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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC857E it is the complementary color #437A81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC857E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC857E shade: #C18579, #D2978C, #E3A99F, #F4BBB2 and #FFCDC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC857E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC857E shade: #BC857E, #AB736B, #9A6158, #894F45 and #783D32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC857E shade: #BD867F and #BD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC857E shade: #BD867F, #BD967F, #BDA77F, #BDB87F and #B1BD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC857E shade matches the following richer shades: #BD867F, #CC796F, #DC6D5F, #EC6150 and #FB5540

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC857E shade: #BD867F, #AD928E, #9D9E9E, #8EAAAE and #7EB6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC857E shade: #BD7F99, #BD7F89, #BD857F, #BD957F and #BDA67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC857E shade: #9A574F, #AF6C63, #BD867F, #CB9F9A and #D9B9B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC857E shade: #BC857E, #AABD7F and #7F91BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC857E shade: #BC857E, #7FBD85 and #857FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC857E shade: #BC857E, #AABD7F, #7FB6BD and #917FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC857E shade: #BC857E, #97BD7F, #7FB6BD and #A47FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

Complementary color

CMYK 48 / 5 / 0 / 49

HEX #437A81

RGB 67 122 129

HSL 186.77, 0.32%, 0.38%

LAB 47.88, -16.16, -9.49

 

CMYK 0 / 31 / 37 / 24

HEX #C18579

RGB 193 133 121

HSL 10, 0.37%, 0.62%

LAB 61.21, 21.53, 15.77

 

CMYK 0 / 28 / 33 / 18

HEX #D2978C

RGB 210 151 140

HSL 9.43, 0.44%, 0.69%

LAB 67.82, 20.69, 14.58

 

CMYK 0 / 26 / 30 / 11

HEX #E3A99F

RGB 227 169 159

HSL 8.82, 0.55%, 0.76%

LAB 74.32, 19.94, 13.49

 

CMYK 0 / 23 / 27 / 4

HEX #F4BBB2

RGB 244 187 178

HSL 8.18, 0.75%, 0.83%

LAB 80.73, 19.27, 12.49

 

CMYK 0 / 20 / 23 / 0

HEX #FFCDC5

RGB 255 205 197

HSL 8.28, 1%, 0.89%

LAB 86.48, 16.48, 10.67

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 0 / 33 / 37 / 33

HEX #AB736B

RGB 171 115 107

HSL 7.5, 0.28%, 0.55%

LAB 54.01, 21.06, 13.42

 

CMYK 0 / 37 / 43 / 40

HEX #9A6158

RGB 154 97 88

HSL 8.18, 0.27%, 0.47%

LAB 47.14, 22.06, 14.8

 

CMYK 0 / 42 / 50 / 46

HEX #894F45

RGB 137 79 69

HSL 8.82, 0.33%, 0.4%

LAB 40.15, 23.21, 16.41

 

CMYK 0 / 49 / 58 / 53

HEX #783D32

RGB 120 61 50

HSL 9.43, 0.41%, 0.33%

LAB 33.05, 24.54, 18.36

 

CMYK 0 / 29 / 33 / 26

HEX #BD867F

RGB 189 134 127

HSL 6.77, 0.32%, 0.62%

LAB 61.13, 20.16, 12.18

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 29 / 33 / 26

HEX #BD867F

RGB 189 134 127

HSL 6.77, 0.32%, 0.62%

LAB 61.13, 20.16, 12.18

 

CMYK 0 / 21 / 33 / 26

HEX #BD967F

RGB 189 150 127

HSL 22.26, 0.32%, 0.62%

LAB 65.09, 11.3, 17.69

 

CMYK 0 / 12 / 33 / 26

HEX #BDA77F

RGB 189 167 127

HSL 38.71, 0.32%, 0.62%

LAB 69.46, 2.02, 23.65

 

CMYK 0 / 3 / 33 / 26

HEX #BDB87F

RGB 189 184 127

HSL 55.16, 0.32%, 0.62%

LAB 73.95, -7.02, 29.65

 

CMYK 6 / 0 / 33 / 26

HEX #B1BD7F

RGB 177 189 127

HSL 71.61, 0.32%, 0.62%

LAB 74.37, -14.31, 30.02

 

CMYK 0 / 29 / 33 / 26

HEX #BD867F

RGB 189 134 127

HSL 6.77, 0.32%, 0.62%

LAB 61.13, 20.16, 12.18

 

CMYK 0 / 41 / 46 / 20

HEX #CC796F

RGB 204 121 111

HSL 6.45, 0.48%, 0.62%

LAB 59.58, 31.26, 19.43

 

CMYK 0 / 50 / 57 / 14

HEX #DC6D5F

RGB 220 109 95

HSL 6.72, 0.64%, 0.62%

LAB 58.96, 42.16, 28.09

 

