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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6188 it is the complementary color #449E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6188 shade: #C06183, #D17396, #E285A9, #F397BC and #FFA9CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6188 shade: #BB6188, #AA4F75, #993D62, #882B4F and #77193C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6188 shade: #BB6188, #BB6170 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6188 shade: #BB6188, #BB61A1, #BB61B9, #A561BB and #8D61BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6188 shade matches the following richer shades: #BB6188, #CD4F86, #DF3D83 and #F22B81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6188 shade: #BB6188, #A9748B, #97868D, #859890 and #73AA92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6188 shade: #BB61B8, #BB61A0, #BB6188, #BB6170 and #BB6A61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6188 shade: #8E3C60, #AB4973, #BB6188, #C87E9E and #D49BB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6188 shade: #BB6188, #BBA661 and #61ACBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6188 shade: #BB6188, #88BB61 and #6188BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6188 shade: #BB6188, #BBA661, #61BB94 and #6176BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6188 shade: #BB6188, #B5BB61, #61BB94 and #6761BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

Complementary color

CMYK 57 / 0 / 25 / 38

HEX #449E77

RGB 68 158 119

HSL 154, 0.4%, 0.44%

LAB 58.99, -36.41, 12.43

 

CMYK 0 / 49 / 32 / 25

HEX #C06183

RGB 192 97 131

HSL 338.53, 0.43%, 0.57%

LAB 53.38, 41.8, -1.22

 

CMYK 0 / 45 / 28 / 18

HEX #D17396

RGB 209 115 150

HSL 337.66, 0.51%, 0.64%

LAB 59.91, 40.94, -2.46

 

CMYK 0 / 41 / 25 / 11

HEX #E285A9

RGB 226 133 169

HSL 336.77, 0.62%, 0.7%

LAB 66.37, 40.09, -3.54

 

CMYK 0 / 38 / 23 / 5

HEX #F397BC

RGB 243 151 188

HSL 335.87, 0.79%, 0.77%

LAB 72.77, 39.27, -4.49

 

CMYK 0 / 34 / 19 / 0

HEX #FFA9CF

RGB 255 169 207

HSL 333.49, 1%, 0.83%

LAB 78.54, 36.79, -6.23

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 54 / 31 / 33

HEX #AA4F75

RGB 170 79 117

HSL 334.95, 0.37%, 0.49%

LAB 46.21, 41.55, -3.75

 

CMYK 0 / 60 / 36 / 40

HEX #993D62

RGB 153 61 98

HSL 335.87, 0.43%, 0.42%

LAB 39.57, 42.26, -2.12

 

CMYK 0 / 68 / 42 / 47

HEX #882B4F

RGB 136 43 79

HSL 336.77, 0.52%, 0.35%

LAB 32.98, 42.68, 0

 

CMYK 0 / 79 / 50 / 53

HEX #77193C

RGB 119 25 60

HSL 337.66, 0.65%, 0.28%

LAB 26.57, 42.44, 2.91

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 48 / 14 / 27

HEX #BB61A1

RGB 187 97 161

HSL 317.33, 0.4%, 0.56%

LAB 53.69, 44.51, -18.47

 

CMYK 0 / 48 / 1 / 27

HEX #BB61B9

RGB 187 97 185

HSL 301.33, 0.4%, 0.56%

LAB 54.68, 48.64, -30.88

 

CMYK 12 / 48 / 0 / 27

HEX #A561BB

RGB 165 97 187

HSL 285.33, 0.4%, 0.56%

LAB 51.99, 42.62, -36.44

 

CMYK 25 / 48 / 0 / 27

HEX #8D61BB

RGB 141 97 187

HSL 269.33, 0.4%, 0.56%

LAB 49.25, 35.77, -40.94

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 61 / 35 / 20

HEX #CD4F86

RGB 205 79 134

HSL 333.81, 0.56%, 0.56%

LAB 52.17, 55.01, -4.56

 

CMYK 0 / 73 / 41 / 13

HEX #DF3D83

RGB 223 61 131

HSL 334.07, 0.72%, 0.56%

LAB 52.58, 66.82, -1.82

 

CMYK 0 / 82 / 47 / 5

HEX #F22B81

RGB 242 43 129

HSL 334.07, 0.88%, 0.56%

LAB 54.23, 76.44, 2.2

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 31 / 18 / 34

HEX #A9748B

RGB 169 116 139

HSL 333.96, 0.24%, 0.56%

LAB 54.86, 24.36, -4.09

 

