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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBBFCE it is the complementary color #444031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBBFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBBFCE shade: #C0BFC9, #D1D1DC, #E2E3EF and #F3F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBBFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBBFCE shade: #BBBFCE, #AAADBB, #999BA8, #888995 and #777782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBBFCE shade: #BABECD, #BCBACD, #C1BACD, #C6BACD and #CBBACD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBBFCE shade: #BABECD and #BABACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBBFCE shade matches the following richer shades: #BABECD, #B1B9D7, #A7B3E0, #9EAEEA and #95A8F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBBFCE shade: #BABECD, #C4C4C4, #CDC9BA, #D7CFB1 and #E0D4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBBFCE shade: #BAC9CD, #BAC4CD, #BABFCD, #BBBACD and #C0BACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBBFCE shade: #8B91AB, #A3A8BC, #BABECD, #D2D5DF and #EAEBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBBFCE shade: #BBBFCE, #CDBACD and #C6CDBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBBFCE shade: #BBBFCE, #CDBABF and #BFCDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBBFCE shade: #BBBFCE, #CDBACD, #CDC9BA and #BBCDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBBFCE shade: #BBBFCE, #CDBAC8, #CDC9BA and #BACDC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

Complementary color

CMYK 0 / 6 / 28 / 73

HEX #444031

RGB 68 64 49

HSL 47.37, 0.16%, 0.23%

LAB 27.07, -1.18, 9.81

 

CMYK 4 / 5 / 0 / 21

HEX #C0BFC9

RGB 192 191 201

HSL 246, 0.08%, 0.77%

LAB 77.69, 2.23, -4.9

 

CMYK 5 / 5 / 0 / 14

HEX #D1D1DC

RGB 209 209 220

HSL 240, 0.14%, 0.84%

LAB 84.13, 2.05, -5.43

 

CMYK 5 / 5 / 0 / 6

HEX #E2E3EF

RGB 226 227 239

HSL 235.38, 0.29%, 0.91%

LAB 90.48, 1.88, -5.95

 

CMYK 5 / 4 / 0 / 0

HEX #F3F5FF

RGB 243 245 255

HSL 230, 1%, 0.98%

LAB 96.65, 1.15, -5.03

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 9 / 7 / 0 / 27

HEX #AAADBB

RGB 170 173 187

HSL 229.41, 0.11%, 0.7%

LAB 70.89, 1.71, -7.51

 

CMYK 9 / 8 / 0 / 34

HEX #999BA8

RGB 153 155 168

HSL 232, 0.08%, 0.63%

LAB 64.2, 1.9, -7.02

 

CMYK 9 / 8 / 0 / 42

HEX #888995

RGB 136 137 149

HSL 235.38, 0.06%, 0.56%

LAB 57.36, 2.1, -6.52

 

CMYK 8 / 8 / 0 / 49

HEX #777782

RGB 119 119 130

HSL 240, 0.04%, 0.49%

LAB 50.37, 2.31, -6.01

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 8 / 9 / 0 / 20

HEX #BCBACD

RGB 188 186 205

HSL 246.32, 0.16%, 0.77%

LAB 76.2, 4.36, -9.3

 

CMYK 6 / 9 / 0 / 20

HEX #C1BACD

RGB 193 186 205

HSL 262.11, 0.16%, 0.77%

LAB 76.6, 6.04, -8.68

 

CMYK 3 / 9 / 0 / 20

HEX #C6BACD

RGB 198 186 205

HSL 277.89, 0.16%, 0.77%

LAB 77, 7.73, -8.03

 

CMYK 1 / 9 / 0 / 20

HEX #CBBACD

RGB 203 186 205

HSL 293.68, 0.16%, 0.77%

LAB 77.41, 9.43, -7.37

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 9 / 9 / 0 / 20

HEX #BABACD

RGB 186 186 205

HSL 240, 0.16%, 0.77%

LAB 76.05, 3.69, -9.55

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 18 / 14 / 0 / 16

HEX #B1B9D7

RGB 177 185 215

HSL 227.37, 0.32%, 0.77%

LAB 75.42, 3.41, -15.99

 

