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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD952 it is the complementary color #4526AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD952 shade: #BFD94D, #D0EB60, #E1FD73, #F2FF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD952 shade: #BAD952, #A9C73F, #98B52C, #87A319 and #769106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD952 shade: #BAD953, #D9D453, #D9AF53, #D98B53 and #D96753

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD952 shade: #BAD953, #96D953, #72D953, #53D958 and #53D97C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD952 shade matches the following richer shades: #BAD953, #C3EA42 and #CCFB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD952 shade: #BAD953, #B1C864, #A8B775, #9FA686 and #969597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD952 shade: #D9AE53, #D9D253, #BCD953, #98D953 and #74D953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD952 shade: #92B327, #ADD131, #BAD953, #C8E075 and #D5E897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD952 shade: #BAD952, #53D98B and #C053D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD952 shade: #BAD952, #53BCD9 and #D953BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD952 shade: #BAD952, #53D98B, #7053D9 and #D953A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD952 shade: #BAD952, #53D9B3, #7053D9 and #D95379

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

Complementary color

CMYK 60 / 78 / 0 / 32

HEX #4526AD

RGB 69 38 173

HSL 253.78, 0.64%, 0.41%

LAB 28.56, 49.28, -66.49

 

CMYK 12 / 0 / 65 / 15

HEX #BFD94D

RGB 191 217 77

HSL 71.14, 0.65%, 0.58%

LAB 82.51, -27.43, 63.58

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 11 / 0 / 55 / 1

HEX #E1FD73

RGB 225 253 115

HSL 72.17, 0.97%, 0.72%

LAB 94.95, -28.26, 61.94

 

CMYK 5 / 0 / 47 / 0

HEX #F2FF86

RGB 242 255 134

HSL 66.45, 1%, 0.76%

LAB 96.87, -21.04, 55.93

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

CMYK 15 / 0 / 68 / 22

HEX #A9C73F

RGB 169 199 63

HSL 73.24, 0.55%, 0.51%

LAB 75.85, -28.58, 61.68

 

CMYK 16 / 0 / 76 / 29

HEX #98B52C

RGB 152 181 44

HSL 72.7, 0.61%, 0.44%

LAB 69.4, -27.95, 61.74

 

CMYK 17 / 0 / 85 / 36

HEX #87A319

RGB 135 163 25

HSL 72.17, 0.73%, 0.37%

LAB 62.86, -27.13, 60.89

 

CMYK 19 / 0 / 96 / 43

HEX #769106

RGB 118 145 6

HSL 71.65, 0.92%, 0.3%

LAB 56.2, -26.07, 58.57

 

CMYK 14 / 0 / 62 / 15

HEX #BAD953

RGB 186 217 83

HSL 73.88, 0.64%, 0.59%

LAB 82.21, -29, 60.71

 

CMYK 0 / 2 / 62 / 15

HEX #D9D453

RGB 217 212 83

HSL 57.76, 0.64%, 0.59%

LAB 83.16, -14.01, 62.41

 

CMYK 0 / 19 / 62 / 15

HEX #D9AF53

RGB 217 175 83

HSL 41.19, 0.64%, 0.59%

LAB 73.57, 5.08, 51.9

 

CMYK 0 / 36 / 62 / 15

HEX #D98B53

RGB 217 139 83

HSL 25.07, 0.64%, 0.59%

LAB 64.84, 24.41, 41.81

 

CMYK 0 / 53 / 62 / 15

HEX #D96753

RGB 217 103 83

HSL 8.96, 0.64%, 0.59%

LAB 57.15, 43.17, 32.47

 

CMYK 14 / 0 / 62 / 15

HEX #BAD953

RGB 186 217 83

HSL 73.88, 0.64%, 0.59%

LAB 82.21, -29, 60.71

 

CMYK 31 / 0 / 62 / 15

HEX #96D953

RGB 150 217 83

HSL 90, 0.64%, 0.59%

LAB 80.03, -42.53, 57.7

 

CMYK 47 / 0 / 62 / 15

HEX #72D953

RGB 114 217 83

HSL 106.12, 0.64%, 0.59%

LAB 78.36, -54.2, 55.38

 

CMYK 62 / 0 / 59 / 15

HEX #53D958

RGB 83 217 88

HSL 122.24, 0.64%, 0.59%

LAB 77.38, -61.54, 51.82

 

CMYK 62 / 0 / 43 / 15

HEX #53D97C

RGB 83 217 124

HSL 138.36, 0.64%, 0.59%

LAB 77.83, -56.53, 35.2

 

CMYK 14 / 0 / 62 / 15

HEX #BAD953

RGB 186 217 83

HSL 73.88, 0.64%, 0.59%

LAB 82.21, -29, 60.71

 

CMYK 17 / 0 / 72 / 8

HEX #C3EA42

RGB 195 234 66

HSL 73.93, 0.8%, 0.59%

LAB 87.41, -34.41, 72.66

 

