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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD458 it is the complementary color #452BA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD458 shade: #BFD453, #D0E666, #E1F879, #F2FF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD458 shade: #BAD458, #A9C245, #98B032, #879E1F and #768C0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD458 shade: #BAD458, #D4CC58, #D4AB58, #D48A58 and #D46858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD458 shade: #BAD458, #98D458, #77D458, #58D45B and #58D47C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD458 shade matches the following richer shades: #BAD458, #C4E547 and #CDF536

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD458 shade: #BAD458, #B0C369, #A6B27A, #9CA18B and #92909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD458 shade: #D4AB58, #D4CB58, #BBD458, #9AD458 and #79D458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD458 shade: #92AD2C, #ACCB37, #BAD458, #C7DC79 and #D5E59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD458 shade: #BAD458, #58D48A and #BB58D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD458 shade: #BAD458, #58BBD4 and #D458BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD458 shade: #BAD458, #58D48A, #7158D4 and #D458A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD458 shade: #BAD458, #58D4AF, #7158D4 and #D4587D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

Complementary color

CMYK 59 / 74 / 0 / 35

HEX #452BA7

RGB 69 43 167

HSL 252.58, 0.59%, 0.41%

LAB 28.86, 44.97, -62.39

 

CMYK 10 / 0 / 61 / 17

HEX #BFD453

RGB 191 212 83

HSL 69.77, 0.6%, 0.58%

LAB 81.17, -24.62, 59.69

 

CMYK 10 / 0 / 56 / 10

HEX #D0E666

RGB 208 230 102

HSL 70.31, 0.72%, 0.65%

LAB 87.47, -25.05, 58.8

 

CMYK 9 / 0 / 51 / 3

HEX #E1F879

RGB 225 248 121

HSL 70.87, 0.9%, 0.72%

LAB 93.68, -25.4, 57.79

 

CMYK 5 / 0 / 45 / 0

HEX #F2FF8C

RGB 242 255 140

HSL 66.78, 1%, 0.77%

LAB 96.94, -20.47, 53.22

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 13 / 0 / 64 / 24

HEX #A9C245

RGB 169 194 69

HSL 72, 0.51%, 0.52%

LAB 74.48, -25.79, 57.88

 

CMYK 14 / 0 / 72 / 31

HEX #98B032

RGB 152 176 50

HSL 71.43, 0.56%, 0.44%

LAB 67.99, -25.22, 58.29

 

CMYK 15 / 0 / 80 / 38

HEX #879E1F

RGB 135 158 31

HSL 70.87, 0.67%, 0.37%

LAB 61.4, -24.46, 58

 

CMYK 16 / 0 / 91 / 45

HEX #768C0C

RGB 118 140 12

HSL 70.31, 0.84%, 0.3%

LAB 54.69, -23.47, 56.38

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 0 / 4 / 58 / 17

HEX #D4CC58

RGB 212 204 88

HSL 56.13, 0.59%, 0.59%

LAB 80.68, -11.72, 57.44

 

CMYK 0 / 19 / 58 / 17

HEX #D4AB58

RGB 212 171 88

HSL 40.16, 0.59%, 0.59%

LAB 72.11, 5.45, 47.71

 

CMYK 0 / 35 / 58 / 17

HEX #D48A58

RGB 212 138 88

HSL 24.19, 0.59%, 0.59%

LAB 64.06, 23.25, 38.12

 

CMYK 0 / 51 / 58 / 17

HEX #D46858

RGB 212 104 88

HSL 7.74, 0.59%, 0.59%

LAB 56.69, 41.16, 28.91

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 28 / 0 / 58 / 17

HEX #98D458

RGB 152 212 88

HSL 89.03, 0.59%, 0.59%

LAB 78.73, -39.17, 54.12

 

CMYK 44 / 0 / 58 / 17

HEX #77D458

RGB 119 212 88

HSL 105, 0.59%, 0.59%

LAB 77.11, -50.22, 51.84

 

CMYK 58 / 0 / 57 / 17

HEX #58D45B

RGB 88 212 91

HSL 121.45, 0.59%, 0.59%

LAB 76.02, -58.27, 48.93

 

CMYK 58 / 0 / 42 / 17

HEX #58D47C

RGB 88 212 124

HSL 137.42, 0.59%, 0.59%

LAB 76.45, -53.54, 33.44

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 14 / 0 / 69 / 10

HEX #C4E547

RGB 196 229 71

HSL 72.53, 0.75%, 0.59%

LAB 86.12, -31.44, 69.67

 

CMYK 16 / 0 / 78 / 4

HEX #CDF536

RGB 205 245 54

HSL 72.57, 0.91%, 0.59%

LAB 91.03, -36.04, 79.95

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 10 / 0 / 46 / 24

HEX #B0C369

RGB 176 195 105

HSL 72.67, 0.43%, 0.59%

LAB 75.63, -20.34, 42.84

 

