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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF291 it is the complementary color #440D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF291 shade: #C0F28C, #D1FF9F, #E2FFB2, #F3FFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF291 shade: #BBF291, #AAE07E, #99CE6B, #88BC58 and #77AA45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF291 shade: #BBF291, #D5F291, #EFF291, #F2DA91 and #F2C091

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF291 shade: #BBF291, #A1F291, #91F29B, #91F2B5 and #91F2CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF291 shade matches the following richer shades: #BBF291 and #B9FC87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF291 shade: #BBF291, #BCE89B, #BDDEA5, #BFD4AF and #C0CAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF291 shade: #EEF291, #D5F291, #BBF291, #A1F291 and #91F29B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF291 shade: #8DE947, #A4ED6C, #BBF291, #D2F6B6 and #E8FADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF291 shade: #BBF291, #91F2DB and #F291E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF291 shade: #BBF291, #91BBF2 and #F291BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF291 shade: #BBF291, #91F2DB, #C891F2 and #F291A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF291 shade: #BBF291, #91EBF2, #C891F2 and #F29791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

Complementary color

CMYK 38 / 88 / 0 / 57

HEX #440D6E

RGB 68 13 110

HSL 274.02, 0.79%, 0.24%

LAB 18.55, 42.6, -43.68

 

CMYK 21 / 0 / 42 / 5

HEX #C0F28C

RGB 192 242 140

HSL 89.41, 0.8%, 0.75%

LAB 90.14, -32.85, 44.03

 

CMYK 18 / 0 / 38 / 0

HEX #D1FF9F

RGB 209 255 159

HSL 88.75, 1%, 0.81%

LAB 94.98, -30.5, 41.17

 

CMYK 11 / 0 / 30 / 0

HEX #E2FFB2

RGB 226 255 178

HSL 82.6, 1%, 0.85%

LAB 96.37, -21.99, 33.78

 

CMYK 5 / 0 / 23 / 0

HEX #F3FFC5

RGB 243 255 197

HSL 72.41, 1%, 0.89%

LAB 97.88, -13.31, 26.46

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 24 / 0 / 44 / 12

HEX #AAE07E

RGB 170 224 126

HSL 93.06, 0.61%, 0.69%

LAB 83.63, -34.07, 42.38

 

CMYK 26 / 0 / 48 / 19

HEX #99CE6B

RGB 153 206 107

HSL 92.12, 0.5%, 0.61%

LAB 77.27, -34.12, 43.54

 

CMYK 28 / 0 / 53 / 26

HEX #88BC58

RGB 136 188 88

HSL 91.2, 0.43%, 0.54%

LAB 70.81, -34.12, 44.69

 

CMYK 30 / 0 / 59 / 33

HEX #77AA45

RGB 119 170 69

HSL 90.3, 0.42%, 0.47%

LAB 64.24, -34.04, 45.76

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 12 / 0 / 40 / 5

HEX #D5F291

RGB 213 242 145

HSL 77.94, 0.79%, 0.76%

LAB 91.55, -24.63, 43.66

 

CMYK 1 / 0 / 40 / 5

HEX #EFF291

RGB 239 242 145

HSL 61.86, 0.79%, 0.76%

LAB 93.41, -14.82, 46.4

 

CMYK 0 / 10 / 40 / 5

HEX #F2DA91

RGB 242 218 145

HSL 45.15, 0.79%, 0.76%

LAB 87.52, -1.65, 38.93

 

CMYK 0 / 21 / 40 / 5

HEX #F2C091

RGB 242 192 145

HSL 29.07, 0.79%, 0.76%

LAB 81.08, 11.83, 30.5

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 33 / 0 / 40 / 5

HEX #A1F291

RGB 161 242 145

HSL 110.1, 0.79%, 0.76%

LAB 88.51, -42.68, 39.15

 

CMYK 40 / 0 / 36 / 5

HEX #91F29B

RGB 145 242 155

HSL 126.19, 0.79%, 0.76%

LAB 87.92, -46.05, 33.25

 

CMYK 40 / 0 / 25 / 5

HEX #91F2B5

RGB 145 242 181

HSL 142.27, 0.79%, 0.76%

LAB 88.38, -41.58, 20.64

 

