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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFB71 it is the complementary color #43048E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFB71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFB71 shade: #C1FB6C, #D2FF7F, #E3FF92, #F4FFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFB71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFB71 shade: #BCFB71, #ABE95E, #9AD74B, #89C538 and #78B325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFB71 shade: #BBFB6E, #E1FB6E, #FBEF6E, #FBC96E and #FBA36E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFB71 shade: #BBFB6E, #95FB6E, #6FFB6E, #6EFB94 and #6EFBB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFB71 shade matches the following richer shades: #BBFB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFB71 shade: #BBFB6E, #BAEF7A, #B9E386, #B8D792 and #B6CB9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFB71 shade: #FBEF6E, #E1FB6E, #BCFB6E, #96FB6E and #71FB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFB71 shade: #95F91E, #A8FA46, #BBFB6E, #CEFC97 and #E1FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFB71 shade: #BCFB71, #6EFBCA and #FB6EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFB71 shade: #BCFB71, #6EBCFB and #FB6EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFB71 shade: #BCFB71, #6EFBCA, #AE6EFB and #FB6E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFB71 shade: #BCFB71, #6EFBF4, #AE6EFB and #FB6E75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

Complementary color

CMYK 53 / 97 / 0 / 44

HEX #43048E

RGB 67 4 142

HSL 267.39, 0.95%, 0.29%

LAB 20.95, 52.67, -60.1

 

CMYK 23 / 0 / 57 / 2

HEX #C1FB6C

RGB 193 251 108

HSL 84.34, 0.95%, 0.7%

LAB 92.32, -39.88, 61.44

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 11 / 0 / 43 / 0

HEX #E3FF92

RGB 227 255 146

HSL 75.41, 1%, 0.79%

LAB 95.97, -25.5, 48.95

 

CMYK 4 / 0 / 35 / 0

HEX #F4FFA5

RGB 244 255 165

HSL 67.33, 1%, 0.82%

LAB 97.42, -17.06, 41.84

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

CMYK 27 / 0 / 60 / 9

HEX #ABE95E

RGB 171 233 94

HSL 86.76, 0.76%, 0.64%

LAB 85.88, -41.09, 59.85

 

CMYK 28 / 0 / 65 / 16

HEX #9AD74B

RGB 154 215 75

HSL 86.14, 0.64%, 0.57%

LAB 79.6, -40.86, 60.6

 

CMYK 30 / 0 / 72 / 23

HEX #89C538

RGB 137 197 56

HSL 85.53, 0.56%, 0.5%

LAB 73.24, -40.51, 61.01

 

CMYK 33 / 0 / 79 / 30

HEX #78B325

RGB 120 179 37

HSL 84.93, 0.66%, 0.42%

LAB 66.8, -39.99, 60.79

 

CMYK 25 / 0 / 56 / 2

HEX #BBFB6E

RGB 187 251 110

HSL 87.23, 0.95%, 0.71%

LAB 91.99, -41.86, 60.11

 

CMYK 10 / 0 / 56 / 2

HEX #E1FB6E

RGB 225 251 110

HSL 71.06, 0.95%, 0.71%

LAB 94.37, -27.73, 63.45

 

CMYK 0 / 5 / 56 / 2

HEX #FBEF6E

RGB 251 239 110

HSL 54.89, 0.95%, 0.71%

LAB 93.18, -11.72, 62.63

 

CMYK 0 / 20 / 56 / 2

HEX #FBC96E

RGB 251 201 110

HSL 38.72, 0.95%, 0.71%

LAB 83.66, 7.51, 51.61

 

CMYK 0 / 35 / 56 / 2

HEX #FBA36E

RGB 251 163 110

HSL 22.55, 0.95%, 0.71%

LAB 74.72, 27.38, 40.77

 

CMYK 25 / 0 / 56 / 2

HEX #BBFB6E

RGB 187 251 110

HSL 87.23, 0.95%, 0.71%

LAB 91.99, -41.86, 60.11

 

CMYK 41 / 0 / 56 / 2

HEX #95FB6E

RGB 149 251 110

HSL 103.4, 0.95%, 0.71%

LAB 90.1, -54.47, 57.43

 

CMYK 56 / 0 / 56 / 2

HEX #6FFB6E

RGB 111 251 110

HSL 119.57, 0.95%, 0.71%

LAB 88.69, -64.83, 55.42

 

CMYK 56 / 0 / 41 / 2

HEX #6EFB94

RGB 110 251 148

HSL 136.17, 0.95%, 0.71%

LAB 89.13, -59.82, 38.09

 

CMYK 56 / 0 / 26 / 2

HEX #6EFBB9

RGB 110 251 185

HSL 151.91, 0.95%, 0.71%

LAB 89.77, -53.14, 20.32

 

CMYK 25 / 0 / 56 / 2

HEX #BBFB6E

RGB 187 251 110

HSL 87.23, 0.95%, 0.71%

LAB 91.99, -41.86, 60.11

 

CMYK 25 / 0 / 56 / 2

HEX #BBFB6E

RGB 187 251 110

HSL 87.23, 0.95%, 0.71%

LAB 91.99, -41.86, 60.11

 

