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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8B06D it is the complementary color #174F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8B06D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8B06D shade: #EDB068, #FEC27B, #FFD48E, #FFE6A1 and #FFF8B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8B06D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8B06D shade: #E8B06D, #D79E5A, #C68C47, #B57A34 and #A46821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8B06D shade: #E8B06D, #E88F6D, #E86E6D and #E86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8B06D shade: #E8B06D, #E8D16D, #DDE86D, #BCE86D and #9BE86D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8B06D shade matches the following richer shades: #E8B06D and #F5B15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8B06D shade: #E8B06D, #DAAF7B, #CDAD88, #BFAC96 and #B1ABA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8B06D shade: #E86D6D, #E88E6D, #E8AE6D, #E8CF6D and #E0E86D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8B06D shade: #DD8926, #E29D49, #E8B06D, #EDC391 and #F3D6B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8B06D shade: #E8B06D, #8EE86D and #7D6DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8B06D shade: #E8B06D, #6DE8AE and #AE6DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8B06D shade: #E8B06D, #8EE86D, #6DA6E8 and #C76DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8B06D shade: #E8B06D, #6DE871, #6DA6E8 and #E86DE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

Complementary color

CMYK 84 / 46 / 0 / 43

HEX #174F92

RGB 23 79 146

HSL 212.68, 0.73%, 0.33%

LAB 33.67, 8.08, -41.96

 

CMYK 0 / 26 / 56 / 7

HEX #EDB068

RGB 237 176 104

HSL 32.48, 0.79%, 0.67%

LAB 76.1, 14.42, 45.17

 

CMYK 0 / 24 / 52 / 0

HEX #FEC27B

RGB 254 194 123

HSL 32.52, 0.98%, 0.74%

LAB 82.42, 13.41, 43.78

 

CMYK 0 / 17 / 44 / 0

HEX #FFD48E

RGB 255 212 142

HSL 37.17, 1%, 0.78%

LAB 87.14, 6.23, 40.2

 

CMYK 0 / 10 / 37 / 0

HEX #FFE6A1

RGB 255 230 161

HSL 44.04, 1%, 0.82%

LAB 91.88, -0.96, 36.76

 

CMYK 0 / 3 / 29 / 0

HEX #FFF8B4

RGB 255 248 180

HSL 54.4, 1%, 0.85%

LAB 96.69, -7.75, 33.58

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 29 / 64 / 22

HEX #C68C47

RGB 198 140 71

HSL 32.6, 0.53%, 0.53%

LAB 62.69, 15.07, 44.83

 

CMYK 0 / 33 / 71 / 29

HEX #B57A34

RGB 181 122 52

HSL 32.56, 0.55%, 0.46%

LAB 56.08, 16.51, 46.21

 

CMYK 0 / 37 / 80 / 36

HEX #A46821

RGB 164 104 33

HSL 32.52, 0.66%, 0.39%

LAB 49.38, 18.22, 47.29

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 38 / 53 / 9

HEX #E88F6D

RGB 232 143 109

HSL 16.59, 0.73%, 0.67%

LAB 67.95, 30.31, 32.26

 

CMYK 0 / 53 / 53 / 9

HEX #E86E6D

RGB 232 110 109

HSL 0.49, 0.73%, 0.67%

LAB 61.14, 47.16, 23.34

 

CMYK 0 / 53 / 53 / 9

HEX #E86D6D

RGB 232 109 109

HSL 0, 0.73%, 0.67%

LAB 60.96, 47.64, 23.09

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 10 / 53 / 9

HEX #E8D16D

RGB 232 209 109

HSL 48.78, 0.73%, 0.67%

LAB 83.89, -4.44, 51.93

 

CMYK 5 / 0 / 53 / 9

HEX #DDE86D

RGB 221 232 109

HSL 65.37, 0.73%, 0.67%

LAB 89.01, -20.33, 57.7

 

CMYK 19 / 0 / 53 / 9

HEX #BCE86D

RGB 188 232 109

HSL 81.46, 0.73%, 0.67%

LAB 86.76, -33.04, 54.49

 

CMYK 33 / 0 / 53 / 9

HEX #9BE86D

RGB 155 232 109

HSL 97.56, 0.73%, 0.67%

LAB 84.89, -44.77, 51.82

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 28 / 61 / 4

HEX #F5B15F

RGB 245 177 95

HSL 32.8, 0.88%, 0.67%

LAB 77.09, 16.52, 50.98

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 20 / 44 / 15

HEX #DAAF7B

RGB 218 175 123

HSL 32.84, 0.56%, 0.67%

LAB 74.19, 8.93, 32.56

 

