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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD4EE3 it is the complementary color #42B11C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD4EE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD4EE3 shade: #C24EDE, #D360F1, #E472FF, #F584FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD4EE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD4EE3 shade: #BD4EE3, #AC3CD0, #9B2ABD, #8A18AA and #790697

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD4EE3 shade: #BD4EE3, #E34EE1, #E34EB9, #E34E90 and #E34E68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD4EE3 shade: #BD4EE3, #954EE3, #6D4EE3 and #4E4EE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD4EE3 shade matches the following richer shades: #BD4EE3 and #C53EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD4EE3 shade: #BD4EE3, #B55FD2, #AD6FC2, #A580B1 and #9D90A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD4EE3 shade: #6C4EE3, #944EE3, #BB4EE3, #E34EE3 and #E34EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD4EE3 shade: #971EC1, #B02ADD, #BD4EE3, #CA72E9 and #D795EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD4EE3 shade: #BD4EE3, #E34E58 and #4EE380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD4EE3 shade: #BD4EE3, #E3BB4E and #4EE3BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD4EE3 shade: #BD4EE3, #E34E58, #76E34E and #4EE3D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD4EE3 shade: #BD4EE3, #E3714E, #76E34E and #4EC0E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

Complementary color

CMYK 63 / 0 / 84 / 31

HEX #42B11C

RGB 66 177 28

HSL 104.7, 0.73%, 0.4%

LAB 63.91, -56.35, 59.81

 

CMYK 13 / 65 / 0 / 13

HEX #C24EDE

RGB 194 78 222

HSL 288.33, 0.69%, 0.59%

LAB 54.23, 66.13, -52.65

 

CMYK 12 / 60 / 0 / 5

HEX #D360F1

RGB 211 96 241

HSL 287.59, 0.84%, 0.66%

LAB 60.4, 65.88, -53.34

 

CMYK 11 / 55 / 0 / 0

HEX #E472FF

RGB 228 114 255

HSL 288.51, 1%, 0.72%

LAB 66.33, 64.46, -51.52

 

CMYK 4 / 48 / 0 / 0

HEX #F584FF

RGB 245 132 255

HSL 295.12, 1%, 0.76%

LAB 71.65, 60.36, -43.01

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 17 / 71 / 0 / 18

HEX #AC3CD0

RGB 172 60 208

HSL 285.41, 0.61%, 0.53%

LAB 47.7, 65.93, -55.31

 

CMYK 18 / 78 / 0 / 26

HEX #9B2ABD

RGB 155 42 189

HSL 286.12, 0.64%, 0.45%

LAB 41.69, 65.31, -54.09

 

CMYK 19 / 86 / 0 / 33

HEX #8A18AA

RGB 138 24 170

HSL 286.85, 0.75%, 0.38%

LAB 35.9, 63.74, -52.31

 

CMYK 20 / 96 / 0 / 41

HEX #790697

RGB 121 6 151

HSL 287.59, 0.92%, 0.31%

LAB 30.47, 60.8, -49.74

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 0 / 66 / 1 / 11

HEX #E34EE1

RGB 227 78 225

HSL 300.81, 0.73%, 0.6%

LAB 59.17, 74.13, -46.2

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 66 / 37 / 11

HEX #E34E90

RGB 227 78 144

HSL 333.42, 0.73%, 0.6%

LAB 55.88, 63.1, -4.6

 

CMYK 0 / 66 / 54 / 11

HEX #E34E68

RGB 227 78 104

HSL 349.53, 0.73%, 0.6%

LAB 54.84, 59.4, 17.61

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 34 / 66 / 0 / 11

HEX #954EE3

RGB 149 78 227

HSL 268.59, 0.73%, 0.6%

LAB 48.74, 57.49, -64.62

 

CMYK 52 / 66 / 0 / 11

HEX #6D4EE3

RGB 109 78 227

HSL 252.48, 0.73%, 0.6%

LAB 44.58, 49.97, -71.56

 

CMYK 66 / 66 / 0 / 11

HEX #4E4EE3

RGB 78 78 227

HSL 240, 0.73%, 0.6%

LAB 42.18, 45.3, -75.59

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 19 / 74 / 0 / 5

HEX #C53EF3

RGB 197 62 243

HSL 284.75, 0.88%, 0.6%

LAB 53.8, 76.7, -65.13

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 14 / 55 / 0 / 18

HEX #B55FD2

RGB 181 95 210

HSL 284.87, 0.56%, 0.6%

LAB 54.72, 52.8, -45.17

 

