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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9F55 it is the complementary color #3260AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9F55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9F55 shade: #D29F50, #E3B163, #F4C376, #FFD589 and #FFE79C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9F55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9F55 shade: #CD9F55, #BC8D42, #AB7B2F, #9A691C and #895709

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9F55 shade: #CD9F55, #CD7E55, #CD5E55 and #CD5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9F55 shade: #CD9F55, #CDBF55, #BACD55, #9ACD55 and #79CD55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9F55 shade matches the following richer shades: #CD9F55, #DFA343 and #F1A731

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9F55 shade: #CD9F55, #BB9B66, #AA9778, #98938A and #868E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9F55 shade: #CD5F55, #CD7F55, #CD9F55, #CDBF55 and #BBCD55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9F55 shade: #A1752E, #C18C38, #CD9F55, #D6B175 and #E0C394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9F55 shade: #CD9F55, #6BCD55 and #6F55CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9F55 shade: #CD9F55, #55CD9F and #9F55CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9F55 shade: #CD9F55, #6BCD55, #5583CD and #B755CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9F55 shade: #CD9F55, #55CD63, #5583CD and #CD55BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

Complementary color

CMYK 71 / 44 / 0 / 33

HEX #3260AA

RGB 50 96 170

HSL 217, 0.55%, 0.43%

LAB 41.13, 9.73, -44.34

 

CMYK 0 / 24 / 62 / 18

HEX #D29F50

RGB 210 159 80

HSL 36.46, 0.59%, 0.57%

LAB 68.81, 10.47, 47.73

 

CMYK 0 / 22 / 56 / 11

HEX #E3B163

RGB 227 177 99

HSL 36.56, 0.7%, 0.64%

LAB 75.25, 9.37, 46.39

 

CMYK 0 / 20 / 52 / 4

HEX #F4C376

RGB 244 195 118

HSL 36.67, 0.85%, 0.71%

LAB 81.6, 8.43, 45.05

 

CMYK 0 / 16 / 46 / 0

HEX #FFD589

RGB 255 213 137

HSL 38.64, 1%, 0.77%

LAB 87.32, 5.23, 42.93

 

CMYK 0 / 9 / 39 / 0

HEX #FFE79C

RGB 255 231 156

HSL 45.45, 1%, 0.81%

LAB 92.05, -2.02, 39.49

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 25 / 65 / 26

HEX #BC8D42

RGB 188 141 66

HSL 36.89, 0.48%, 0.5%

LAB 61.77, 9.87, 45.93

 

CMYK 0 / 28 / 73 / 33

HEX #AB7B2F

RGB 171 123 47

HSL 36.77, 0.57%, 0.43%

LAB 55.1, 11.26, 47.13

 

CMYK 0 / 32 / 82 / 40

HEX #9A691C

RGB 154 105 28

HSL 36.67, 0.69%, 0.36%

LAB 48.33, 12.93, 47.87

 

CMYK 0 / 36 / 93 / 46

HEX #895709

RGB 137 87 9

HSL 36.56, 0.88%, 0.29%

LAB 41.46, 14.95, 47.39

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 39 / 59 / 20

HEX #CD7E55

RGB 205 126 85

HSL 20.5, 0.55%, 0.57%

LAB 60.39, 26.64, 35.02

 

CMYK 0 / 54 / 59 / 20

HEX #CD5E55

RGB 205 94 85

HSL 4.5, 0.55%, 0.57%

LAB 53.64, 43.32, 26.51

 

CMYK 0 / 59 / 59 / 20

HEX #CD5555

RGB 205 85 85

HSL 0, 0.55%, 0.57%

LAB 51.99, 47.63, 24.36

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 7 / 59 / 20

HEX #CDBF55

RGB 205 191 85

HSL 53, 0.55%, 0.57%

LAB 76.62, -8.22, 54.09

 

CMYK 9 / 0 / 59 / 20

HEX #BACD55

RGB 186 205 85

HSL 69.5, 0.55%, 0.57%

LAB 78.9, -23.09, 56.23

 

CMYK 25 / 0 / 59 / 20

HEX #9ACD55

RGB 154 205 85

HSL 85.5, 0.55%, 0.57%

LAB 76.79, -35.56, 53.28

 

CMYK 41 / 0 / 59 / 20

HEX #79CD55

RGB 121 205 85

HSL 102, 0.55%, 0.57%

LAB 75.07, -47.04, 50.86

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 27 / 70 / 13

HEX #DFA343

RGB 223 163 67

HSL 36.92, 0.71%, 0.57%

LAB 71.07, 13.07, 56.62

 

