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Color name
HEX #D9B9B5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B9B5 it is the complementary color #26464A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B9B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B9B5 shade: #DEB9B0, #EFCBC3, #FFDDD6, #FFEFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B9B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B9B5 shade: #D9B9B5, #C8A7A2, #B7958F, #A6837C and #957169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B9B5 shade: #D8B8B4 and #D8B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B9B5 shade: #D8B8B4, #D8C2B4, #D8CCB4, #D8D5B4 and #D2D8B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B9B5 shade matches the following richer shades: #D8B8B4, #E1B1AB, #EBAAA2, #F4A399 and #FD9C90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B9B5 shade: #D8B8B4, #CFBFBE, #C6C7C7, #BDCED0 and #B4D5D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B9B5 shade: #D8B4C4, #D8B4BA, #D8B8B4, #D8C2B4 and #D8CBB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B9B5 shade: #BC857E, #CA9F99, #D8B8B4, #E6D2D0 and #F4ECEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B9B5 shade: #D9B9B5, #CED8B4 and #B4BFD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B9B5 shade: #D9B9B5, #B4D8B8 and #B8B4D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B9B5 shade: #D9B9B5, #CED8B4, #B4D5D8 and #BFB4D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B9B5 shade: #D9B9B5, #C3D8B4, #B4D5D8 and #CAB4D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

Complementary color

CMYK 49 / 5 / 0 / 71

HEX #26464A

RGB 38 70 74

HSL 186.67, 0.32%, 0.22%

LAB 27.54, -10.53, -6.1

 

CMYK 0 / 17 / 21 / 13

HEX #DEB9B0

RGB 222 185 176

HSL 11.74, 0.41%, 0.78%

LAB 78.09, 11.88, 9.52

 

CMYK 0 / 15 / 18 / 6

HEX #EFCBC3

RGB 239 203 195

HSL 10.91, 0.58%, 0.85%

LAB 84.49, 11.43, 8.69

 

CMYK 0 / 13 / 16 / 0

HEX #FFDDD6

RGB 255 221 214

HSL 10.24, 1%, 0.92%

LAB 90.7, 10.65, 7.76

 

CMYK 0 / 6 / 9 / 0

HEX #FFEFE9

RGB 255 239 233

HSL 16.36, 1%, 0.96%

LAB 95.53, 4.4, 4.82

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 0 / 17 / 19 / 22

HEX #C8A7A2

RGB 200 167 162

HSL 7.89, 0.26%, 0.71%

LAB 71.23, 11.26, 7.08

 

CMYK 0 / 19 / 22 / 28

HEX #B7958F

RGB 183 149 143

HSL 9, 0.22%, 0.64%

LAB 64.6, 11.76, 7.96

 

CMYK 0 / 21 / 25 / 35

HEX #A6837C

RGB 166 131 124

HSL 10, 0.19%, 0.57%

LAB 57.84, 12.34, 8.9

 

CMYK 0 / 24 / 30 / 42

HEX #957169

RGB 149 113 105

HSL 10.91, 0.17%, 0.5%

LAB 50.94, 13, 9.93

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 17 / 17 / 15

HEX #D8B4B4

RGB 216 180 180

HSL 0, 0.32%, 0.78%

LAB 76.4, 12.96, 4.85

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 10 / 17 / 15

HEX #D8C2B4

RGB 216 194 180

HSL 23.33, 0.32%, 0.78%

LAB 79.88, 5.49, 9.86

 

CMYK 0 / 6 / 17 / 15

HEX #D8CCB4

RGB 216 204 180

HSL 40, 0.32%, 0.78%

LAB 82.42, 0.23, 13.46

 

CMYK 0 / 1 / 17 / 15

HEX #D8D5B4

RGB 216 213 180

HSL 55, 0.32%, 0.78%

LAB 84.73, -4.44, 16.71

 

CMYK 3 / 0 / 17 / 15

HEX #D2D8B4

RGB 210 216 180

HSL 70, 0.32%, 0.78%

LAB 85.05, -8.15, 17.09

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 21 / 24 / 12

HEX #E1B1AB

RGB 225 177 171

HSL 6.67, 0.47%, 0.78%

LAB 76.31, 16.55, 9.74

 

CMYK 0 / 28 / 31 / 8

HEX #EBAAA2

RGB 235 170 162

HSL 6.58, 0.65%, 0.78%

LAB 75.46, 22.81, 13.58

 

CMYK 0 / 33 / 37 / 4

HEX #F4A399

RGB 244 163 153

HSL 6.59, 0.81%, 0.78%

LAB 74.65, 28.81, 17.5

 

CMYK 0 / 38 / 43 / 1

HEX #FD9C90

RGB 253 156 144

HSL 6.61, 0.96%, 0.78%

LAB 73.98, 34.86, 21.66

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 8 / 8 / 19

HEX #CFBFBE

RGB 207 191 190

HSL 3.53, 0.15%, 0.78%

LAB 78.6, 5.46, 2.53

 

