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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4E68 it is the complementary color #45B197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4E68 shade: #BF4E63, #D06076, #E17289, #F2849C and #FF96AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4E68 shade: #BA4E68, #A93C55, #982A42, #87182F and #76061C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4E68 shade: #BA4E68 and #BA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4E68 shade: #BA4E68, #BA4E85, #BA4EA2, #B54EBA and #984EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4E68 shade matches the following richer shades: #BA4E68, #CE3A5E, #E22754 and #F51349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4E68 shade: #BA4E68, #A66272, #92767D, #7F8A87 and #6B9D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4E68 shade: #BA4EA3, #BA4E86, #BA4E69, #BA504E and #BA6D4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4E68 shade: #833346, #A13E56, #BA4E68, #C66C82 and #D18A9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4E68 shade: #BA4E68, #BAB54E and #4E94BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4E68 shade: #BA4E68, #69BA4E and #4E69BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4E68 shade: #BA4E68, #BAB54E, #4EBA9F and #4E54BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4E68 shade: #BA4E68, #9FBA4E, #4EBA9F and #694EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

Complementary color

CMYK 61 / 0 / 15 / 31

HEX #45B197

RGB 69 177 151

HSL 165.56, 0.44%, 0.48%

LAB 65.7, -37.19, 4.17

 

CMYK 0 / 59 / 48 / 25

HEX #BF4E63

RGB 191 78 99

HSL 348.85, 0.47%, 0.53%

LAB 48.79, 47.21, 11.31

 

CMYK 0 / 54 / 43 / 18

HEX #D06076

RGB 208 96 118

HSL 348.21, 0.54%, 0.6%

LAB 55.16, 46.35, 9.32

 

CMYK 0 / 49 / 39 / 12

HEX #E17289

RGB 225 114 137

HSL 347.57, 0.65%, 0.66%

LAB 61.52, 45.43, 7.64

 

CMYK 0 / 45 / 36 / 5

HEX #F2849C

RGB 242 132 156

HSL 346.91, 0.81%, 0.73%

LAB 67.86, 44.5, 6.21

 

CMYK 0 / 41 / 31 / 0

HEX #FF96AF

RGB 255 150 175

HSL 345.71, 1%, 0.79%

LAB 73.65, 42.2, 4.17

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 64 / 50 / 34

HEX #A93C55

RGB 169 60 85

HSL 346.24, 0.48%, 0.45%

LAB 41.72, 46.68, 9.47

 

CMYK 0 / 72 / 57 / 40

HEX #982A42

RGB 152 42 66

HSL 346.91, 0.57%, 0.38%

LAB 35.45, 46.99, 12.34

 

CMYK 0 / 82 / 65 / 47

HEX #87182F

RGB 135 24 47

HSL 347.57, 0.7%, 0.31%

LAB 29.44, 46.57, 16.12

 

CMYK 0 / 95 / 76 / 54

HEX #76061C

RGB 118 6 28

HSL 348.21, 0.9%, 0.24%

LAB 23.89, 44.85, 21.09

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 58 / 58 / 27

HEX #BA4E4E

RGB 186 78 78

HSL 0, 0.44%, 0.52%

LAB 47.54, 43.66, 22.12

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 58 / 28 / 27

HEX #BA4E85

RGB 186 78 133

HSL 329.44, 0.44%, 0.52%

LAB 48.98, 49.42, -9.02

 

CMYK 0 / 58 / 13 / 27

HEX #BA4EA2

RGB 186 78 162

HSL 313.33, 0.44%, 0.52%

LAB 50.09, 53.63, -24.6

 

CMYK 3 / 58 / 0 / 27

HEX #B54EBA

RGB 181 78 186

HSL 297.22, 0.44%, 0.52%

LAB 50.47, 56.33, -38.1

 

CMYK 18 / 58 / 0 / 27

HEX #984EBA

RGB 152 78 186

HSL 281.11, 0.44%, 0.52%

LAB 46.54, 48.81, -44.59

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 72 / 54 / 19

HEX #CE3A5E

RGB 206 58 94

HSL 345.41, 0.6%, 0.52%

LAB 48.2, 59.81, 13.92

 

CMYK 0 / 83 / 63 / 11

HEX #E22754

RGB 226 39 84

HSL 345.56, 0.76%, 0.52%

LAB 49.81, 70.19, 22.82

 