CMYK 0 / 59 / 66 / 7

HEX #EC6150

RGB 236 97 80

HSL 6.54, 0.8%, 0.62%

LAB 58.94, 52.66, 37

 

CMYK 0 / 66 / 75 / 2

HEX #FB5540

RGB 251 85 64

HSL 6.74, 0.96%, 0.62%

LAB 59.32, 62.01, 46.74

 

CMYK 0 / 29 / 33 / 26

HEX #BD867F

RGB 189 134 127

HSL 6.77, 0.32%, 0.62%

LAB 61.13, 20.16, 12.18

 

CMYK 0 / 16 / 18 / 32

HEX #AD928E

RGB 173 146 142

HSL 7.74, 0.16%, 0.62%

LAB 62.84, 9.43, 5.87

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 18 / 2 / 0 / 32

HEX #8EAAAE

RGB 142 170 174

HSL 187.5, 0.16%, 0.62%

LAB 67.69, -8.72, -5.28

 

CMYK 33 / 4 / 0 / 26

HEX #7EB6BD

RGB 126 182 189

HSL 186.67, 0.32%, 0.62%

LAB 70.57, -16.42, -9.39

 

CMYK 0 / 33 / 19 / 26

HEX #BD7F99

RGB 189 127 153

HSL 334.84, 0.32%, 0.62%

LAB 60.16, 27.8, -4.1

 

CMYK 0 / 33 / 28 / 26

HEX #BD7F89

RGB 189 127 137

HSL 350.32, 0.32%, 0.62%

LAB 59.71, 25.4, 4.44

 

CMYK 0 / 30 / 33 / 26

HEX #BD857F

RGB 189 133 127

HSL 5.81, 0.32%, 0.62%

LAB 60.89, 20.71, 11.84

 

CMYK 0 / 21 / 33 / 26

HEX #BD957F

RGB 189 149 127

HSL 21.29, 0.32%, 0.62%

LAB 64.84, 11.85, 17.34

 

CMYK 0 / 12 / 33 / 26

HEX #BDA67F

RGB 189 166 127

HSL 37.74, 0.32%, 0.62%

LAB 69.2, 2.56, 23.3

 

CMYK 0 / 44 / 49 / 40

HEX #9A574F

RGB 154 87 79

HSL 6.4, 0.32%, 0.46%

LAB 44.59, 26.74, 16.73

 

CMYK 0 / 38 / 43 / 31

HEX #AF6C63

RGB 175 108 99

HSL 7.11, 0.32%, 0.54%

LAB 52.66, 25.65, 16.31

 

CMYK 0 / 29 / 33 / 26

HEX #BD867F

RGB 189 134 127

HSL 6.77, 0.32%, 0.62%

LAB 61.13, 20.16, 12.18

 

CMYK 0 / 22 / 24 / 20

HEX #CB9F9A

RGB 203 159 154

HSL 6.12, 0.32%, 0.7%

LAB 69.35, 15.55, 8.85

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 10 / 0 / 33 / 26

HEX #AABD7F

RGB 170 189 127

HSL 78.39, 0.32%, 0.62%

LAB 73.85, -17, 29.24

 

CMYK 33 / 23 / 0 / 26

HEX #7F91BD

RGB 127 145 189

HSL 222.58, 0.32%, 0.62%

LAB 60.28, 4.14, -24.97

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 33 / 0 / 30 / 26

HEX #7FBD85

RGB 127 189 133

HSL 125.81, 0.32%, 0.62%

LAB 71.28, -31.37, 22.15

 

CMYK 30 / 33 / 0 / 26

HEX #857FBD

RGB 133 127 189

HSL 245.81, 0.32%, 0.62%

LAB 55.93, 16.4, -31.67

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 10 / 0 / 33 / 26

HEX #AABD7F

RGB 170 189 127

HSL 78.39, 0.32%, 0.62%

LAB 73.85, -17, 29.24

 

CMYK 33 / 4 / 0 / 26

HEX #7FB6BD

RGB 127 182 189

HSL 186.77, 0.32%, 0.62%

LAB 70.62, -16.14, -9.31

 

CMYK 23 / 33 / 0 / 26

HEX #917FBD

RGB 145 127 189

HSL 257.42, 0.32%, 0.62%

LAB 56.95, 20.03, -30

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 20 / 0 / 33 / 26

HEX #97BD7F

RGB 151 189 127

HSL 96.77, 0.32%, 0.62%

LAB 72.57, -24.08, 27.3

 

CMYK 33 / 4 / 0 / 26

HEX #7FB6BD

RGB 127 182 189

HSL 186.77, 0.32%, 0.62%

LAB 70.62, -16.14, -9.31

 

CMYK 13 / 33 / 0 / 26

HEX #A47FBD

RGB 164 127 189

HSL 275.81, 0.32%, 0.62%

LAB 58.74, 26, -27.09

 

Description

Color code: HEX #BC857E | qconv.com Color code: HEX #BC857E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 133 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 133 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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