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Color name
HEX #BB9625

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9625 it is the complementary color #4469DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9625 shade: #C09620, #D1A833, #E2BA46, #F3CC59 and #FFDE6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9625 shade: #BB9625, #AA8412, #997200, #886000 and #774E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9625 shade: #BB9625, #BB6D25, #BB4525 and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9625 shade: #BB9625, #B7BB25, #8FBB25, #66BB25 and #3EBB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9625 shade matches the following richer shades: #BB9625, #CD9F12 and #DFA800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9625 shade: #BB9625, #A98D37, #978349, #847A5B and #72716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9625 shade: #BB4525, #BB6D25, #BB9525, #B8BB25 and #90BB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9625 shade: #765F17, #987A1E, #BB9625, #D6AE32 and #DDBB55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9625 shade: #BB9625, #2CBB25 and #5925BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9625 shade: #BB9625, #25BB95 and #9525BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9625 shade: #BB9625, #2CBB25, #254ABB and #B325BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9625 shade: #BB9625, #25BB4A, #254ABB and #BB2595

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

Complementary color

CMYK 69 / 52 / 0 / 15

HEX #4469DA

RGB 68 105 218

HSL 225.2, 0.67%, 0.56%

LAB 47.49, 24.19, -61.86

 

CMYK 0 / 22 / 83 / 25

HEX #C09620

RGB 192 150 32

HSL 44.25, 0.71%, 0.44%

LAB 64.26, 5.13, 62.16

 

CMYK 0 / 20 / 76 / 18

HEX #D1A833

RGB 209 168 51

HSL 44.43, 0.63%, 0.51%

LAB 70.73, 3.62, 62.27

 

CMYK 0 / 18 / 69 / 11

HEX #E2BA46

RGB 226 186 70

HSL 44.62, 0.73%, 0.58%

LAB 77.12, 2.33, 61.71

 

CMYK 0 / 16 / 63 / 5

HEX #F3CC59

RGB 243 204 89

HSL 44.81, 0.87%, 0.65%

LAB 83.42, 1.23, 60.8

 

CMYK 0 / 13 / 58 / 0

HEX #FFDE6C

RGB 255 222 108

HSL 46.53, 1%, 0.71%

LAB 89.2, -1.76, 59.09

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 0 / 22 / 89 / 33

HEX #AA8412

RGB 170 132 18

HSL 45, 0.81%, 0.37%

LAB 57.17, 4.73, 59.1

 

CMYK 0 / 25 / 100 / 40

HEX #997200

RGB 153 114 0

HSL 44.71, 1%, 0.3%

LAB 50.46, 6.67, 56.84

 

CMYK 0 / 29 / 100 / 47

HEX #886000

RGB 136 96 0

HSL 42.35, 1%, 0.27%

LAB 43.65, 9.03, 51.26

 

CMYK 0 / 34 / 100 / 53

HEX #774E00

RGB 119 78 0

HSL 39.33, 1%, 0.23%

LAB 36.69, 11.52, 45.55

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 0 / 42 / 80 / 27

HEX #BB6D25

RGB 187 109 37

HSL 28.8, 0.67%, 0.44%

LAB 53.64, 25.64, 50.71

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 2 / 0 / 80 / 27

HEX #B7BB25

RGB 183 187 37

HSL 61.6, 0.67%, 0.44%

LAB 73.38, -18.1, 68.3

 

CMYK 24 / 0 / 80 / 27

HEX #8FBB25

RGB 143 187 37

HSL 77.6, 0.67%, 0.44%

LAB 70.53, -34.72, 64.7

 

CMYK 45 / 0 / 80 / 27

HEX #66BB25

RGB 102 187 37

HSL 94, 0.67%, 0.44%

LAB 68.39, -49.54, 61.94

 

CMYK 67 / 0 / 80 / 27

HEX #3EBB25

RGB 62 187 37

HSL 110, 0.67%, 0.44%

LAB 67.05, -60.13, 60.22

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 0 / 22 / 91 / 20

HEX #CD9F12

RGB 205 159 18

HSL 45.24, 0.84%, 0.44%

LAB 67.89, 5.74, 69.01

 

CMYK 0 / 25 / 100 / 13

HEX #DFA800

RGB 223 168 0

HSL 45.2, 1%, 0.44%

LAB 72.02, 8.65, 75.27

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 0 / 17 / 67 / 34

HEX #A98D37

RGB 169 141 55

HSL 45.26, 0.51%, 0.44%

LAB 59.67, 0.79, 48.22

 

