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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA314 it is the complementary color #435CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA314 shade: #C1A30F, #D2B522, #E3C735, #F4D948 and #FFEB5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA314 shade: #BCA314, #AB9101, #9A7F00, #896D00 and #785B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA314 shade: #BDA413, #BD7613, #BD4813, #BD1B13 and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA314 shade: #BDA413, #A8BD13, #7BBD13, #4DBD13 and #1FBD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA314 shade matches the following richer shades: #BDA413 and #CEAF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA314 shade: #BDA413, #AC9824, #9B8C35, #8A8046 and #797457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA314 shade: #BD4913, #BD7613, #BDA313, #A9BD13 and #7CBD13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA314 shade: #72630C, #97830F, #BDA413, #E2C417 and #EACF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA314 shade: #BCA314, #13BD1C and #6013BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA314 shade: #BCA314, #13BDA3 and #A313BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA314 shade: #BCA314, #13BD1C, #132DBD and #BD13B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA314 shade: #BCA314, #13BD4F, #132DBD and #BD1381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

Complementary color

CMYK 71 / 61 / 0 / 8

HEX #435CEB

RGB 67 92 235

HSL 231.07, 0.81%, 0.59%

LAB 45.42, 38.18, -74.83

 

CMYK 0 / 16 / 92 / 24

HEX #C1A30F

RGB 193 163 15

HSL 49.89, 0.86%, 0.41%

LAB 67.7, -1.79, 68.85

 

CMYK 0 / 14 / 84 / 18

HEX #D2B522

RGB 210 181 34

HSL 50.11, 0.72%, 0.48%

LAB 74.1, -3.38, 70.64

 

CMYK 0 / 12 / 77 / 11

HEX #E3C735

RGB 227 199 53

HSL 50.34, 0.76%, 0.55%

LAB 80.42, -4.74, 71.23

 

CMYK 0 / 11 / 70 / 4

HEX #F4D948

RGB 244 217 72

HSL 50.58, 0.89%, 0.62%

LAB 86.67, -5.9, 71.08

 

CMYK 0 / 8 / 64 / 0

HEX #FFEB5B

RGB 255 235 91

HSL 52.68, 1%, 0.68%

LAB 92.32, -9.36, 69.8

 

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

CMYK 0 / 15 / 99 / 33

HEX #AB9101

RGB 171 145 1

HSL 50.82, 0.99%, 0.34%

LAB 60.7, -2.23, 64.72

 

CMYK 0 / 18 / 100 / 40

HEX #9A7F00

RGB 154 127 0

HSL 49.48, 1%, 0.3%

LAB 54.08, -0.2, 59.41

 

CMYK 0 / 20 / 100 / 46

HEX #896D00

RGB 137 109 0

HSL 47.74, 1%, 0.27%

LAB 47.31, 1.96, 53.82

 

CMYK 0 / 24 / 100 / 53

HEX #785B00

RGB 120 91 0

HSL 45.5, 1%, 0.24%

LAB 40.37, 4.23, 48.1

 

CMYK 0 / 13 / 90 / 26

HEX #BDA413

RGB 189 164 19

HSL 51.18, 0.82%, 0.41%

LAB 67.59, -4.04, 67.9

 

CMYK 0 / 38 / 90 / 26

HEX #BD7613

RGB 189 118 19

HSL 34.94, 0.82%, 0.41%

LAB 55.91, 21.07, 58.85

 

CMYK 0 / 62 / 90 / 26

HEX #BD4813

RGB 189 72 19

HSL 18.71, 0.82%, 0.41%

LAB 46.31, 44.88, 51.57

 

CMYK 0 / 86 / 90 / 26

HEX #BD1B13

RGB 189 27 19

HSL 2.82, 0.82%, 0.41%

LAB 40.65, 60.43, 47.38

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 13 / 90 / 26

HEX #BDA413

RGB 189 164 19

HSL 51.18, 0.82%, 0.41%

LAB 67.59, -4.04, 67.9

 

CMYK 11 / 0 / 90 / 26

HEX #A8BD13

RGB 168 189 19

HSL 67.41, 0.82%, 0.41%

LAB 72.74, -25.95, 71.23

 

CMYK 35 / 0 / 90 / 26

HEX #7BBD13

RGB 123 189 19

HSL 83.29, 0.82%, 0.41%

LAB 69.93, -43.82, 67.78

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 84 / 0 / 90 / 26

HEX #1FBD13

RGB 31 189 19

HSL 115.76, 0.82%, 0.41%

LAB 67.08, -66.35, 64.23

 

CMYK 0 / 13 / 90 / 26

HEX #BDA413

RGB 189 164 19

HSL 51.18, 0.82%, 0.41%

LAB 67.59, -4.04, 67.9

 

CMYK 0 / 15 / 99 / 19

HEX #CEAF02

RGB 206 175 2

HSL 50.88, 0.98%, 0.41%

LAB 72.09, -2.52, 74.28

 

