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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA722A it is the complementary color #458DD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA722A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA722A shade: #BF7225, #D08438, #E1964B, #F2A85E and #FFBA71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA722A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA722A shade: #BA722A, #A96017, #984E04, #873C00 and #762A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA722A shade: #BB722A, #BB4B2A and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA722A shade: #BB722A, #BB992A, #B5BB2A, #8EBB2A and #67BB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA722A shade matches the following richer shades: #BB722A, #CD7217 and #E07205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA722A shade: #BB722A, #A8723D, #95724F, #837262 and #707274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA722A shade: #BB2A2F, #BB4C2A, #BB722A, #BB992A and #B6BB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA722A shade: #77491B, #995E22, #BB722A, #D2873C and #DA9C5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA722A shade: #BA722A, #55BB2A and #382ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA722A shade: #BA722A, #2ABB72 and #722ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA722A shade: #BA722A, #55BB2A, #2A72BB and #8F2ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA722A shade: #BA722A, #2ABB2A, #2A72BB and #BB2ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

Complementary color

CMYK 68 / 34 / 0 / 16

HEX #458DD5

RGB 69 141 213

HSL 210, 0.63%, 0.55%

LAB 57.19, 0.5, -43.53

 

CMYK 0 / 40 / 81 / 25

HEX #BF7225

RGB 191 114 37

HSL 30, 0.68%, 0.45%

LAB 55.32, 24.62, 52.47

 

CMYK 0 / 37 / 73 / 18

HEX #D08438

RGB 208 132 56

HSL 30, 0.62%, 0.52%

LAB 61.82, 22.85, 51.38

 

CMYK 0 / 33 / 67 / 12

HEX #E1964B

RGB 225 150 75

HSL 30, 0.71%, 0.59%

LAB 68.26, 21.32, 49.99

 

CMYK 0 / 31 / 61 / 5

HEX #F2A85E

RGB 242 168 94

HSL 30, 0.85%, 0.66%

LAB 74.63, 19.97, 48.52

 

CMYK 0 / 27 / 56 / 0

HEX #FFBA71

RGB 255 186 113

HSL 30.85, 1%, 0.72%

LAB 80.5, 17.17, 46.45

 

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

CMYK 0 / 43 / 86 / 34

HEX #A96017

RGB 169 96 23

HSL 30, 0.76%, 0.38%

LAB 48.09, 24.59, 50.26

 

CMYK 0 / 49 / 97 / 40

HEX #984E04

RGB 152 78 4

HSL 30, 0.95%, 0.31%

LAB 41.43, 26.78, 49.72

 

CMYK 0 / 56 / 100 / 47

HEX #873C00

RGB 135 60 0

HSL 26.67, 1%, 0.26%

LAB 34.77, 29.24, 45.56

 

CMYK 0 / 64 / 100 / 54

HEX #762A00

RGB 118 42 0

HSL 21.36, 1%, 0.23%

LAB 28.13, 31.59, 39.56

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 60 / 78 / 27

HEX #BB4B2A

RGB 187 75 42

HSL 13.66, 0.63%, 0.45%

LAB 46.66, 43.4, 41.56

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 3 / 0 / 78 / 27

HEX #B5BB2A

RGB 181 187 42

HSL 62.48, 0.63%, 0.45%

LAB 73.24, -18.77, 66.69

 

CMYK 24 / 0 / 78 / 27

HEX #8EBB2A

RGB 142 187 42

HSL 78.62, 0.63%, 0.45%

LAB 70.5, -34.9, 63.17

 

CMYK 45 / 0 / 78 / 27

HEX #67BB2A

RGB 103 187 42

HSL 94.76, 0.63%, 0.45%

LAB 68.45, -48.96, 60.52

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 44 / 89 / 20

HEX #CD7217

RGB 205 114 23

HSL 30, 0.8%, 0.45%

LAB 57.15, 30.16, 59.64

 

CMYK 0 / 49 / 98 / 12

HEX #E07205

RGB 224 114 5

HSL 29.86, 0.96%, 0.45%

LAB 59.79, 37.69, 66.55

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 32 / 64 / 34

HEX #A8723D

RGB 168 114 61

HSL 29.72, 0.47%, 0.45%

LAB 52.62, 15.86, 37.44

 

