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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCE86D it is the complementary color #431792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCE86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCE86D shade: #C1E868, #D2FA7B, #E3FF8E, #F4FFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCE86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCE86D shade: #BCE86D, #ABD65A, #9AC447, #89B234 and #78A021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCE86D shade: #BCE86D, #DDE86D, #E8D16D, #E8B06D and #E88F6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCE86D shade: #BCE86D, #9BE86D, #7AE86D, #6DE881 and #6DE8A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCE86D shade matches the following richer shades: #BCE86D and #C0F55F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCE86D shade: #BCE86D, #B8DA7B, #B4CD88, #B0BF96 and #ACB1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCE86D shade: #E8D16D, #DEE86D, #BDE86D, #9CE86D and #7BE86D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCE86D shade: #9BDD26, #ABE249, #BCE86D, #CCED91 and #DDF3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCE86D shade: #BCE86D, #6DE8B0 and #E26DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCE86D shade: #BCE86D, #6DBDE8 and #E86DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCE86D shade: #BCE86D, #6DE8B0, #986DE8 and #E86DA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCE86D shade: #BCE86D, #6DE8D5, #986DE8 and #E86D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

Complementary color

CMYK 54 / 84 / 0 / 43

HEX #431792

RGB 67 23 146

HSL 261.46, 0.73%, 0.33%

LAB 23.28, 48.08, -58.75

 

CMYK 17 / 0 / 55 / 9

HEX #C1E868

RGB 193 232 104

HSL 78.28, 0.74%, 0.66%

LAB 87.02, -31.62, 57.14

 

CMYK 16 / 0 / 51 / 2

HEX #D2FA7B

RGB 210 250 123

HSL 78.9, 0.93%, 0.73%

LAB 93.23, -31.82, 56.11

 

CMYK 11 / 0 / 44 / 0

HEX #E3FF8E

RGB 227 255 142

HSL 74.87, 1%, 0.78%

LAB 95.92, -25.92, 50.78

 

CMYK 4 / 0 / 37 / 0

HEX #F4FFA1

RGB 244 255 161

HSL 67.02, 1%, 0.82%

LAB 97.36, -17.52, 43.72

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 20 / 0 / 58 / 16

HEX #ABD65A

RGB 171 214 90

HSL 80.81, 0.6%, 0.6%

LAB 80.45, -32.85, 55.49

 

CMYK 21 / 0 / 64 / 23

HEX #9AC447

RGB 154 196 71

HSL 80.16, 0.51%, 0.52%

LAB 74.06, -32.57, 56.32

 

CMYK 23 / 0 / 71 / 30

HEX #89B234

RGB 137 178 52

HSL 79.52, 0.55%, 0.45%

LAB 67.58, -32.16, 56.81

 

CMYK 25 / 0 / 79 / 37

HEX #78A021

RGB 120 160 33

HSL 78.9, 0.66%, 0.38%

LAB 61, -31.59, 56.65

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 5 / 0 / 53 / 9

HEX #DDE86D

RGB 221 232 109

HSL 65.37, 0.73%, 0.67%

LAB 89.01, -20.33, 57.7

 

CMYK 0 / 10 / 53 / 9

HEX #E8D16D

RGB 232 209 109

HSL 48.78, 0.73%, 0.67%

LAB 83.89, -4.44, 51.93

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 38 / 53 / 9

HEX #E88F6D

RGB 232 143 109

HSL 16.59, 0.73%, 0.67%

LAB 67.95, 30.31, 32.26

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 33 / 0 / 53 / 9

HEX #9BE86D

RGB 155 232 109

HSL 97.56, 0.73%, 0.67%

LAB 84.89, -44.77, 51.82

 

CMYK 47 / 0 / 53 / 9

HEX #7AE86D

RGB 122 232 109

HSL 113.66, 0.73%, 0.67%

LAB 83.42, -54.95, 49.72

 

CMYK 53 / 0 / 44 / 9

HEX #6DE881

RGB 109 232 129

HSL 129.76, 0.73%, 0.67%

LAB 83.2, -55.66, 39.78

 

CMYK 53 / 0 / 30 / 9

HEX #6DE8A3

RGB 109 232 163

HSL 146.34, 0.73%, 0.67%

LAB 83.76, -49.85, 23.33

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 22 / 0 / 61 / 4

HEX #C0F55F

RGB 192 245 95

HSL 81.2, 0.88%, 0.67%

LAB 90.48, -38.65, 64.85

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 16 / 0 / 44 / 15

HEX #B8DA7B

RGB 184 218 123

HSL 81.47, 0.56%, 0.67%

LAB 82.79, -26.49, 42.98

 