CMYK 0 / 13 / 90 / 26

HEX #BDA413

RGB 189 164 19

HSL 51.18, 0.82%, 0.41%

LAB 67.59, -4.04, 67.9

 

CMYK 0 / 12 / 79 / 33

HEX #AC9824

RGB 172 152 36

HSL 51.18, 0.65%, 0.41%

LAB 62.81, -4.78, 58.86

 

CMYK 0 / 10 / 66 / 39

HEX #9B8C35

RGB 155 140 53

HSL 51.18, 0.49%, 0.41%

LAB 58.02, -5.06, 46.96

 

CMYK 0 / 7 / 49 / 46

HEX #8A8046

RGB 138 128 70

HSL 51.18, 0.33%, 0.41%

LAB 53.26, -4.61, 32.66

 

CMYK 0 / 4 / 28 / 53

HEX #797457

RGB 121 116 87

HSL 51.18, 0.16%, 0.41%

LAB 48.57, -3.08, 16.75

 

CMYK 0 / 61 / 90 / 26

HEX #BD4913

RGB 189 73 19

HSL 19.06, 0.82%, 0.41%

LAB 46.49, 44.42, 51.7

 

CMYK 0 / 38 / 90 / 26

HEX #BD7613

RGB 189 118 19

HSL 34.94, 0.82%, 0.41%

LAB 55.91, 21.07, 58.85

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 11 / 0 / 90 / 26

HEX #A9BD13

RGB 169 189 19

HSL 67.06, 0.82%, 0.41%

LAB 72.81, -25.53, 71.32

 

CMYK 34 / 0 / 90 / 26

HEX #7CBD13

RGB 124 189 19

HSL 82.94, 0.82%, 0.41%

LAB 69.98, -43.46, 67.85

 

CMYK 0 / 13 / 89 / 55

HEX #72630C

RGB 114 99 12

HSL 51.18, 0.81%, 0.25%

LAB 42.04, -3.12, 45.92

 

CMYK 0 / 13 / 90 / 41

HEX #97830F

RGB 151 131 15

HSL 51.18, 0.82%, 0.33%

LAB 54.91, -3.56, 57.16

 

CMYK 0 / 13 / 90 / 26

HEX #BDA413

RGB 189 164 19

HSL 51.18, 0.82%, 0.41%

LAB 67.59, -4.04, 67.9

 

CMYK 0 / 13 / 90 / 11

HEX #E2C417

RGB 226 196 23

HSL 51.13, 0.82%, 0.49%

LAB 79.45, -4.43, 77.89

 

CMYK 0 / 12 / 76 / 8

HEX #EACF39

RGB 234 207 57

HSL 50.85, 0.81%, 0.57%

LAB 83.13, -5.69, 72.65

 

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

CMYK 90 / 0 / 85 / 26

HEX #13BD1C

RGB 19 189 28

HSL 123.18, 0.82%, 0.41%

LAB 66.99, -67.03, 62.28

 

CMYK 49 / 90 / 0 / 26

HEX #6013BD

RGB 96 19 189

HSL 267.18, 0.82%, 0.41%

LAB 30.94, 63.24, -71.99

 

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

CMYK 90 / 0 / 14 / 26

HEX #13BDA3

RGB 19 189 163

HSL 170.82, 0.82%, 0.41%

LAB 68.88, -45.17, 2.05

 

CMYK 14 / 90 / 0 / 26

HEX #A313BD

RGB 163 19 189

HSL 290.82, 0.82%, 0.41%

LAB 41.1, 72.19, -54.98

 

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

CMYK 90 / 0 / 85 / 26

HEX #13BD1C

RGB 19 189 28

HSL 123.18, 0.82%, 0.41%

LAB 66.99, -67.03, 62.28

 

CMYK 90 / 76 / 0 / 26

HEX #132DBD

RGB 19 45 189

HSL 230.82, 0.82%, 0.41%

LAB 28.61, 46.78, -76.02

 

CMYK 0 / 90 / 5 / 26

HEX #BD13B4

RGB 189 19 180

HSL 303.18, 0.82%, 0.41%

LAB 45.05, 75.21, -43.09

 

CMYK 0 / 13 / 89 / 26

HEX #BCA314

RGB 188 163 20

HSL 51.07, 0.81%, 0.41%

LAB 67.23, -3.94, 67.39

 

CMYK 90 / 0 / 58 / 26

HEX #13BD4F

RGB 19 189 79

HSL 141.18, 0.82%, 0.41%

LAB 67.35, -62.48, 43.95

 

CMYK 90 / 76 / 0 / 26

HEX #132DBD

RGB 19 45 189

HSL 230.82, 0.82%, 0.41%

LAB 28.61, 46.78, -76.02

 

CMYK 0 / 90 / 32 / 26

HEX #BD1381

RGB 189 19 129

HSL 321.18, 0.82%, 0.41%

LAB 42.57, 68.69, -16.25

 

Description

Color code: HEX #BCA314 | qconv.com Color code: HEX #BCA314 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 163 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 163 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 89 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 89% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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