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Color name
RGB 187 69 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 69 37 it is the complementary color RGB 68 186 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 69 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 69 37 shade: RGB 192 69 32, RGB 209 87 51, RGB 226 105 70, RGB 243 123 89 and RGB 255 141 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 69 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 170 51 18, RGB 153 33 0, RGB 136 15 0 and RGB 119 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 69 37 shade: RGB 187 69 37 and RGB 187 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 187 109 37, RGB 187 150 37, RGB 184 187 37 and RGB 143 187 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 69 37 shade matches the following richer shades: RGB 187 69 37, RGB 205 58 18 and RGB 223 48 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 169 79 55, RGB 151 89 73, RGB 132 100 91 and RGB 114 110 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 69 37 shade: RGB 187 37 87, RGB 187 37 47, RGB 187 67 37, RGB 187 107 37 and RGB 187 147 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 69 37 shade: RGB 118 43 23, RGB 152 56 30, RGB 187 69 37, RGB 214 85 50 and RGB 221 114 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 127 187 37 and RGB 37 67 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 37 187 67 and RGB 67 37 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 127 187 37, RGB 37 157 187 and RGB 97 37 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 69 37 shade: RGB 187 69 37, RGB 82 187 37, RGB 37 157 187 and RGB 142 37 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

Complementary color

CMYK 69 / 15 / 0 / 15

HEX #44BADA

RGB 68 186 218

HSL 192.8, 0.67%, 0.56%

LAB 70.46, -22.69, -25.66

 

CMYK 0 / 64 / 83 / 25

HEX #C04520

RGB 192 69 32

HSL 13.88, 0.71%, 0.44%

LAB 46.4, 47.62, 46.52

 

CMYK 0 / 58 / 76 / 18

HEX #D15733

RGB 209 87 51

HSL 13.67, 0.63%, 0.51%

LAB 52.52, 46.22, 44.15

 

CMYK 0 / 54 / 69 / 11

HEX #E26946

RGB 226 105 70

HSL 13.46, 0.73%, 0.58%

LAB 58.71, 44.77, 41.77

 

CMYK 0 / 49 / 63 / 5

HEX #F37B59

RGB 243 123 89

HSL 13.25, 0.87%, 0.65%

LAB 64.92, 43.35, 39.57

 

CMYK 0 / 45 / 58 / 0

HEX #FF8D6C

RGB 255 141 108

HSL 13.47, 1%, 0.71%

LAB 70.45, 40.13, 36.59

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 70 / 89 / 33

HEX #AA3312

RGB 170 51 18

HSL 13.03, 0.81%, 0.37%

LAB 39.51, 47.18, 45.28

 

CMYK 0 / 78 / 100 / 40

HEX #992100

RGB 153 33 0

HSL 12.94, 1%, 0.3%

LAB 33.69, 47.86, 46.7

 

CMYK 0 / 89 / 100 / 47

HEX #880F00

RGB 136 15 0

HSL 6.62, 1%, 0.27%

LAB 28.32, 47.55, 41.21

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 42 / 80 / 27

HEX #BB6D25

RGB 187 109 37

HSL 28.8, 0.67%, 0.44%

LAB 53.64, 25.64, 50.71

 

CMYK 0 / 20 / 80 / 27

HEX #BB9625

RGB 187 150 37

HSL 45.2, 0.67%, 0.44%

LAB 63.76, 3.06, 59.95

 

CMYK 2 / 0 / 80 / 27

HEX #B8BB25

RGB 184 187 37

HSL 61.2, 0.67%, 0.44%

LAB 73.46, -17.67, 68.4

 

CMYK 24 / 0 / 80 / 27

HEX #8FBB25

RGB 143 187 37

HSL 77.6, 0.67%, 0.44%

LAB 70.53, -34.72, 64.7

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 72 / 91 / 20

HEX #CD3A12

RGB 205 58 18

HSL 12.83, 0.84%, 0.44%

LAB 47.04, 56.15, 53.74

 

CMYK 0 / 78 / 100 / 13

HEX #DF3000

RGB 223 48 0

HSL 12.91, 1%, 0.44%

LAB 49.25, 64.7, 61.78

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 53 / 67 / 34

HEX #A94F37

RGB 169 79 55

HSL 12.63, 0.51%, 0.44%

LAB 44.66, 35.16, 31.44

 