CMYK 12 / 0 / 34 / 20

HEX #B4CD88

RGB 180 205 136

HSL 81.74, 0.41%, 0.67%

LAB 79.12, -20.04, 31.65

 

CMYK 8 / 0 / 21 / 25

HEX #B0BF96

RGB 176 191 150

HSL 81.95, 0.24%, 0.67%

LAB 75.26, -12.4, 19

 

CMYK 3 / 0 / 8 / 31

HEX #ACB1A3

RGB 172 177 163

HSL 81.43, 0.08%, 0.67%

LAB 71.46, -4.34, 6.55

 

CMYK 0 / 10 / 53 / 9

HEX #E8D16D

RGB 232 209 109

HSL 48.78, 0.73%, 0.67%

LAB 83.89, -4.44, 51.93

 

CMYK 4 / 0 / 53 / 9

HEX #DEE86D

RGB 222 232 109

HSL 64.88, 0.73%, 0.67%

LAB 89.09, -19.93, 57.8

 

CMYK 19 / 0 / 53 / 9

HEX #BDE86D

RGB 189 232 109

HSL 80.98, 0.73%, 0.67%

LAB 86.82, -32.67, 54.58

 

CMYK 33 / 0 / 53 / 9

HEX #9CE86D

RGB 156 232 109

HSL 97.07, 0.73%, 0.67%

LAB 84.94, -44.44, 51.9

 

CMYK 47 / 0 / 53 / 9

HEX #7BE86D

RGB 123 232 109

HSL 113.17, 0.73%, 0.67%

LAB 83.46, -54.67, 49.77

 

CMYK 30 / 0 / 83 / 13

HEX #9BDD26

RGB 155 221 38

HSL 81.64, 0.73%, 0.51%

LAB 81.19, -45.11, 74.16

 

CMYK 24 / 0 / 68 / 11

HEX #ABE249

RGB 171 226 73

HSL 81.57, 0.73%, 0.59%

LAB 83.72, -39.58, 65.99

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 14 / 0 / 39 / 7

HEX #CCED91

RGB 204 237 145

HSL 81.52, 0.72%, 0.75%

LAB 89.6, -25.56, 41.05

 

CMYK 9 / 0 / 26 / 5

HEX #DDF3B4

RGB 221 243 180

HSL 80.95, 0.72%, 0.83%

LAB 92.91, -17.69, 28.06

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 53 / 0 / 24 / 9

HEX #6DE8B0

RGB 109 232 176

HSL 152.68, 0.73%, 0.67%

LAB 84.02, -47.27, 16.94

 

CMYK 3 / 53 / 0 / 9

HEX #E26DE8

RGB 226 109 232

HSL 297.07, 0.73%, 0.67%

LAB 64.11, 62.07, -42.35

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 53 / 19 / 0 / 9

HEX #6DBDE8

RGB 109 189 232

HSL 200.98, 0.73%, 0.67%

LAB 73.2, -12.72, -28.95

 

CMYK 0 / 53 / 19 / 9

HEX #E86DBD

RGB 232 109 189

HSL 320.98, 0.73%, 0.67%

LAB 63.15, 56.82, -19.61

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 53 / 0 / 24 / 9

HEX #6DE8B0

RGB 109 232 176

HSL 152.68, 0.73%, 0.67%

LAB 84.02, -47.27, 16.94

 

CMYK 34 / 53 / 0 / 9

HEX #986DE8

RGB 152 109 232

HSL 260.98, 0.73%, 0.67%

LAB 55.52, 43.08, -56.5

 

CMYK 0 / 53 / 29 / 9

HEX #E86DA4

RGB 232 109 164

HSL 333.17, 0.73%, 0.67%

LAB 62.32, 53.42, -6.6

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D5

RGB 109 232 213

HSL 170.73, 0.73%, 0.67%

LAB 84.88, -38.95, -1.24

 

CMYK 34 / 53 / 0 / 9

HEX #986DE8

RGB 152 109 232

HSL 260.98, 0.73%, 0.67%

LAB 55.52, 43.08, -56.5

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

Description

Color code: HEX #BCE86D | qconv.com Color code: HEX #BCE86D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 232 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 232 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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