CMYK 19 / 0 / 80 / 2

HEX #CCFB31

RGB 204 251 49

HSL 73.96, 0.96%, 0.59%

LAB 92.6, -39.29, 82.62

 

CMYK 14 / 0 / 62 / 15

HEX #BAD953

RGB 186 217 83

HSL 73.88, 0.64%, 0.59%

LAB 82.21, -29, 60.71

 

CMYK 12 / 0 / 50 / 22

HEX #B1C864

RGB 177 200 100

HSL 73.8, 0.48%, 0.59%

LAB 77.03, -22.92, 46.99

 

CMYK 8 / 0 / 36 / 28

HEX #A8B775

RGB 168 183 117

HSL 73.64, 0.31%, 0.59%

LAB 71.88, -16.04, 31.87

 

CMYK 4 / 0 / 19 / 35

HEX #9FA686

RGB 159 166 134

HSL 73.13, 0.15%, 0.59%

LAB 66.8, -8.19, 15.76

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 0 / 20 / 62 / 15

HEX #D9AE53

RGB 217 174 83

HSL 40.75, 0.64%, 0.59%

LAB 73.32, 5.61, 51.61

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 13 / 0 / 62 / 15

HEX #BCD953

RGB 188 217 83

HSL 72.99, 0.64%, 0.59%

LAB 82.35, -28.21, 60.9

 

CMYK 30 / 0 / 62 / 15

HEX #98D953

RGB 152 217 83

HSL 89.1, 0.64%, 0.59%

LAB 80.14, -41.82, 57.85

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 18 / 0 / 78 / 30

HEX #92B327

RGB 146 179 39

HSL 74.14, 0.64%, 0.43%

LAB 68.39, -29.7, 62.23

 

CMYK 17 / 0 / 77 / 18

HEX #ADD131

RGB 173 209 49

HSL 73.5, 0.63%, 0.51%

LAB 78.87, -32.41, 69.51

 

CMYK 14 / 0 / 62 / 15

HEX #BAD953

RGB 186 217 83

HSL 73.88, 0.64%, 0.59%

LAB 82.21, -29, 60.71

 

CMYK 11 / 0 / 48 / 12

HEX #C8E075

RGB 200 224 117

HSL 73.46, 0.63%, 0.67%

LAB 85.44, -23.93, 49.39

 

CMYK 8 / 0 / 35 / 9

HEX #D5E897

RGB 213 232 151

HSL 74.07, 0.64%, 0.75%

LAB 88.97, -19.08, 37.36

 

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

CMYK 62 / 0 / 36 / 15

HEX #53D98B

RGB 83 217 139

HSL 145.07, 0.64%, 0.59%

LAB 78.07, -53.9, 27.87

 

CMYK 12 / 62 / 0 / 15

HEX #C053D9

RGB 192 83 217

HSL 288.81, 0.64%, 0.59%

LAB 54.45, 62.58, -49.49

 

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

CMYK 62 / 13 / 0 / 15

HEX #53BCD9

RGB 83 188 217

HSL 192.99, 0.64%, 0.59%

LAB 71.43, -21.65, -23.59

 

CMYK 0 / 62 / 13 / 15

HEX #D953BC

RGB 217 83 188

HSL 312.99, 0.64%, 0.59%

LAB 56.65, 63.97, -29.21

 

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

CMYK 62 / 0 / 36 / 15

HEX #53D98B

RGB 83 217 139

HSL 145.07, 0.64%, 0.59%

LAB 78.07, -53.9, 27.87

 

CMYK 48 / 62 / 0 / 15

HEX #7053D9

RGB 112 83 217

HSL 252.99, 0.64%, 0.59%

LAB 45.14, 44.85, -64.95

 

CMYK 0 / 62 / 26 / 15

HEX #D953A1

RGB 217 83 161

HSL 325.07, 0.64%, 0.59%

LAB 55.6, 60.2, -15.17

 

CMYK 14 / 0 / 62 / 15

HEX #BAD952

RGB 186 217 82

HSL 73.78, 0.64%, 0.59%

LAB 82.2, -29.07, 61.12

 

CMYK 62 / 0 / 18 / 15

HEX #53D9B3

RGB 83 217 179

HSL 162.99, 0.64%, 0.59%

LAB 78.88, -45.48, 7.97

 

CMYK 48 / 62 / 0 / 15

HEX #7053D9

RGB 112 83 217

HSL 252.99, 0.64%, 0.59%

LAB 45.14, 44.85, -64.95

 

CMYK 0 / 62 / 44 / 15

HEX #D95379

RGB 217 83 121

HSL 342.99, 0.64%, 0.59%

LAB 54.36, 55.64, 6.61

 

Description

Color code: HEX #BAD952 | qconv.com Color code: HEX #BAD952 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 217 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 217 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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