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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC685B it is the complementary color #4397A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC685B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC685B shade: #C16856, #D27A69, #E38C7C, #F49E8F and #FFB0A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC685B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC685B shade: #BC685B, #AB5648, #9A4435, #893222 and #78200F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC685B shade: #BC685C and #BC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC685B shade: #BC685C, #BC825C, #BC9C5C, #BCB65C and #A7BC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC685B shade matches the following richer shades: #BC685C, #CF5B49, #E14D36 and #F44024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC685B shade: #BC685C, #A9766E, #978481, #849193 and #729FA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC685B shade: #BC5C82, #BC5C68, #BC685C, #BC825C and #BC9C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC685B shade: #8C4439, #A95245, #BC685C, #C88379 and #D49E96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC685B shade: #BC685B, #9CBC5C and #5C75BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC685B shade: #BC685B, #5CBC68 and #685CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC685B shade: #BC685B, #9CBC5C, #5CAFBC and #7C5CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC685B shade: #BC685B, #7FBC5C, #5CAFBC and #995CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

Complementary color

CMYK 59 / 8 / 0 / 36

HEX #4397A4

RGB 67 151 164

HSL 188.04, 0.42%, 0.45%

LAB 58.04, -21.35, -14.48

 

CMYK 0 / 46 / 55 / 24

HEX #C16856

RGB 193 104 86

HSL 10.09, 0.46%, 0.55%

LAB 53.93, 33.71, 25.97

 

CMYK 0 / 42 / 50 / 18

HEX #D27A69

RGB 210 122 105

HSL 9.71, 0.54%, 0.62%

LAB 60.46, 32.47, 24.16

 

CMYK 0 / 38 / 45 / 11

HEX #E38C7C

RGB 227 140 124

HSL 9.32, 0.65%, 0.69%

LAB 66.93, 31.35, 22.57

 

CMYK 0 / 35 / 41 / 4

HEX #F49E8F

RGB 244 158 143

HSL 8.91, 0.82%, 0.76%

LAB 73.33, 30.33, 21.14

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A2

RGB 255 176 162

HSL 9.03, 1%, 0.82%

LAB 78.99, 27.15, 18.84

 

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

CMYK 0 / 50 / 58 / 33

HEX #AB5648

RGB 171 86 72

HSL 8.48, 0.41%, 0.48%

LAB 46.69, 33.47, 24.12

 

CMYK 0 / 56 / 66 / 40

HEX #9A4435

RGB 154 68 53

HSL 8.91, 0.49%, 0.41%

LAB 40.02, 34.83, 26.44

 

CMYK 0 / 64 / 75 / 46

HEX #893222

RGB 137 50 34

HSL 9.32, 0.6%, 0.34%

LAB 33.38, 36.19, 29.19

 

CMYK 0 / 73 / 88 / 53

HEX #78200F

RGB 120 32 15

HSL 9.71, 0.78%, 0.26%

LAB 26.91, 37.32, 32.25

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 31 / 51 / 26

HEX #BC825C

RGB 188 130 92

HSL 23.75, 0.42%, 0.55%

LAB 59.37, 18.02, 29.48

 

CMYK 0 / 17 / 51 / 26

HEX #BC9C5C

RGB 188 156 92

HSL 40, 0.42%, 0.55%

LAB 65.94, 3.7, 37.73

 

CMYK 0 / 3 / 51 / 26

HEX #BCB65C

RGB 188 182 92

HSL 56.25, 0.42%, 0.55%

LAB 72.84, -10.12, 46.07

 

CMYK 11 / 0 / 51 / 26

HEX #A7BC5C

RGB 167 188 92

HSL 73.13, 0.42%, 0.55%

LAB 72.86, -21.76, 45.7

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 56 / 65 / 19

HEX #CF5B49

RGB 207 91 73

HSL 8.06, 0.58%, 0.55%

LAB 53.2, 44.7, 32.89

 

CMYK 0 / 66 / 76 / 12

HEX #E14D36

RGB 225 77 54

HSL 8.07, 0.74%, 0.55%

LAB 53.58, 56.31, 44.52

 

