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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6170 it is the complementary color #449E8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6170 shade: #C0616B, #D1737E, #E28591, #F397A4 and #FFA9B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6170 shade: #BB6170, #AA4F5D, #993D4A, #882B37 and #771924

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6170 shade: #BB6170 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6170 shade: #BB6170, #BB6189, #BB61A1, #BB61B9 and #A561BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6170 shade matches the following richer shades: #BB6170, #CD4F64, #DF3D58 and #F22B4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6170 shade: #BB6170, #A9747C, #978689, #859895 and #73AAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6170 shade: #BB61A0, #BB6188, #BB6170, #BB6A61 and #BB8261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6170 shade: #8E3C4A, #AB4959, #BB6170, #C87E8B and #D49BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6170 shade: #BB6170, #B8BB61 and #6194BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6170 shade: #BB6170, #70BB61 and #6170BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6170 shade: #BB6170, #B8BB61, #61BBAC and #6461BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6170 shade: #BB6170, #9DBB61, #61BBAC and #7F61BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

Complementary color

CMYK 57 / 0 / 9 / 38

HEX #449E8F

RGB 68 158 143

HSL 170, 0.4%, 0.44%

LAB 59.59, -30.56, -0.25

 

CMYK 0 / 49 / 44 / 25

HEX #C0616B

RGB 192 97 107

HSL 353.68, 0.43%, 0.57%

LAB 52.75, 38.98, 12.08

 

CMYK 0 / 45 / 40 / 18

HEX #D1737E

RGB 209 115 126

HSL 352.98, 0.51%, 0.64%

LAB 59.27, 37.95, 10.49

 

CMYK 0 / 41 / 36 / 11

HEX #E28591

RGB 226 133 145

HSL 352.26, 0.62%, 0.7%

LAB 65.74, 36.98, 9.11

 

CMYK 0 / 38 / 33 / 5

HEX #F397A4

RGB 243 151 164

HSL 351.52, 0.79%, 0.77%

LAB 72.14, 36.06, 7.89

 

CMYK 0 / 34 / 28 / 0

HEX #FFA9B7

RGB 255 169 183

HSL 350.23, 1%, 0.83%

LAB 77.91, 33.42, 5.91

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 54 / 45 / 33

HEX #AA4F5D

RGB 170 79 93

HSL 350.77, 0.37%, 0.49%

LAB 45.54, 38.7, 9.91

 

CMYK 0 / 60 / 52 / 40

HEX #993D4A

RGB 153 61 74

HSL 351.52, 0.43%, 0.42%

LAB 38.91, 39.65, 12.03

 

CMYK 0 / 68 / 60 / 47

HEX #882B37

RGB 136 43 55

HSL 352.26, 0.52%, 0.35%

LAB 32.34, 40.4, 14.75

 

CMYK 0 / 79 / 70 / 53

HEX #771924

RGB 119 25 36

HSL 352.98, 0.65%, 0.28%

LAB 25.99, 40.58, 18.36

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 48 / 27 / 27

HEX #BB6189

RGB 187 97 137

HSL 333.33, 0.4%, 0.56%

LAB 52.86, 40.88, -5.61

 

CMYK 0 / 48 / 14 / 27

HEX #BB61A1

RGB 187 97 161

HSL 317.33, 0.4%, 0.56%

LAB 53.69, 44.51, -18.47

 

CMYK 0 / 48 / 1 / 27

HEX #BB61B9

RGB 187 97 185

HSL 301.33, 0.4%, 0.56%

LAB 54.68, 48.64, -30.88

 

CMYK 12 / 48 / 0 / 27

HEX #A561BB

RGB 165 97 187

HSL 285.33, 0.4%, 0.56%

LAB 51.99, 42.62, -36.44

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 61 / 51 / 20

HEX #CD4F64

RGB 205 79 100

HSL 350, 0.56%, 0.56%

LAB 51.26, 51.56, 14.48

 

CMYK 0 / 73 / 61 / 13

HEX #DF3D58

RGB 223 61 88

HSL 350, 0.72%, 0.56%

LAB 51.53, 63.37, 22.57

 