CMYK 0 / 31 / 80 / 5

HEX #F1A731

RGB 241 167 49

HSL 36.88, 0.87%, 0.57%

LAB 73.91, 17.83, 67.18

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 17 / 45 / 27

HEX #BB9B66

RGB 187 155 102

HSL 37.41, 0.38%, 0.57%

LAB 65.72, 4.8, 32.17

 

CMYK 0 / 11 / 29 / 33

HEX #AA9778

RGB 170 151 120

HSL 37.2, 0.23%, 0.57%

LAB 63.37, 2.18, 18.93

 

CMYK 0 / 3 / 9 / 40

HEX #98938A

RGB 152 147 138

HSL 38.57, 0.06%, 0.57%

LAB 61.11, 0.19, 5.41

 

CMYK 14 / 9 / 0 / 39

HEX #868E9C

RGB 134 142 156

HSL 218.18, 0.1%, 0.57%

LAB 58.8, 0.08, -8.4

 

CMYK 0 / 54 / 59 / 20

HEX #CD5F55

RGB 205 95 85

HSL 5, 0.55%, 0.57%

LAB 53.83, 42.82, 26.76

 

CMYK 0 / 38 / 59 / 20

HEX #CD7F55

RGB 205 127 85

HSL 21, 0.55%, 0.57%

LAB 60.62, 26.1, 35.3

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 7 / 59 / 20

HEX #CDBF55

RGB 205 191 85

HSL 53, 0.55%, 0.57%

LAB 76.62, -8.22, 54.09

 

CMYK 9 / 0 / 59 / 20

HEX #BBCD55

RGB 187 205 85

HSL 69, 0.55%, 0.57%

LAB 78.97, -22.69, 56.33

 

CMYK 0 / 27 / 71 / 37

HEX #A1752E

RGB 161 117 46

HSL 37.04, 0.56%, 0.41%

LAB 52.39, 10.1, 44.42

 

CMYK 0 / 27 / 71 / 24

HEX #C18C38

RGB 193 140 56

HSL 36.79, 0.55%, 0.49%

LAB 61.98, 12.02, 50.98

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 0 / 17 / 45 / 16

HEX #D6B175

RGB 214 177 117

HSL 37.11, 0.54%, 0.65%

LAB 74.21, 5.63, 35.65

 

CMYK 0 / 13 / 34 / 12

HEX #E0C394

RGB 224 195 148

HSL 37.11, 0.55%, 0.73%

LAB 80.19, 3.56, 27.43

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 48 / 0 / 59 / 20

HEX #6BCD55

RGB 107 205 85

HSL 109, 0.55%, 0.57%

LAB 74.47, -51.31, 50.02

 

CMYK 46 / 59 / 0 / 20

HEX #6F55CD

RGB 111 85 205

HSL 253, 0.55%, 0.57%

LAB 44.64, 40.05, -58.89

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 59 / 0 / 22 / 20

HEX #55CD9F

RGB 85 205 159

HSL 157, 0.55%, 0.57%

LAB 74.89, -44.51, 12.98

 

CMYK 22 / 59 / 0 / 20

HEX #9F55CD

RGB 159 85 205

HSL 277, 0.55%, 0.57%

LAB 49.83, 51.17, -50.27

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 48 / 0 / 59 / 20

HEX #6BCD55

RGB 107 205 85

HSL 109, 0.55%, 0.57%

LAB 74.47, -51.31, 50.02

 

CMYK 59 / 36 / 0 / 20

HEX #5583CD

RGB 85 131 205

HSL 217, 0.55%, 0.57%

LAB 54.63, 6.61, -43.02

 

CMYK 11 / 59 / 0 / 20

HEX #B755CD

RGB 183 85 205

HSL 289, 0.55%, 0.57%

LAB 52.92, 57.16, -45.16

 

CMYK 0 / 22 / 59 / 20

HEX #CD9F55

RGB 205 159 85

HSL 37, 0.55%, 0.57%

LAB 68.34, 8.7, 44.6

 

CMYK 59 / 0 / 52 / 20

HEX #55CD63

RGB 85 205 99

HSL 127, 0.55%, 0.57%

LAB 73.87, -55.33, 42.57

 

CMYK 59 / 36 / 0 / 20

HEX #5583CD

RGB 85 131 205

HSL 217, 0.55%, 0.57%

LAB 54.63, 6.61, -43.02

 

CMYK 0 / 59 / 7 / 20

HEX #CD55BF

RGB 205 85 191

HSL 307, 0.55%, 0.57%

LAB 55.32, 60.39, -33.15

 

Description

Color code: HEX #CD9F55 | qconv.com Color code: HEX #CD9F55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 159 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 159 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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