CMYK 0 / 23 / 47 / 42

HEX #95724F

RGB 149 114 79

HSL 30, 0.31%, 0.45%

LAB 50.67, 9.13, 24.67

 

CMYK 0 / 13 / 25 / 49

HEX #837262

RGB 131 114 98

HSL 29.09, 0.14%, 0.45%

LAB 49.18, 3.94, 11.31

 

CMYK 3 / 2 / 0 / 55

HEX #707274

RGB 112 114 116

HSL 210, 0.02%, 0.45%

LAB 47.93, -0.34, -1.38

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2F

RGB 187 42 47

HSL 357.93, 0.63%, 0.45%

LAB 41.89, 56.72, 33.67

 

CMYK 0 / 59 / 78 / 27

HEX #BB4C2A

RGB 187 76 42

HSL 14.07, 0.63%, 0.45%

LAB 46.84, 42.92, 41.75

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 3 / 0 / 78 / 27

HEX #B6BB2A

RGB 182 187 42

HSL 62.07, 0.63%, 0.45%

LAB 73.32, -18.35, 66.79

 

CMYK 0 / 39 / 77 / 53

HEX #77491B

RGB 119 73 27

HSL 30, 0.63%, 0.29%

LAB 35.53, 15.4, 34.44

 

CMYK 0 / 39 / 78 / 40

HEX #995E22

RGB 153 94 34

HSL 30.25, 0.64%, 0.37%

LAB 45.49, 19.03, 42.61

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 36 / 71 / 18

HEX #D2873C

RGB 210 135 60

HSL 30, 0.63%, 0.53%

LAB 62.81, 22.27, 50.64

 

CMYK 0 / 28 / 57 / 15

HEX #DA9C5D

RGB 218 156 93

HSL 30.24, 0.63%, 0.61%

LAB 69.09, 16.4, 41.79

 

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 70 / 78 / 0 / 27

HEX #382ABB

RGB 56 42 187

HSL 245.79, 0.63%, 0.45%

LAB 29.62, 50.13, -73.11

 

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

CMYK 78 / 0 / 39 / 27

HEX #2ABB72

RGB 42 187 114

HSL 149.79, 0.63%, 0.45%

LAB 67.46, -53.87, 26.61

 

CMYK 39 / 78 / 0 / 27

HEX #722ABB

RGB 114 42 187

HSL 269.79, 0.63%, 0.45%

LAB 35.64, 57.68, -63.01

 

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

CMYK 55 / 0 / 78 / 27

HEX #55BB2A

RGB 85 187 42

HSL 102.21, 0.63%, 0.45%

LAB 67.75, -54.32, 59.6

 

CMYK 78 / 39 / 0 / 27

HEX #2A72BB

RGB 42 114 187

HSL 210.21, 0.63%, 0.45%

LAB 47.12, 3.65, -44.72

 

CMYK 24 / 78 / 0 / 27

HEX #8F2ABB

RGB 143 42 187

HSL 281.79, 0.63%, 0.45%

LAB 39.72, 62.7, -56.19

 

CMYK 0 / 39 / 77 / 27

HEX #BA722A

RGB 186 114 42

HSL 30, 0.63%, 0.45%

LAB 54.7, 22.66, 49.55

 

CMYK 78 / 0 / 78 / 27

HEX #2ABB2A

RGB 42 187 42

HSL 120, 0.63%, 0.45%

LAB 66.67, -63.26, 58.19

 

CMYK 78 / 39 / 0 / 27

HEX #2A72BB

RGB 42 114 187

HSL 210.21, 0.63%, 0.45%

LAB 47.12, 3.65, -44.72

 

CMYK 0 / 78 / 0 / 27

HEX #BB2ABB

RGB 187 42 187

HSL 300, 0.63%, 0.45%

LAB 46.72, 71.18, -44.57

 

Description

Color code: HEX #BA722A | qconv.com Color code: HEX #BA722A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 114 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 114 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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