CMYK 22 / 0 / 49 / 6

HEX #BAEF7A

RGB 186 239 122

HSL 87.18, 0.79%, 0.71%

LAB 88.72, -35.67, 50.8

 

CMYK 19 / 0 / 41 / 11

HEX #B9E386

RGB 185 227 134

HSL 87.1, 0.62%, 0.71%

LAB 85.49, -29.1, 40.98

 

CMYK 14 / 0 / 32 / 16

HEX #B8D792

RGB 184 215 146

HSL 86.96, 0.46%, 0.71%

LAB 82.31, -22.12, 30.76

 

CMYK 10 / 0 / 22 / 20

HEX #B6CB9E

RGB 182 203 158

HSL 88, 0.3%, 0.71%

LAB 79.11, -15.09, 20.13

 

CMYK 0 / 5 / 56 / 2

HEX #FBEF6E

RGB 251 239 110

HSL 54.89, 0.95%, 0.71%

LAB 93.18, -11.72, 62.63

 

CMYK 10 / 0 / 56 / 2

HEX #E1FB6E

RGB 225 251 110

HSL 71.06, 0.95%, 0.71%

LAB 94.37, -27.73, 63.45

 

CMYK 25 / 0 / 56 / 2

HEX #BCFB6E

RGB 188 251 110

HSL 86.81, 0.95%, 0.71%

LAB 92.05, -41.5, 60.19

 

CMYK 40 / 0 / 56 / 2

HEX #96FB6E

RGB 150 251 110

HSL 102.98, 0.95%, 0.71%

LAB 90.14, -54.17, 57.49

 

CMYK 55 / 0 / 56 / 2

HEX #71FB6E

RGB 113 251 110

HSL 118.72, 0.95%, 0.71%

LAB 88.75, -64.35, 55.51

 

CMYK 40 / 0 / 88 / 2

HEX #95F91E

RGB 149 249 30

HSL 87.4, 0.95%, 0.55%

LAB 89.03, -58.74, 82.34

 

CMYK 33 / 0 / 72 / 2

HEX #A8FA46

RGB 168 250 70

HSL 87.33, 0.95%, 0.63%

LAB 90.39, -51.09, 73.71

 

CMYK 25 / 0 / 56 / 2

HEX #BBFB6E

RGB 187 251 110

HSL 87.23, 0.95%, 0.71%

LAB 91.99, -41.86, 60.11

 

CMYK 18 / 0 / 40 / 1

HEX #CEFC97

RGB 206 252 151

HSL 87.33, 0.94%, 0.79%

LAB 93.87, -31.16, 43.61

 

CMYK 11 / 0 / 25 / 1

HEX #E1FDBF

RGB 225 253 191

HSL 87.1, 0.94%, 0.87%

LAB 96, -19.55, 26.74

 

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

CMYK 56 / 0 / 20 / 2

HEX #6EFBCA

RGB 110 251 202

HSL 159.15, 0.95%, 0.71%

LAB 90.13, -49.58, 12.07

 

CMYK 0 / 56 / 3 / 2

HEX #FB6EF4

RGB 251 110 244

HSL 302.98, 0.95%, 0.71%

LAB 68.16, 70.14, -42.39

 

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

CMYK 56 / 25 / 0 / 2

HEX #6EBCFB

RGB 110 188 251

HSL 206.81, 0.95%, 0.71%

LAB 73.71, -6.35, -38.43

 

CMYK 0 / 56 / 25 / 2

HEX #FB6EBC

RGB 251 110 188

HSL 326.81, 0.95%, 0.71%

LAB 65.98, 61.89, -14.51

 

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

CMYK 56 / 0 / 20 / 2

HEX #6EFBCA

RGB 110 251 202

HSL 159.15, 0.95%, 0.71%

LAB 90.13, -49.58, 12.07

 

CMYK 31 / 56 / 0 / 2

HEX #AE6EFB

RGB 174 110 251

HSL 267.23, 0.95%, 0.71%

LAB 59.08, 52.45, -61.24

 

CMYK 0 / 56 / 37 / 2

HEX #FB6E9F

RGB 251 110 159

HSL 339.15, 0.95%, 0.71%

LAB 65.09, 58.4, 0.66

 

CMYK 25 / 0 / 55 / 2

HEX #BCFB71

RGB 188 251 113

HSL 87.39, 0.95%, 0.71%

LAB 92.08, -41.22, 58.91

 

CMYK 56 / 0 / 3 / 2

HEX #6EFBF4

RGB 110 251 244

HSL 177.02, 0.95%, 0.71%

LAB 91.16, -39.63, -8.2

 

CMYK 31 / 56 / 0 / 2

HEX #AE6EFB

RGB 174 110 251

HSL 267.23, 0.95%, 0.71%

LAB 59.08, 52.45, -61.24

 

CMYK 0 / 56 / 53 / 2

HEX #FB6E75

RGB 251 110 117

HSL 357.02, 0.95%, 0.71%

LAB 64.12, 54.41, 23.26

 

Description

Color code: HEX #BCFB71 | qconv.com Color code: HEX #BCFB71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 251 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 251 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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