CMYK 40 / 0 / 14 / 5

HEX #91F2CF

RGB 145 242 207

HSL 158.35, 0.79%, 0.76%

LAB 88.94, -36.43, 7.95

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 27 / 0 / 46 / 1

HEX #B9FC87

RGB 185 252 135

HSL 94.36, 0.95%, 0.76%

LAB 92.44, -40.41, 49.22

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 19 / 0 / 33 / 9

HEX #BCE89B

RGB 188 232 155

HSL 94.29, 0.63%, 0.76%

LAB 87.37, -27.63, 32.94

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 10 / 0 / 17 / 17

HEX #BFD4AF

RGB 191 212 175

HSL 94.05, 0.3%, 0.76%

LAB 82.52, -13.7, 15.97

 

CMYK 5 / 0 / 8 / 21

HEX #C0CAB9

RGB 192 202 185

HSL 95.29, 0.14%, 0.76%

LAB 80.15, -6.52, 7.3

 

CMYK 2 / 0 / 40 / 5

HEX #EEF291

RGB 238 242 145

HSL 62.47, 0.79%, 0.76%

LAB 93.33, -15.2, 46.29

 

CMYK 12 / 0 / 40 / 5

HEX #D5F291

RGB 213 242 145

HSL 77.94, 0.79%, 0.76%

LAB 91.55, -24.63, 43.66

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 33 / 0 / 40 / 5

HEX #A1F291

RGB 161 242 145

HSL 110.1, 0.79%, 0.76%

LAB 88.51, -42.68, 39.15

 

CMYK 40 / 0 / 36 / 5

HEX #91F29B

RGB 145 242 155

HSL 126.19, 0.79%, 0.76%

LAB 87.92, -46.05, 33.25

 

CMYK 39 / 0 / 70 / 9

HEX #8DE947

RGB 141 233 71

HSL 94.07, 0.79%, 0.6%

LAB 84.17, -53.18, 66.7

 

CMYK 31 / 0 / 54 / 7

HEX #A4ED6C

RGB 164 237 108

HSL 93.95, 0.78%, 0.68%

LAB 86.77, -43.98, 54.62

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 15 / 0 / 26 / 4

HEX #D2F6B6

RGB 210 246 182

HSL 93.75, 0.78%, 0.84%

LAB 93.01, -22.73, 27.05

 

CMYK 7 / 0 / 12 / 2

HEX #E8FADB

RGB 232 250 219

HSL 94.84, 0.76%, 0.92%

LAB 96.26, -11.31, 12.87

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 40 / 0 / 10 / 5

HEX #91F2DB

RGB 145 242 219

HSL 165.77, 0.79%, 0.76%

LAB 89.22, -33.85, 2.11

 

CMYK 0 / 40 / 7 / 5

HEX #F291E2

RGB 242 145 226

HSL 309.9, 0.79%, 0.76%

LAB 72.64, 47.97, -25.65

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 40 / 23 / 0 / 5

HEX #91BBF2

RGB 145 187 242

HSL 214.02, 0.79%, 0.76%

LAB 74.81, -0.35, -31.73

 

CMYK 0 / 40 / 23 / 5

HEX #F291BB

RGB 242 145 187

HSL 334.02, 0.79%, 0.76%

LAB 71.36, 41.89, -6.03

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 40 / 0 / 10 / 5

HEX #91F2DB

RGB 145 242 219

HSL 165.77, 0.79%, 0.76%

LAB 89.22, -33.85, 2.11

 

CMYK 17 / 40 / 0 / 5

HEX #C891F2

RGB 200 145 242

HSL 274.02, 0.79%, 0.76%

LAB 68.71, 38.43, -40.87

 

CMYK 0 / 40 / 31 / 5

HEX #F291A8

RGB 242 145 168

HSL 345.77, 0.79%, 0.76%

LAB 70.84, 39.32, 3.78

 

CMYK 23 / 0 / 40 / 5

HEX #BBF291

RGB 187 242 145

HSL 94.02, 0.79%, 0.76%

LAB 89.91, -33.99, 41.23

 

CMYK 40 / 3 / 0 / 5

HEX #91EBF2

RGB 145 235 242

HSL 184.33, 0.79%, 0.76%

LAB 87.89, -25.16, -11.88

 

CMYK 17 / 40 / 0 / 5

HEX #C891F2

RGB 200 145 242

HSL 274.02, 0.79%, 0.76%

LAB 68.71, 38.43, -40.87

 

CMYK 0 / 38 / 40 / 5

HEX #F29791

RGB 242 151 145

HSL 3.71, 0.79%, 0.76%

LAB 71.59, 33.46, 17.61

 

Description

Color code: HEX #BBF291 | qconv.com Color code: HEX #BBF291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 242 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 242 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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