CMYK 0 / 11 / 7 / 41

HEX #97868D

RGB 151 134 141

HSL 335.29, 0.08%, 0.56%

LAB 57.61, 7.69, -1.4

 

CMYK 13 / 0 / 5 / 40

HEX #859890

RGB 133 152 144

HSL 154.74, 0.08%, 0.56%

LAB 61.18, -8.38, 1.92

 

CMYK 32 / 0 / 14 / 33

HEX #73AA92

RGB 115 170 146

HSL 153.82, 0.24%, 0.56%

LAB 65.33, -23.39, 6.65

 

CMYK 0 / 48 / 2 / 27

HEX #BB61B8

RGB 187 97 184

HSL 302, 0.4%, 0.56%

LAB 54.63, 48.46, -30.38

 

CMYK 0 / 48 / 14 / 27

HEX #BB61A0

RGB 187 97 160

HSL 318, 0.4%, 0.56%

LAB 53.66, 44.35, -17.94

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 48 / 40 / 27

HEX #BB6170

RGB 187 97 112

HSL 350, 0.4%, 0.56%

LAB 52.16, 37.69, 8.18

 

CMYK 0 / 43 / 48 / 27

HEX #BB6A61

RGB 187 106 97

HSL 6, 0.4%, 0.56%

LAB 53.75, 31.29, 19.21

 

CMYK 0 / 58 / 32 / 44

HEX #8E3C60

RGB 142 60 96

HSL 333.66, 0.41%, 0.4%

LAB 37.53, 38.76, -4.07

 

CMYK 0 / 57 / 33 / 33

HEX #AB4973

RGB 171 73 115

HSL 334.29, 0.4%, 0.48%

LAB 45.17, 44.61, -4.05

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 37 / 21 / 22

HEX #C87E9E

RGB 200 126 158

HSL 334.05, 0.4%, 0.64%

LAB 61.37, 33.08, -5.03

 

CMYK 0 / 27 / 15 / 17

HEX #D49BB4

RGB 212 155 180

HSL 333.68, 0.4%, 0.72%

LAB 69.99, 25.05, -4.55

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 11 / 48 / 27

HEX #BBA661

RGB 187 166 97

HSL 46, 0.4%, 0.56%

LAB 68.53, -1.65, 38.34

 

CMYK 48 / 8 / 0 / 27

HEX #61ACBB

RGB 97 172 187

HSL 190, 0.4%, 0.56%

LAB 66.24, -19.23, -14.92

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 27 / 0 / 48 / 27

HEX #88BB61

RGB 136 187 97

HSL 94, 0.4%, 0.56%

LAB 70.62, -32.62, 40.07

 

CMYK 48 / 27 / 0 / 27

HEX #6188BB

RGB 97 136 187

HSL 214, 0.4%, 0.56%

LAB 55.82, 0.65, -30.87

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 0 / 11 / 48 / 27

HEX #BBA661

RGB 187 166 97

HSL 46, 0.4%, 0.56%

LAB 68.53, -1.65, 38.34

 

CMYK 48 / 0 / 21 / 27

HEX #61BB94

RGB 97 187 148

HSL 154, 0.4%, 0.56%

LAB 69.63, -36.21, 11.54

 

CMYK 48 / 37 / 0 / 27

HEX #6176BB

RGB 97 118 187

HSL 226, 0.4%, 0.56%

LAB 50.79, 11.38, -38.76

 

CMYK 0 / 48 / 27 / 27

HEX #BB6188

RGB 187 97 136

HSL 334, 0.4%, 0.56%

LAB 52.83, 40.74, -5.06

 

CMYK 3 / 0 / 48 / 27

HEX #B5BB61

RGB 181 187 97

HSL 64, 0.4%, 0.56%

LAB 73.69, -15.11, 44.52

 

CMYK 48 / 0 / 21 / 27

HEX #61BB94

RGB 97 187 148

HSL 154, 0.4%, 0.56%

LAB 69.63, -36.21, 11.54

 

CMYK 45 / 48 / 0 / 27

HEX #6761BB

RGB 103 97 187

HSL 244, 0.4%, 0.56%

LAB 45.66, 25.73, -46.87

 

Description

Color code: HEX #BB6188 | qconv.com Color code: HEX #BB6188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 97 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 97 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 27 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 27% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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