 25.43, -5.26

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 24 / 23 / 0 / 5

HEX #B6BAF1

RGB 182 186 241

HSL 235.93, 0.68%, 0.83%

LAB 76.93, 10.28, -27.73

 

CMYK 0 / 24 / 23 / 5

HEX #F1B6BA

RGB 241 182 186

HSL 355.93, 0.68%, 0.83%

LAB 79.44, 21.92, 6.3

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 24 / 3 / 0 / 5

HEX #B6E9F1

RGB 182 233 241

HSL 188.14, 0.68%, 0.83%

LAB 89.19, -14.47, -9.22

 

CMYK 2 / 24 / 0 / 5

HEX #EDB6F1

RGB 237 182 241

HSL 295.93, 0.68%, 0.83%

LAB 80.63, 29.63, -21.65

 

CMYK 0 / 21 / 24 / 5

HEX #F1BEB6

RGB 241 190 182

HSL 8.14, 0.68%, 0.83%

LAB 81.24, 17.12, 11.02

 

CMYK 23 / 0 / 24 / 5

HEX #B9F1B6

RGB 185 241 182

HSL 116.95, 0.68%, 0.83%

LAB 90.14, -28.8, 22.87

 

CMYK 24 / 11 / 0 / 5

HEX #B6D7F1

RGB 182 215 241

HSL 206.44, 0.68%, 0.83%

LAB 84.43, -5.24, -16.34

 

CMYK 2 / 24 / 0 / 5

HEX #EDB6F1

RGB 237 182 241

HSL 295.93, 0.68%, 0.83%

LAB 80.63, 29.63, -21.65

 

CMYK 0 / 14 / 24 / 5

HEX #F1CFB6

RGB 241 207 182

HSL 25.42, 0.68%, 0.83%

LAB 85.35, 8.19, 16.83

 

Description

Color code: HEX #B9F1B6 | qconv.com Color code: HEX #B9F1B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 241 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 241 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 24 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 24% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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