CMYK 0 / 74 / 85 / 4

HEX #F44024

RGB 244 64 36

HSL 8.08, 0.9%, 0.55%

LAB 55.1, 66.53, 55.91

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 30 / 35 / 34

HEX #A9766E

RGB 169 118 110

HSL 8.14, 0.26%, 0.55%

LAB 54.57, 18.94, 12.43

 

CMYK 0 / 13 / 15 / 41

HEX #978481

RGB 151 132 129

HSL 8.18, 0.1%, 0.55%

LAB 56.75, 6.68, 4.26

 

CMYK 10 / 1 / 0 / 42

HEX #849193

RGB 132 145 147

HSL 188, 0.06%, 0.55%

LAB 59.22, -4.25, -2.67

 

CMYK 31 / 4 / 0 / 35

HEX #729FA6

RGB 114 159 166

HSL 188.08, 0.23%, 0.55%

LAB 62.61, -13.37, -8.53

 

CMYK 0 / 51 / 31 / 26

HEX #BC5C82

RGB 188 92 130

HSL 336.25, 0.42%, 0.55%

LAB 51.79, 42.84, -3.03

 

CMYK 0 / 51 / 45 / 26

HEX #BC5C68

RGB 188 92 104

HSL 352.5, 0.42%, 0.55%

LAB 51.09, 39.77, 11.46

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 31 / 51 / 26

HEX #BC825C

RGB 188 130 92

HSL 23.75, 0.42%, 0.55%

LAB 59.37, 18.02, 29.48

 

CMYK 0 / 17 / 51 / 26

HEX #BC9C5C

RGB 188 156 92

HSL 40, 0.42%, 0.55%

LAB 65.94, 3.7, 37.73

 

CMYK 0 / 51 / 59 / 45

HEX #8C4439

RGB 140 68 57

HSL 7.95, 0.42%, 0.39%

LAB 37.85, 29.53, 20.83

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 35 / 40 / 22

HEX #C88379

RGB 200 131 121

HSL 7.59, 0.42%, 0.63%

LAB 61.56, 25.38, 16.38

 

CMYK 0 / 25 / 29 / 17

HEX #D49E96

RGB 212 158 150

HSL 7.74, 0.42%, 0.71%

LAB 69.93, 18.96, 12.03

 

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 51 / 38 / 0 / 26

HEX #5C75BC

RGB 92 117 188

HSL 224.38, 0.42%, 0.55%

LAB 50.25, 11.1, -40.21

 

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

CMYK 51 / 0 / 45 / 26

HEX #5CBC68

RGB 92 188 104

HSL 127.5, 0.42%, 0.55%

LAB 68.93, -46.15, 33.96

 

CMYK 45 / 51 / 0 / 26

HEX #685CBC

RGB 104 92 188

HSL 247.5, 0.42%, 0.55%

LAB 44.56, 29.33, -49.21

 

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 51 / 7 / 0 / 26

HEX #5CAFBC

RGB 92 175 188

HSL 188.13, 0.42%, 0.55%

LAB 66.95, -21.63, -14.42

 

CMYK 34 / 51 / 0 / 26

HEX #7C5CBC

RGB 124 92 188

HSL 260, 0.42%, 0.55%

LAB 46.41, 34.32, -46.15

 

CMYK 0 / 45 / 52 / 26

HEX #BC685B

RGB 188 104 91

HSL 8.04, 0.42%, 0.55%

LAB 53.33, 32.19, 22.16

 

CMYK 32 / 0 / 51 / 26

HEX #7FBC5C

RGB 127 188 92

HSL 98.13, 0.42%, 0.55%

LAB 70.35, -36.89, 42.09

 

CMYK 51 / 7 / 0 / 26

HEX #5CAFBC

RGB 92 175 188

HSL 188.13, 0.42%, 0.55%

LAB 66.95, -21.63, -14.42

 

CMYK 19 / 51 / 0 / 26

HEX #995CBC

RGB 153 92 188

HSL 278.13, 0.42%, 0.55%

LAB 49.57, 42.14, -40.94

 

Description

Color code: HEX #BC685B | qconv.com Color code: HEX #BC685B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 104 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 104 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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