CMYK 7 / 0 / 31 / 30

HEX #A6B27A

RGB 166 178 122

HSL 72.86, 0.27%, 0.59%

LAB 70.42, -13.59, 27.29

 

CMYK 3 / 0 / 14 / 37

HEX #9CA18B

RGB 156 161 139

HSL 73.64, 0.1%, 0.59%

LAB 65.3, -5.81, 10.85

 

CMYK 6 / 8 / 0 / 39

HEX #92909C

RGB 146 144 156

HSL 250, 0.06%, 0.59%

LAB 60.3, 3.13, -6.07

 

CMYK 0 / 19 / 58 / 17

HEX #D4AB58

RGB 212 171 88

HSL 40.16, 0.59%, 0.59%

LAB 72.11, 5.45, 47.71

 

CMYK 0 / 4 / 58 / 17

HEX #D4CB58

RGB 212 203 88

HSL 55.65, 0.59%, 0.59%

LAB 80.41, -11.22, 57.15

 

CMYK 12 / 0 / 58 / 17

HEX #BBD458

RGB 187 212 88

HSL 72.1, 0.59%, 0.59%

LAB 80.94, -25.84, 57.2

 

CMYK 27 / 0 / 58 / 17

HEX #9AD458

RGB 154 212 88

HSL 88.06, 0.59%, 0.59%

LAB 78.85, -38.45, 54.28

 

CMYK 43 / 0 / 58 / 17

HEX #79D458

RGB 121 212 88

HSL 104.03, 0.59%, 0.59%

LAB 77.19, -49.61, 51.96

 

CMYK 16 / 0 / 75 / 32

HEX #92AD2C

RGB 146 173 44

HSL 72.56, 0.59%, 0.43%

LAB 66.66, -26.58, 58.99

 

CMYK 15 / 0 / 73 / 20

HEX #ACCB37

RGB 172 203 55

HSL 72.57, 0.59%, 0.51%

LAB 77.14, -29.72, 65.91

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 10 / 0 / 45 / 14

HEX #C7DC79

RGB 199 220 121

HSL 72.73, 0.59%, 0.67%

LAB 84.33, -21.97, 46.1

 

CMYK 7 / 0 / 33 / 10

HEX #D5E59A

RGB 213 229 154

HSL 72.8, 0.59%, 0.75%

LAB 88.22, -17.24, 34.86

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 58 / 0 / 35 / 17

HEX #58D48A

RGB 88 212 138

HSL 144.19, 0.59%, 0.59%

LAB 76.68, -51.07, 26.55

 

CMYK 12 / 58 / 0 / 17

HEX #BB58D4

RGB 187 88 212

HSL 287.9, 0.59%, 0.59%

LAB 54.34, 58.12, -46.87

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 58 / 12 / 0 / 17

HEX #58BBD4

RGB 88 187 212

HSL 192.1, 0.59%, 0.59%

LAB 71.12, -21.72, -21.32

 

CMYK 0 / 58 / 12 / 17

HEX #D458BB

RGB 212 88 187

HSL 312.1, 0.59%, 0.59%

LAB 56.65, 60.34, -28.7

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 58 / 0 / 35 / 17

HEX #58D48A

RGB 88 212 138

HSL 144.19, 0.59%, 0.59%

LAB 76.68, -51.07, 26.55

 

CMYK 47 / 58 / 0 / 17

HEX #7158D4

RGB 113 88 212

HSL 252.1, 0.59%, 0.59%

LAB 45.97, 40.75, -60.75

 

CMYK 0 / 58 / 24 / 17

HEX #D458A2

RGB 212 88 162

HSL 324.19, 0.59%, 0.59%

LAB 55.67, 56.69, -15.71

 

CMYK 12 / 0 / 58 / 17

HEX #BAD458

RGB 186 212 88

HSL 72.58, 0.59%, 0.59%

LAB 80.87, -26.24, 57.1

 

CMYK 58 / 0 / 17 / 17

HEX #58D4AF

RGB 88 212 175

HSL 162.1, 0.59%, 0.59%

LAB 77.43, -43.31, 8.06

 

CMYK 47 / 58 / 0 / 17

HEX #7158D4

RGB 113 88 212

HSL 252.1, 0.59%, 0.59%

LAB 45.97, 40.75, -60.75

 

CMYK 0 / 58 / 41 / 17

HEX #D4587D

RGB 212 88 125

HSL 342.1, 0.59%, 0.59%

LAB 54.51, 52.21, 4.34

 

Description

Color code: HEX #BAD458 | qconv.com Color code: HEX #BAD458 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 212 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 212 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 58% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Accueil
Link: http://www.clmn.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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