CMYK 25 / 20 / 0 / 12

HEX #A7B3E0

RGB 167 179 224

HSL 227.37, 0.48%, 0.77%

LAB 73.44, 5.65, -23.96

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 39 / 31 / 0 / 5

HEX #95A8F3

RGB 149 168 243

HSL 227.87, 0.8%, 0.77%

LAB 70.08, 11.52, -39.58

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BA

RGB 205 201 186

HSL 47.37, 0.16%, 0.77%

LAB 80.9, -1.22, 7.98

 

CMYK 0 / 4 / 18 / 16

HEX #D7CFB1

RGB 215 207 177

HSL 47.37, 0.32%, 0.77%

LAB 83.04, -2.15, 15.91

 

CMYK 0 / 5 / 25 / 12

HEX #E0D4A7

RGB 224 212 167

HSL 47.37, 0.48%, 0.77%

LAB 84.86, -2.83, 23.8

 

CMYK 9 / 2 / 0 / 20

HEX #BAC9CD

RGB 186 201 205

HSL 192.63, 0.16%, 0.77%

LAB 79.97, -4.3, -3.75

 

CMYK 9 / 4 / 0 / 20

HEX #BAC4CD

RGB 186 196 205

HSL 208.42, 0.16%, 0.77%

LAB 78.65, -1.66, -5.69

 

CMYK 9 / 7 / 0 / 20

HEX #BABFCD

RGB 186 191 205

HSL 224.21, 0.16%, 0.77%

LAB 77.35, 1.01, -7.62

 

CMYK 9 / 9 / 0 / 20

HEX #BBBACD

RGB 187 186 205

HSL 243.16, 0.16%, 0.77%

LAB 76.12, 4.02, -9.43

 

CMYK 6 / 9 / 0 / 20

HEX #C0BACD

RGB 192 186 205

HSL 258.95, 0.16%, 0.77%

LAB 76.52, 5.7, -8.8

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 13 / 11 / 0 / 26

HEX #A3A8BC

RGB 163 168 188

HSL 228, 0.16%, 0.69%

LAB 69.06, 2.31, -10.85

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 6 / 4 / 0 / 13

HEX #D2D5DF

RGB 210 213 223

HSL 226.15, 0.17%, 0.85%

LAB 85.31, 0.86, -5.28

 

CMYK 3 / 2 / 0 / 6

HEX #EAEBF0

RGB 234 235 240

HSL 230, 0.17%, 0.93%

LAB 93.1, 0.57, -2.54

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 0 / 9 / 0 / 20

HEX #CDBACD

RGB 205 186 205

HSL 300, 0.16%, 0.77%

LAB 77.58, 10.12, -7.11

 

CMYK 3 / 0 / 9 / 20

HEX #C6CDBA

RGB 198 205 186

HSL 82.11, 0.16%, 0.77%

LAB 81.41, -5.79, 8.63

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 0 / 9 / 7 / 20

HEX #CDBABF

RGB 205 186 191

HSL 344.21, 0.16%, 0.77%

LAB 77.2, 7.6, -0.08

 

CMYK 7 / 0 / 9 / 20

HEX #BFCDBA

RGB 191 205 186

HSL 104.21, 0.16%, 0.77%

LAB 80.9, -8.25, 7.83

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 0 / 9 / 0 / 20

HEX #CDBACD

RGB 205 186 205

HSL 300, 0.16%, 0.77%

LAB 77.58, 10.12, -7.11

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BA

RGB 205 201 186

HSL 47.37, 0.16%, 0.77%

LAB 80.9, -1.22, 7.98

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC8

RGB 205 186 200

HSL 315.79, 0.16%, 0.77%

LAB 77.44, 9.2, -4.6

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BA

RGB 205 201 186

HSL 47.37, 0.16%, 0.77%

LAB 80.9, -1.22, 7.98

 

CMYK 9 / 0 / 6 / 20

HEX #BACDC0

RGB 186 205 192

HSL 138.95, 0.16%, 0.77%

LAB 80.69, -8.88, 4.27

 

Description

Color code: HEX #BBBFCE | qconv.com Color code: HEX #BBBFCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 191 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 191 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 7 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 7% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 夸克浏览器 夸克手机浏览器下载 夸克浏览...
Link: http://www.myquark.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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