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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA2C2 it is the complementary color #435D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA2C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA2C2 shade: #C1A2BD, #D2B4D0, #E3C6E3, #F4D8F6 and #FFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA2C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA2C2 shade: #BCA2C2, #AB90AF, #9A7E9C, #896C89 and #785A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA2C2 shade: #BCA2C2, #C2A2BF, #C2A2B7, #C2A2AE and #C2A2A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA2C2 shade: #BCA2C2, #B3A2C2, #ABA2C2, #A2A2C2 and #A2A2C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA2C2 shade matches the following richer shades: #BCA2C2, #C496CE, #CC89DB, #D37DE7 and #DB70F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA2C2 shade: #BCA2C2, #B4AEB6, #ADBBA9, #A5C79D and #9DD391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA2C2 shade: #ABA2C2, #B3A2C2, #BCA2C2, #C2A2C0 and #C2A2B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA2C2 shade: #9870A1, #AA89B2, #BCA2C2, #CEBBD2 and #E0D4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA2C2 shade: #BCA2C2, #C2A2A2 and #A2C2AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA2C2 shade: #BCA2C2, #C2BCA2 and #A2C2BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA2C2 shade: #BCA2C2, #C2A2A2, #A8C2A2 and #A2C2C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA2C2 shade: #BCA2C2, #C2ACA2, #A8C2A2 and #A2B8C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

Complementary color

CMYK 28 / 0 / 34 / 64

HEX #435D3D

RGB 67 93 61

HSL 108.75, 0.21%, 0.3%

LAB 36.67, -16.72, 15.34

 

CMYK 0 / 16 / 2 / 24

HEX #C1A2BD

RGB 193 162 189

HSL 307.74, 0.2%, 0.7%

LAB 70.07, 16.08, -9.62

 

CMYK 0 / 14 / 1 / 18

HEX #D2B4D0

RGB 210 180 208

HSL 304, 0.25%, 0.76%

LAB 76.62, 15.63, -10.12

 

CMYK 0 / 13 / 0 / 11

HEX #E3C6E3

RGB 227 198 227

HSL 300, 0.34%, 0.83%

LAB 83.05, 15.22, -10.61

 

CMYK 1 / 12 / 0 / 4

HEX #F4D8F6

RGB 244 216 246

HSL 296, 0.63%, 0.91%

LAB 89.39, 14.84, -11.08

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 2 / 18 / 0 / 31

HEX #AB90AF

RGB 171 144 175

HSL 292.26, 0.16%, 0.63%

LAB 63.09, 15.77, -12.45

 

CMYK 1 / 19 / 0 / 39

HEX #9A7E9C

RGB 154 126 156

HSL 296, 0.13%, 0.55%

LAB 56.28, 16.27, -12

 

CMYK 0 / 21 / 0 / 46

HEX #896C89

RGB 137 108 137

HSL 300, 0.12%, 0.48%

LAB 49.31, 16.83, -11.55

 

CMYK 0 / 25 / 2 / 53

HEX #785A76

RGB 120 90 118

HSL 304, 0.14%, 0.41%

LAB 42.17, 17.46, -11.07

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 16 / 2 / 24

HEX #C2A2BF

RGB 194 162 191

HSL 305.63, 0.21%, 0.7%

LAB 70.23, 16.8, -10.49

 

CMYK 0 / 16 / 6 / 24

HEX #C2A2B7

RGB 194 162 183

HSL 320.63, 0.21%, 0.7%

LAB 69.99, 15.33, -6.42

 

CMYK 0 / 16 / 10 / 24

HEX #C2A2AE

RGB 194 162 174

HSL 337.5, 0.21%, 0.7%

LAB 69.73, 13.74, -1.8

 

CMYK 0 / 16 / 15 / 24

HEX #C2A2A5

RGB 194 162 165

HSL 354.38, 0.21%, 0.7%

LAB 69.49, 12.23, 2.84

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 8 / 16 / 0 / 24

HEX #B3A2C2

RGB 179 162 194

HSL 271.88, 0.21%, 0.7%

LAB 68.98, 12.25, -14.15

 

CMYK 12 / 16 / 0 / 24

HEX #ABA2C2

RGB 171 162 194

HSL 256.88, 0.21%, 0.7%

LAB 68.31, 9.57, -15.23

 

CMYK 16 / 16 / 0 / 24

HEX #A2A2C2

RGB 162 162 194

HSL 240, 0.21%, 0.7%

LAB 67.59, 6.61, -16.39

 

CMYK 16 / 16 / 0 / 24

HEX #A2A2C2

RGB 162 162 194

HSL 240, 0.21%, 0.7%

LAB 67.59, 6.61, -16.39

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 5 / 27 / 0 / 19

HEX #C496CE

RGB 196 150 206

HSL 289.29, 0.36%, 0.7%

LAB 68.02, 26.98, -22.11

 