CMYK 0 / 13 / 52 / 41

HEX #978349

RGB 151 131 73

HSL 44.62, 0.35%, 0.44%

LAB 55.37, -0.27, 33.93

 

CMYK 0 / 8 / 31 / 48

HEX #847A5B

RGB 132 122 91

HSL 45.37, 0.18%, 0.44%

LAB 51.36, -1.29, 18.39

 

CMYK 0 / 1 / 4 / 55

HEX #72716D

RGB 114 113 109

HSL 48, 0.02%, 0.44%

LAB 47.61, -0.41, 2.35

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 42 / 80 / 27

HEX #BB6D25

RGB 187 109 37

HSL 28.8, 0.67%, 0.44%

LAB 53.64, 25.64, 50.71

 

CMYK 0 / 20 / 80 / 27

HEX #BB9525

RGB 187 149 37

HSL 44.8, 0.67%, 0.44%

LAB 63.5, 3.61, 59.72

 

CMYK 2 / 0 / 80 / 27

HEX #B8BB25

RGB 184 187 37

HSL 61.2, 0.67%, 0.44%

LAB 73.46, -17.67, 68.4

 

CMYK 23 / 0 / 80 / 27

HEX #90BB25

RGB 144 187 37

HSL 77.2, 0.67%, 0.44%

LAB 70.6, -34.33, 64.78

 

CMYK 0 / 19 / 81 / 54

HEX #765F17

RGB 118 95 23

HSL 45.47, 0.67%, 0.28%

LAB 41.37, 1.56, 41.86

 

CMYK 0 / 20 / 80 / 40

HEX #987A1E

RGB 152 122 30

HSL 45.25, 0.67%, 0.36%

LAB 52.61, 2.38, 50.93

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 0 / 19 / 77 / 16

HEX #D6AE32

RGB 214 174 50

HSL 45.37, 0.67%, 0.52%

LAB 72.76, 2.57, 64.72

 

CMYK 0 / 15 / 62 / 13

HEX #DDBB55

RGB 221 187 85

HSL 45, 0.67%, 0.6%

LAB 77.02, 0.58, 54.95

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 76 / 0 / 80 / 27

HEX #2CBB25

RGB 44 187 37

HSL 117.2, 0.67%, 0.44%

LAB 66.68, -63.29, 59.74

 

CMYK 52 / 80 / 0 / 27

HEX #5925BB

RGB 89 37 187

HSL 260.8, 0.67%, 0.44%

LAB 31.89, 56.08, -69.28

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 80 / 0 / 20 / 27

HEX #25BB95

RGB 37 187 149

HSL 164.8, 0.67%, 0.44%

LAB 68.1, -46.64, 8.61

 

CMYK 20 / 80 / 0 / 27

HEX #9525BB

RGB 149 37 187

HSL 284.8, 0.67%, 0.44%

LAB 40.08, 65.38, -55.56

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 76 / 0 / 80 / 27

HEX #2CBB25

RGB 44 187 37

HSL 117.2, 0.67%, 0.44%

LAB 66.68, -63.29, 59.74

 

CMYK 80 / 60 / 0 / 27

HEX #254ABB

RGB 37 74 187

HSL 225.2, 0.67%, 0.44%

LAB 35.75, 29.03, -63.08

 

CMYK 4 / 80 / 0 / 27

HEX #B325BB

RGB 179 37 187

HSL 296.8, 0.67%, 0.44%

LAB 44.93, 70.92, -47.5

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 80 / 0 / 60 / 27

HEX #25BB4A

RGB 37 187 74

HSL 134.8, 0.67%, 0.44%

LAB 66.85, -60.85, 45.72

 

CMYK 80 / 60 / 0 / 27

HEX #254ABB

RGB 37 74 187

HSL 225.2, 0.67%, 0.44%

LAB 35.75, 29.03, -63.08

 

CMYK 0 / 80 / 20 / 27

HEX #BB2595

RGB 187 37 149

HSL 315.2, 0.67%, 0.44%

LAB 44.32, 66.99, -25.78

 

Description

Color code: HEX #BB9625 | qconv.com Color code: HEX #BB9625 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 150 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 150 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 80% 27% C M Y K

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Provide designers and agencies with accurate color values.

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