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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BACD55 it is the complementary color #4532AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BACD55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BACD55 shade: #BFCD50, #D0DF63, #E1F176, #F2FF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BACD55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BACD55 shade: #BACD55, #A9BB42, #98A92F, #87971C and #768509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BACD55 shade: #BACD55, #CDC055, #CD9F55, #CD7F55 and #CD5E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BACD55 shade: #BACD55, #9ACD55, #79CD55, #58CD55 and #55CD71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BACD55 shade matches the following richer shades: #BACD55, #C6DF43 and #D2F131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BACD55 shade: #BACD55, #AEBB66, #A2AA78, #96988A and #8A869C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BACD55 shade: #CD9F55, #CDBF55, #BBCD55, #9BCD55 and #7BCD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BACD55 shade: #8FA12E, #ABC138, #BACD55, #C7D675 and #D4E094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BACD55 shade: #BACD55, #55CD7F and #AF55CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BACD55 shade: #BACD55, #55BBCD and #CD55BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BACD55 shade: #BACD55, #55CD7F, #6755CD and #CD55A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BACD55 shade: #BACD55, #55CDA3, #6755CD and #CD557F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

Complementary color

CMYK 59 / 71 / 0 / 33

HEX #4532AA

RGB 69 50 170

HSL 249.5, 0.55%, 0.43%

LAB 30.52, 42.05, -61.47

 

CMYK 7 / 0 / 61 / 20

HEX #BFCD50

RGB 191 205 80

HSL 66.72, 0.56%, 0.56%

LAB 79.22, -21.43, 58.84

 

CMYK 7 / 0 / 56 / 13

HEX #D0DF63

RGB 208 223 99

HSL 67.26, 0.66%, 0.63%

LAB 85.55, -21.93, 57.95

 

CMYK 7 / 0 / 51 / 5

HEX #E1F176

RGB 225 241 118

HSL 67.8, 0.81%, 0.7%

LAB 91.79, -22.33, 56.93

 

CMYK 5 / 0 / 46 / 0

HEX #F2FF89

RGB 242 255 137

HSL 66.61, 1%, 0.77%

LAB 96.9, -20.76, 54.58

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 10 / 0 / 65 / 27

HEX #A9BB42

RGB 169 187 66

HSL 68.93, 0.48%, 0.5%

LAB 72.47, -22.58, 57.01

 

CMYK 10 / 0 / 72 / 34

HEX #98A92F

RGB 152 169 47

HSL 68.36, 0.56%, 0.42%

LAB 65.95, -21.92, 57.39

 

CMYK 11 / 0 / 81 / 41

HEX #87971C

RGB 135 151 28

HSL 67.8, 0.69%, 0.35%

LAB 59.31, -21.08, 57.01

 

CMYK 11 / 0 / 93 / 48

HEX #768509

RGB 118 133 9

HSL 67.26, 0.87%, 0.28%

LAB 52.56, -19.97, 55.2

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 0 / 6 / 59 / 20

HEX #CDC055

RGB 205 192 85

HSL 53.5, 0.55%, 0.57%

LAB 76.88, -8.74, 54.39

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 38 / 59 / 20

HEX #CD7F55

RGB 205 127 85

HSL 21, 0.55%, 0.57%

LAB 60.62, 26.1, 35.3

 

CMYK 0 / 54 / 59 / 20

HEX #CD5E55

RGB 205 94 85

HSL 4.5, 0.55%, 0.57%

LAB 53.64, 43.32, 26.51

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 25 / 0 / 59 / 20

HEX #9ACD55

RGB 154 205 85

HSL 85.5, 0.55%, 0.57%

LAB 76.79, -35.56, 53.28

 

CMYK 41 / 0 / 59 / 20

HEX #79CD55

RGB 121 205 85

HSL 102, 0.55%, 0.57%

LAB 75.07, -47.04, 50.86

 

CMYK 57 / 0 / 59 / 20

HEX #58CD55

RGB 88 205 85

HSL 118.5, 0.55%, 0.57%

LAB 73.8, -56.39, 49.07

 

CMYK 59 / 0 / 45 / 20

HEX #55CD71

RGB 85 205 113

HSL 134, 0.55%, 0.57%

LAB 74.05, -53.27, 35.9

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 11 / 0 / 70 / 13

HEX #C6DF43

RGB 198 223 67

HSL 69.62, 0.71%, 0.57%

LAB 84.58, -28.06, 69.62

 