CMYK 11 / 43 / 0 / 24

HEX #AD6FC2

RGB 173 111 194

HSL 284.82, 0.4%, 0.6%

LAB 56.24, 38.83, -33.74

 

CMYK 7 / 28 / 0 / 31

HEX #A580B1

RGB 165 128 177

HSL 285.31, 0.24%, 0.6%

LAB 58.61, 23.2, -20.43

 

CMYK 2 / 11 / 0 / 37

HEX #9D90A1

RGB 157 144 161

HSL 285.88, 0.08%, 0.6%

LAB 61.38, 8.05, -7.21

 

CMYK 52 / 66 / 0 / 11

HEX #6C4EE3

RGB 108 78 227

HSL 252.08, 0.73%, 0.6%

LAB 44.49, 49.8, -71.71

 

CMYK 35 / 66 / 0 / 11

HEX #944EE3

RGB 148 78 227

HSL 268.19, 0.73%, 0.6%

LAB 48.62, 57.29, -64.81

 

CMYK 18 / 66 / 0 / 11

HEX #BB4EE3

RGB 187 78 227

HSL 283.89, 0.73%, 0.6%

LAB 53.56, 65.54, -56.61

 

CMYK 0 / 66 / 0 / 11

HEX #E34EE3

RGB 227 78 227

HSL 300, 0.73%, 0.6%

LAB 59.27, 74.45, -47.16

 

CMYK 0 / 66 / 18 / 11

HEX #E34EBB

RGB 227 78 187

HSL 316.11, 0.73%, 0.6%

LAB 57.43, 68.43, -27.31

 

CMYK 22 / 84 / 0 / 24

HEX #971EC1

RGB 151 30 193

HSL 284.54, 0.73%, 0.44%

LAB 40.18, 68.77, -58.91

 

CMYK 20 / 81 / 0 / 13

HEX #B02ADD

RGB 176 42 221

HSL 284.92, 0.72%, 0.52%

LAB 47.11, 75.01, -63.67

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 13 / 51 / 0 / 9

HEX #CA72E9

RGB 202 114 233

HSL 284.37, 0.73%, 0.68%

LAB 62.06, 53.46, -46.33

 

CMYK 10 / 37 / 0 / 7

HEX #D795EE

RGB 215 149 238

HSL 284.49, 0.72%, 0.76%

LAB 70.95, 39.85, -35.08

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 0 / 66 / 61 / 11

HEX #E34E58

RGB 227 78 88

HSL 355.97, 0.73%, 0.6%

LAB 54.54, 58.27, 26.62

 

CMYK 66 / 0 / 44 / 11

HEX #4EE380

RGB 78 227 128

HSL 140.13, 0.73%, 0.6%

LAB 80.8, -60.56, 37.02

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 0 / 18 / 66 / 11

HEX #E3BB4E

RGB 227 187 78

HSL 43.89, 0.73%, 0.6%

LAB 77.53, 2.68, 58.78

 

CMYK 66 / 0 / 18 / 11

HEX #4EE3BB

RGB 78 227 187

HSL 163.89, 0.73%, 0.6%

LAB 81.92, -48.68, 8.07

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 0 / 66 / 61 / 11

HEX #E34E58

RGB 227 78 88

HSL 355.97, 0.73%, 0.6%

LAB 54.54, 58.27, 26.62

 

CMYK 48 / 0 / 66 / 11

HEX #76E34E

RGB 118 227 78

HSL 103.89, 0.73%, 0.6%

LAB 81.48, -57.35, 60.91

 

CMYK 66 / 0 / 4 / 11

HEX #4EE3D9

RGB 78 227 217

HSL 175.97, 0.73%, 0.6%

LAB 82.68, -41.12, -6.69

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 0 / 50 / 66 / 11

HEX #E3714E

RGB 227 113 78

HSL 14.09, 0.73%, 0.6%

LAB 60.51, 41.64, 39.64

 

CMYK 48 / 0 / 66 / 11

HEX #76E34E

RGB 118 227 78

HSL 103.89, 0.73%, 0.6%

LAB 81.48, -57.35, 60.91

 

CMYK 66 / 15 / 0 / 11

HEX #4EC0E3

RGB 78 192 227

HSL 194.09, 0.73%, 0.6%

LAB 72.8, -21.49, -26.94

 

Description

Color code: HEX #BD4EE3 | qconv.com Color code: HEX #BD4EE3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 78 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 78 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 66 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 66% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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