CMYK 7 / 37 / 0 / 14

HEX #CC89DB

RGB 204 137 219

HSL 289.02, 0.53%, 0.7%

LAB 66.4, 39.19, -31.75

 

CMYK 9 / 46 / 0 / 9

HEX #D37DE7

RGB 211 125 231

HSL 288.68, 0.69%, 0.7%

LAB 65.19, 49.93, -40.23

 

CMYK 10 / 54 / 0 / 4

HEX #DB70F4

RGB 219 112 244

HSL 288.64, 0.86%, 0.7%

LAB 64.31, 61.04, -48.74

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 1 / 4 / 0 / 29

HEX #B4AEB6

RGB 180 174 182

HSL 285, 0.05%, 0.7%

LAB 71.79, 3.63, -3.33

 

CMYK 7 / 0 / 10 / 27

HEX #ADBBA9

RGB 173 187 169

HSL 106.67, 0.12%, 0.7%

LAB 74.37, -8.21, 7.46

 

CMYK 17 / 0 / 21 / 22

HEX #A5C79D

RGB 165 199 157

HSL 108.57, 0.27%, 0.7%

LAB 76.85, -19.29, 17.35

 

CMYK 26 / 0 / 31 / 17

HEX #9DD391

RGB 157 211 145

HSL 109.09, 0.43%, 0.7%

LAB 79.5, -29.87, 27.22

 

CMYK 12 / 16 / 0 / 24

HEX #ABA2C2

RGB 171 162 194

HSL 256.88, 0.21%, 0.7%

LAB 68.31, 9.57, -15.23

 

CMYK 8 / 16 / 0 / 24

HEX #B3A2C2

RGB 179 162 194

HSL 271.88, 0.21%, 0.7%

LAB 68.98, 12.25, -14.15

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 16 / 1 / 24

HEX #C2A2C0

RGB 194 162 192

HSL 303.75, 0.21%, 0.7%

LAB 70.26, 16.98, -11

 

CMYK 0 / 16 / 6 / 24

HEX #C2A2B7

RGB 194 162 183

HSL 320.63, 0.21%, 0.7%

LAB 69.99, 15.33, -6.42

 

CMYK 6 / 30 / 0 / 37

HEX #9870A1

RGB 152 112 161

HSL 288.98, 0.21%, 0.54%

LAB 52.77, 24.68, -20.25

 

CMYK 4 / 23 / 0 / 30

HEX #AA89B2

RGB 170 137 178

HSL 288.29, 0.21%, 0.62%

LAB 61.35, 19.98, -16.78

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 1 / 7 / 0 / 11

HEX #E0D4E3

RGB 224 212 227

HSL 288, 0.21%, 0.86%

LAB 86.25, 6.8, -5.9

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 16 / 16 / 24

HEX #C2A2A2

RGB 194 162 162

HSL 0, 0.21%, 0.7%

LAB 69.41, 11.75, 4.39

 

CMYK 16 / 0 / 10 / 24

HEX #A2C2AF

RGB 162 194 175

HSL 144.38, 0.21%, 0.7%

LAB 75.67, -14.52, 5.98

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 3 / 16 / 24

HEX #C2BCA2

RGB 194 188 162

HSL 48.75, 0.21%, 0.7%

LAB 76.1, -2.27, 13.92

 

CMYK 16 / 0 / 3 / 24

HEX #A2C2BC

RGB 162 194 188

HSL 168.75, 0.21%, 0.7%

LAB 76.01, -11.94, -0.58

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 16 / 16 / 24

HEX #C2A2A2

RGB 194 162 162

HSL 0, 0.21%, 0.7%

LAB 69.41, 11.75, 4.39

 

CMYK 13 / 0 / 16 / 24

HEX #A8C2A2

RGB 168 194 162

HSL 108.75, 0.21%, 0.7%

LAB 75.77, -14.85, 13.19

 

CMYK 16 / 0 / 0 / 24

HEX #A2C2C2

RGB 162 194 194

HSL 180, 0.21%, 0.7%

LAB 76.17, -10.69, -3.59

 

CMYK 3 / 16 / 0 / 24

HEX #BCA2C2

RGB 188 162 194

HSL 288.75, 0.21%, 0.7%

LAB 69.77, 15.3, -12.88

 

CMYK 0 / 11 / 16 / 24

HEX #C2ACA2

RGB 194 172 162

HSL 18.75, 0.21%, 0.7%

LAB 71.95, 6.29, 8.04

 

CMYK 13 / 0 / 16 / 24

HEX #A8C2A2

RGB 168 194 162

HSL 108.75, 0.21%, 0.7%

LAB 75.77, -14.85, 13.19

 

CMYK 16 / 5 / 0 / 24

HEX #A2B8C2

RGB 162 184 194

HSL 198.75, 0.21%, 0.7%

LAB 73.45, -5.41, -7.61

 

Description

Color code: HEX #BCA2C2 | qconv.com Color code: HEX #BCA2C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 162 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 162 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 16 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 16% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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