CMYK 1 / 0 / 0 / 22

HEX #C6C7C7

RGB 198 199 199

HSL 180, 0.01%, 0.78%

LAB 80.17, -0.34, -0.13

 

CMYK 9 / 1 / 0 / 18

HEX #BDCED0

RGB 189 206 208

HSL 186.32, 0.17%, 0.78%

LAB 81.57, -5.33, -2.97

 

CMYK 17 / 2 / 0 / 15

HEX #B4D5D9

RGB 180 213 217

HSL 186.49, 0.33%, 0.78%

LAB 83.07, -10.03, -5.63

 

CMYK 0 / 17 / 9 / 15

HEX #D8B4C4

RGB 216 180 196

HSL 333.33, 0.32%, 0.78%

LAB 76.82, 15.58, -3.24

 

CMYK 0 / 17 / 14 / 15

HEX #D8B4BA

RGB 216 180 186

HSL 350, 0.32%, 0.78%

LAB 76.55, 13.92, 1.81

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 10 / 17 / 15

HEX #D8C2B4

RGB 216 194 180

HSL 23.33, 0.32%, 0.78%

LAB 79.88, 5.49, 9.86

 

CMYK 0 / 6 / 17 / 15

HEX #D8CBB4

RGB 216 203 180

HSL 38.33, 0.32%, 0.78%

LAB 82.17, 0.75, 13.1

 

CMYK 0 / 29 / 33 / 26

HEX #BC857E

RGB 188 133 126

HSL 6.77, 0.32%, 0.62%

LAB 60.76, 20.19, 12.21

 

CMYK 0 / 21 / 24 / 21

HEX #CA9F99

RGB 202 159 153

HSL 7.35, 0.32%, 0.7%

LAB 69.22, 15.02, 9.22

 

CMYK 0 / 15 / 17 / 15

HEX #D8B8B4

RGB 216 184 180

HSL 6.67, 0.32%, 0.78%

LAB 77.39, 10.82, 6.28

 

CMYK 0 / 9 / 10 / 10

HEX #E6D2D0

RGB 230 210 208

HSL 5.45, 0.31%, 0.86%

LAB 85.74, 6.59, 3.49

 

CMYK 0 / 3 / 4 / 4

HEX #F4ECEB

RGB 244 236 235

HSL 6.67, 0.29%, 0.94%

LAB 93.98, 2.52, 1.43

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 5 / 0 / 17 / 15

HEX #CED8B4

RGB 206 216 180

HSL 76.67, 0.32%, 0.78%

LAB 84.76, -9.59, 16.63

 

CMYK 17 / 12 / 0 / 15

HEX #B4BFD8

RGB 180 191 216

HSL 221.67, 0.32%, 0.78%

LAB 77.23, 1.34, -13.78

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 17 / 0 / 15 / 15

HEX #B4D8B8

RGB 180 216 184

HSL 126.67, 0.32%, 0.78%

LAB 83.06, -17.96, 11.87

 

CMYK 15 / 17 / 0 / 15

HEX #B8B4D8

RGB 184 180 216

HSL 246.67, 0.32%, 0.78%

LAB 74.69, 8.59, -17.58

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 5 / 0 / 17 / 15

HEX #CED8B4

RGB 206 216 180

HSL 76.67, 0.32%, 0.78%

LAB 84.76, -9.59, 16.63

 

CMYK 17 / 1 / 0 / 15

HEX #B4D5D8

RGB 180 213 216

HSL 185, 0.32%, 0.78%

LAB 83.05, -10.24, -5.14

 

CMYK 12 / 17 / 0 / 15

HEX #BFB4D8

RGB 191 180 216

HSL 258.33, 0.32%, 0.78%

LAB 75.25, 10.85, -16.69

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B5

RGB 217 185 181

HSL 6.67, 0.32%, 0.78%

LAB 77.75, 10.81, 6.27

 

CMYK 10 / 0 / 17 / 15

HEX #C3D8B4

RGB 195 216 180

HSL 95, 0.32%, 0.78%

LAB 83.97, -13.5, 15.41

 

CMYK 17 / 1 / 0 / 15

HEX #B4D5D8

RGB 180 213 216

HSL 185, 0.32%, 0.78%

LAB 83.05, -10.24, -5.14

 

CMYK 6 / 17 / 0 / 15

HEX #CAB4D8

RGB 202 180 216

HSL 276.67, 0.32%, 0.78%

LAB 76.17, 14.47, -15.22

 

Description

Color code: HEX #D9B9B5 | qconv.com Color code: HEX #D9B9B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 185 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 185 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 17% 15% C M Y K

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Provide designers and agencies with accurate color values.

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