CMYK 0 / 92 / 70 / 4

HEX #F51349

RGB 245 19 73

HSL 345.66, 0.92%, 0.52%

LAB 52.24, 77.69, 33.29

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 41 / 31 / 35

HEX #A66272

RGB 166 98 114

HSL 345.88, 0.28%, 0.52%

LAB 49.57, 29.56, 2.9

 

CMYK 0 / 19 / 14 / 43

HEX #92767D

RGB 146 118 125

HSL 345, 0.11%, 0.52%

LAB 52.45, 12.1, 0.29

 

CMYK 8 / 0 / 2 / 46

HEX #7F8A87

RGB 127 138 135

HSL 163.64, 0.04%, 0.52%

LAB 56.52, -4.62, 0.22

 

CMYK 32 / 0 / 8 / 38

HEX #6B9D91

RGB 107 157 145

HSL 165.6, 0.2%, 0.52%

LAB 61.03, -19.41, 0.94

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA3

RGB 186 78 163

HSL 312.78, 0.44%, 0.52%

LAB 50.14, 53.79, -25.12

 

CMYK 0 / 58 / 28 / 27

HEX #BA4E86

RGB 186 78 134

HSL 328.89, 0.44%, 0.52%

LAB 49.02, 49.55, -9.57

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E69

RGB 186 78 105

HSL 345, 0.44%, 0.52%

LAB 48.14, 46.1, 6.65

 

CMYK 0 / 57 / 58 / 27

HEX #BA504E

RGB 186 80 78

HSL 1.11, 0.44%, 0.52%

LAB 47.91, 42.69, 22.61

 

CMYK 0 / 41 / 58 / 27

HEX #BA6D4E

RGB 186 109 78

HSL 17.22, 0.44%, 0.52%

LAB 53.95, 27.56, 30.33

 

CMYK 0 / 61 / 47 / 49

HEX #833346

RGB 131 51 70

HSL 345.75, 0.44%, 0.36%

LAB 33.21, 36.25, 6.07

 

CMYK 0 / 61 / 47 / 37

HEX #A13E56

RGB 161 62 86

HSL 345.45, 0.44%, 0.44%

LAB 40.73, 43.16, 7.25

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 45 / 34 / 22

HEX #C66C82

RGB 198 108 130

HSL 345.33, 0.44%, 0.6%

LAB 56.43, 38.09, 3.91

 

CMYK 0 / 34 / 26 / 18

HEX #D18A9B

RGB 209 138 155

HSL 345.63, 0.44%, 0.68%

LAB 65.04, 29.39, 2.18

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 3 / 58 / 27

HEX #BAB54E

RGB 186 181 78

HSL 57.22, 0.44%, 0.52%

LAB 72.25, -11.58, 51.95

 

CMYK 58 / 20 / 0 / 27

HEX #4E94BA

RGB 78 148 186

HSL 201.11, 0.44%, 0.52%

LAB 58.36, -10.79, -26.45

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 44 / 0 / 58 / 27

HEX #69BA4E

RGB 105 186 78

HSL 105, 0.44%, 0.52%

LAB 68.51, -44.95, 46.31

 

CMYK 58 / 44 / 0 / 27

HEX #4E69BA

RGB 78 105 186

HSL 225, 0.44%, 0.52%

LAB 46, 14.79, -45.85

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 0 / 3 / 58 / 27

HEX #BAB54E

RGB 186 181 78

HSL 57.22, 0.44%, 0.52%

LAB 72.25, -11.58, 51.95

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 58 / 55 / 0 / 27

HEX #4E54BA

RGB 78 84 186

HSL 236.67, 0.44%, 0.52%

LAB 40.42, 28.06, -54.81

 

CMYK 0 / 58 / 44 / 27

HEX #BA4E68

RGB 186 78 104

HSL 345.56, 0.44%, 0.52%

LAB 48.12, 46, 7.22

 

CMYK 15 / 0 / 58 / 27

HEX #9FBA4E

RGB 159 186 78

HSL 75, 0.44%, 0.52%

LAB 71.58, -25.26, 50.63

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9F

RGB 78 186 159

HSL 165, 0.44%, 0.52%

LAB 68.93, -37.54, 4.44

 

CMYK 44 / 58 / 0 / 27

HEX #694EBA

RGB 105 78 186

HSL 255, 0.44%, 0.52%

LAB 41.21, 37.37, -53.42

 

Description

Color code: HEX #BA4E68 | qconv.com Color code: HEX #BA4E68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 78 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 78 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 44 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 44% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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