CMYK 0 / 16 / 34 / 20

HEX #CDAD88

RGB 205 173 136

HSL 32.17, 0.41%, 0.67%

LAB 72.66, 6.29, 23.35

 

CMYK 0 / 10 / 21 / 25

HEX #BFAC96

RGB 191 172 150

HSL 32.2, 0.24%, 0.67%

LAB 71.41, 3.3, 13.81

 

CMYK 0 / 3 / 8 / 31

HEX #B1ABA3

RGB 177 171 163

HSL 34.29, 0.08%, 0.67%

LAB 70.26, 0.71, 4.87

 

CMYK 0 / 53 / 53 / 9

HEX #E86D6D

RGB 232 109 109

HSL 0, 0.73%, 0.67%

LAB 60.96, 47.64, 23.09

 

CMYK 0 / 39 / 53 / 9

HEX #E88E6D

RGB 232 142 109

HSL 16.1, 0.73%, 0.67%

LAB 67.73, 30.84, 31.98

 

CMYK 0 / 25 / 53 / 9

HEX #E8AE6D

RGB 232 174 109

HSL 31.71, 0.73%, 0.67%

LAB 75.16, 13.84, 41.36

 

CMYK 0 / 11 / 53 / 9

HEX #E8CF6D

RGB 232 207 109

HSL 47.8, 0.73%, 0.67%

LAB 83.38, -3.42, 51.33

 

CMYK 3 / 0 / 53 / 9

HEX #E0E86D

RGB 224 232 109

HSL 63.9, 0.73%, 0.67%

LAB 89.24, -19.14, 58.01

 

CMYK 0 / 38 / 83 / 13

HEX #DD8926

RGB 221 137 38

HSL 32.46, 0.73%, 0.51%

LAB 64.49, 24.98, 61.74

 

CMYK 0 / 31 / 68 / 11

HEX #E29D49

RGB 226 157 73

HSL 32.94, 0.73%, 0.59%

LAB 70.01, 17.88, 52.89

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 0 / 18 / 39 / 7

HEX #EDC391

RGB 237 195 145

HSL 32.61, 0.72%, 0.75%

LAB 81.34, 8.3, 30.75

 

CMYK 0 / 12 / 26 / 5

HEX #F3D6B4

RGB 243 214 180

HSL 32.38, 0.72%, 0.83%

LAB 87.21, 5.02, 20.5

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 39 / 0 / 53 / 9

HEX #8EE86D

RGB 142 232 109

HSL 103.9, 0.73%, 0.67%

LAB 84.26, -49, 50.93

 

CMYK 46 / 53 / 0 / 9

HEX #7D6DE8

RGB 125 109 232

HSL 247.8, 0.73%, 0.67%

LAB 53.08, 36.85, -60.54

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 53 / 0 / 25 / 9

HEX #6DE8AE

RGB 109 232 174

HSL 151.71, 0.73%, 0.67%

LAB 83.98, -47.68, 17.92

 

CMYK 25 / 53 / 0 / 9

HEX #AE6DE8

RGB 174 109 232

HSL 271.71, 0.73%, 0.67%

LAB 57.81, 48.54, -52.71

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 39 / 0 / 53 / 9

HEX #8EE86D

RGB 142 232 109

HSL 103.9, 0.73%, 0.67%

LAB 84.26, -49, 50.93

 

CMYK 53 / 28 / 0 / 9

HEX #6DA6E8

RGB 109 166 232

HSL 212.2, 0.73%, 0.67%

LAB 66.79, -0.14, -38.89

 

CMYK 14 / 53 / 0 / 9

HEX #C76DE8

RGB 199 109 232

HSL 283.9, 0.73%, 0.67%

LAB 60.7, 54.98, -47.95

 

CMYK 0 / 24 / 53 / 9

HEX #E8B06D

RGB 232 176 109

HSL 32.68, 0.73%, 0.67%

LAB 75.64, 12.78, 41.96

 

CMYK 53 / 0 / 51 / 9

HEX #6DE871

RGB 109 232 113

HSL 121.95, 0.73%, 0.67%

LAB 83, -57.9, 47.23

 

CMYK 53 / 28 / 0 / 9

HEX #6DA6E8

RGB 109 166 232

HSL 212.2, 0.73%, 0.67%

LAB 66.79, -0.14, -38.89

 

CMYK 0 / 53 / 2 / 9

HEX #E86DE4

RGB 232 109 228

HSL 301.95, 0.73%, 0.67%

LAB 64.72, 62.97, -39.11

 

Description

Color code: HEX #E8B06D | qconv.com Color code: HEX #E8B06D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 176 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 176 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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