CMYK 13 / 0 / 80 / 5

HEX #D2F131

RGB 210 241 49

HSL 69.69, 0.87%, 0.57%

LAB 90.25, -32.43, 80.7

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 7 / 0 / 45 / 27

HEX #AEBB66

RGB 174 187 102

HSL 69.18, 0.38%, 0.57%

LAB 73.22, -17.44, 41.34

 

CMYK 5 / 0 / 29 / 33

HEX #A2AA78

RGB 162 170 120

HSL 69.6, 0.23%, 0.57%

LAB 67.86, -11.25, 24.89

 

CMYK 1 / 0 / 9 / 40

HEX #96988A

RGB 150 152 138

HSL 68.57, 0.06%, 0.57%

LAB 62.32, -3.33, 7.11

 

CMYK 12 / 14 / 0 / 39

HEX #8A869C

RGB 138 134 156

HSL 250.91, 0.1%, 0.57%

LAB 56.93, 6.02, -11.17

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 7 / 59 / 20

HEX #CDBF55

RGB 205 191 85

HSL 53, 0.55%, 0.57%

LAB 76.62, -8.22, 54.09

 

CMYK 9 / 0 / 59 / 20

HEX #BBCD55

RGB 187 205 85

HSL 69, 0.55%, 0.57%

LAB 78.97, -22.69, 56.33

 

CMYK 24 / 0 / 59 / 20

HEX #9BCD55

RGB 155 205 85

HSL 85, 0.55%, 0.57%

LAB 76.85, -35.18, 53.37

 

CMYK 40 / 0 / 59 / 20

HEX #7BCD55

RGB 123 205 85

HSL 101, 0.55%, 0.57%

LAB 75.16, -46.4, 50.99

 

CMYK 11 / 0 / 71 / 37

HEX #8FA12E

RGB 143 161 46

HSL 69.39, 0.56%, 0.41%

LAB 62.95, -21.81, 54.59

 

CMYK 11 / 0 / 71 / 24

HEX #ABC138

RGB 171 193 56

HSL 69.64, 0.55%, 0.49%

LAB 74.24, -25.29, 62.72

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 7 / 0 / 45 / 16

HEX #C7D675

RGB 199 214 117

HSL 69.28, 0.54%, 0.65%

LAB 82.66, -19.45, 45.98

 

CMYK 5 / 0 / 34 / 12

HEX #D4E094

RGB 212 224 148

HSL 69.47, 0.55%, 0.73%

LAB 86.72, -15.89, 35.93

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 59 / 0 / 38 / 20

HEX #55CD7F

RGB 85 205 127

HSL 141, 0.55%, 0.57%

LAB 74.27, -50.92, 29.03

 

CMYK 15 / 59 / 0 / 20

HEX #AF55CD

RGB 175 85 205

HSL 285, 0.55%, 0.57%

LAB 51.86, 55.15, -46.91

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 59 / 9 / 0 / 20

HEX #55BBCD

RGB 85 187 205

HSL 189, 0.55%, 0.57%

LAB 70.79, -24.32, -18.01

 

CMYK 0 / 59 / 9 / 20

HEX #CD55BB

RGB 205 85 187

HSL 309, 0.55%, 0.57%

LAB 55.14, 59.75, -31.13

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 59 / 0 / 38 / 20

HEX #55CD7F

RGB 85 205 127

HSL 141, 0.55%, 0.57%

LAB 74.27, -50.92, 29.03

 

CMYK 50 / 59 / 0 / 20

HEX #6755CD

RGB 103 85 205

HSL 249, 0.55%, 0.57%

LAB 43.93, 38.4, -60.07

 

CMYK 0 / 59 / 20 / 20

HEX #CD55A3

RGB 205 85 163

HSL 321, 0.55%, 0.57%

LAB 54.15, 56.12, -18.7

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 50 / 59 / 0 / 20

HEX #6755CD

RGB 103 85 205

HSL 249, 0.55%, 0.57%

LAB 43.93, 38.4, -60.07

 

CMYK 0 / 59 / 38 / 20

HEX #CD557F

RGB 205 85 127

HSL 339, 0.55%, 0.57%

LAB 52.96, 51.53, 0.77

 

Description

Color code: HEX #BACD55 | qconv.com Color code: HEX #BACD55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 205 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 205 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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