CMYK 0 / 82 / 69 / 5

HEX #F22B4C

RGB 242 43 76

HSL 350.05, 0.88%, 0.56%

LAB 53.09, 73.07, 32.41

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 31 / 27 / 34

HEX #A9747C

RGB 169 116 124

HSL 350.94, 0.24%, 0.56%

LAB 54.43, 22.02, 4.06

 

CMYK 0 / 11 / 9 / 41

HEX #978689

RGB 151 134 137

HSL 349.41, 0.08%, 0.56%

LAB 57.5, 6.95, 0.73

 

CMYK 13 / 0 / 2 / 40

HEX #859895

RGB 133 152 149

HSL 170.53, 0.08%, 0.56%

LAB 61.32, -7.35, -0.71

 

CMYK 32 / 0 / 5 / 33

HEX #73AAA1

RGB 115 170 161

HSL 170.18, 0.24%, 0.56%

LAB 65.72, -20.05, -1.13

 

CMYK 0 / 48 / 14 / 27

HEX #BB61A0

RGB 187 97 160

HSL 318, 0.4%, 0.56%

LAB 53.66, 44.35, -17.94

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 43 / 48 / 27

HEX #BB6A61

RGB 187 106 97

HSL 6, 0.4%, 0.56%

LAB 53.75, 31.29, 19.21

 

CMYK 0 / 30 / 48 / 27

HEX #BB8261

RGB 187 130 97

HSL 22, 0.4%, 0.56%

LAB 59.34, 18.09, 26.64

 

CMYK 0 / 58 / 48 / 44

HEX #8E3C4A

RGB 142 60 74

HSL 349.76, 0.41%, 0.4%

LAB 36.89, 36.14, 8.95

 

CMYK 0 / 57 / 48 / 33

HEX #AB4959

RGB 171 73 89

HSL 350.2, 0.4%, 0.48%

LAB 44.44, 41.66, 10.84

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 37 / 31 / 22

HEX #C87E8B

RGB 200 126 139

HSL 349.46, 0.4%, 0.64%

LAB 60.84, 30.36, 5.08

 

CMYK 0 / 27 / 22 / 17

HEX #D49BA5

RGB 212 155 165

HSL 349.47, 0.4%, 0.72%

LAB 69.58, 22.72, 3.2

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 2 / 0 / 48 / 27

HEX #B8BB61

RGB 184 187 97

HSL 62, 0.4%, 0.56%

LAB 73.93, -13.89, 44.86

 

CMYK 48 / 21 / 0 / 27

HEX #6194BB

RGB 97 148 187

HSL 206, 0.4%, 0.56%

LAB 59.26, -6.23, -25.56

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 40 / 0 / 48 / 27

HEX #70BB61

RGB 112 187 97

HSL 110, 0.4%, 0.56%

LAB 69.36, -40.84, 38.23

 

CMYK 48 / 40 / 0 / 27

HEX #6170BB

RGB 97 112 187

HSL 230, 0.4%, 0.56%

LAB 49.15, 15.04, -41.35

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 2 / 0 / 48 / 27

HEX #B8BB61

RGB 184 187 97

HSL 62, 0.4%, 0.56%

LAB 73.93, -13.89, 44.86

 

CMYK 48 / 0 / 8 / 27

HEX #61BBAC

RGB 97 187 172

HSL 170, 0.4%, 0.56%

LAB 70.22, -30.65, -0.73

 

CMYK 47 / 48 / 0 / 27

HEX #6461BB

RGB 100 97 187

HSL 242, 0.4%, 0.56%

LAB 45.42, 25.01, -47.26

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 16 / 0 / 48 / 27

HEX #9DBB61

RGB 157 187 97

HSL 80, 0.4%, 0.56%

LAB 71.94, -24.7, 41.99

 

CMYK 48 / 0 / 8 / 27

HEX #61BBAC

RGB 97 187 172

HSL 170, 0.4%, 0.56%

LAB 70.22, -30.65, -0.73

 

CMYK 32 / 48 / 0 / 27

HEX #7F61BB

RGB 127 97 187

HSL 260, 0.4%, 0.56%

LAB 47.82, 31.92, -43.31

 

Description

Color code: HEX #BB6170 | qconv.com Color code: HEX #BB6170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 97 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 97 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 40 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 40% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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