CMYK 0 / 41 / 52 / 41

HEX #975949

RGB 151 89 73

HSL 12.31, 0.35%, 0.44%

LAB 44.53, 23.76, 20.17

 

CMYK 0 / 24 / 31 / 48

HEX #84645B

RGB 132 100 91

HSL 13.17, 0.18%, 0.44%

LAB 45.32, 11.52, 10.09

 

CMYK 0 / 4 / 4 / 55

HEX #726E6D

RGB 114 110 109

HSL 12, 0.02%, 0.44%

LAB 46.76, 1.35, 1.1

 

CMYK 0 / 80 / 53 / 27

HEX #BB2557

RGB 187 37 87

HSL 340, 0.67%, 0.44%

LAB 42.12, 60.51, 9.26

 

CMYK 0 / 80 / 75 / 27

HEX #BB252F

RGB 187 37 47

HSL 356, 0.67%, 0.44%

LAB 41.36, 58.19, 33.08

 

CMYK 0 / 64 / 80 / 27

HEX #BB4325

RGB 187 67 37

HSL 12, 0.67%, 0.44%

LAB 45.24, 46.87, 42.69

 

CMYK 0 / 43 / 80 / 27

HEX #BB6B25

RGB 187 107 37

HSL 28, 0.67%, 0.44%

LAB 53.18, 26.73, 50.29

 

CMYK 0 / 21 / 80 / 27

HEX #BB9325

RGB 187 147 37

HSL 44, 0.67%, 0.44%

LAB 62.98, 4.7, 59.25

 

CMYK 0 / 64 / 81 / 54

HEX #762B17

RGB 118 43 23

HSL 12.63, 0.67%, 0.28%

LAB 28.49, 31.75, 29.28

 

CMYK 0 / 63 / 80 / 40

HEX #98381E

RGB 152 56 30

HSL 12.79, 0.67%, 0.36%

LAB 37.11, 38.84, 36.19

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 0 / 60 / 77 / 16

HEX #D65532

RGB 214 85 50

HSL 12.8, 0.67%, 0.52%

LAB 52.98, 48.91, 45.39

 

CMYK 0 / 48 / 62 / 13

HEX #DD7255

RGB 221 114 85

HSL 12.79, 0.67%, 0.6%

LAB 59.95, 39.29, 34.96

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 32 / 0 / 80 / 27

HEX #7FBB25

RGB 127 187 37

HSL 84, 0.67%, 0.44%

LAB 69.6, -40.87, 63.5

 

CMYK 80 / 64 / 0 / 27

HEX #2543BB

RGB 37 67 187

HSL 228, 0.67%, 0.44%

LAB 33.97, 33.6, -65.99

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 80 / 0 / 64 / 27

HEX #25BB43

RGB 37 187 67

HSL 132, 0.67%, 0.44%

LAB 66.78, -61.67, 48.75

 

CMYK 64 / 80 / 0 / 27

HEX #4325BB

RGB 67 37 187

HSL 252, 0.67%, 0.44%

LAB 29.67, 53.58, -73

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 32 / 0 / 80 / 27

HEX #7FBB25

RGB 127 187 37

HSL 84, 0.67%, 0.44%

LAB 69.6, -40.87, 63.5

 

CMYK 80 / 16 / 0 / 27

HEX #259DBB

RGB 37 157 187

HSL 192, 0.67%, 0.44%

LAB 59.97, -21.46, -24.62

 

CMYK 48 / 80 / 0 / 27

HEX #6125BB

RGB 97 37 187

HSL 264, 0.67%, 0.44%

LAB 32.82, 57.13, -67.72

 

CMYK 0 / 63 / 80 / 27

HEX #BB4525

RGB 187 69 37

HSL 12.8, 0.67%, 0.44%

LAB 45.57, 45.98, 43.01

 

CMYK 56 / 0 / 80 / 27

HEX #52BB25

RGB 82 187 37

HSL 102, 0.67%, 0.44%

LAB 67.63, -55.41, 60.96

 

CMYK 80 / 16 / 0 / 27

HEX #259DBB

RGB 37 157 187

HSL 192, 0.67%, 0.44%

LAB 59.97, -21.46, -24.62

 

CMYK 24 / 80 / 0 / 27

HEX #8E25BB

RGB 142 37 187

HSL 282, 0.67%, 0.44%

LAB 39, 64.15, -57.35

 

Description

Color code: RGB 187 69 37 | qconv.com Color code: RGB 187 69 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 69 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 69 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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