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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E34EB9 it is the complementary color #1CB146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E34EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E34EB9 shade: #E84EB4, #F960C7, #FF72DA, #FF84ED and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E34EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E34EB9 shade: #E34EB9, #D23CA6, #C12A93, #B01880 and #9F066D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E34EB9 shade: #E34EB9, #E34E91, #E34E69 and #E34E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E34EB9 shade: #E34EB9, #E34EE1, #BD4EE3, #944EE3 and #6C4EE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E34EB9 shade matches the following richer shades: #E34EB9 and #F33EC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E34EB9 shade: #E34EB9, #D25FB2, #C26FAB, #B180A3 and #A1909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E34EB9 shade: #BB4EE3, #E34EE3, #E34EBB, #E34E94 and #E34E6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E34EB9 shade: #C11E93, #DD2AAB, #E34EB9, #E972C7 and #EE95D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E34EB9 shade: #E34EB9, #E3944E and #4EE3CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E34EB9 shade: #E34EB9, #BBE34E and #4EBBE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E34EB9 shade: #E34EB9, #E3944E, #4EE376 and #4E9DE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E34EB9 shade: #E34EB9, #E3C04E, #4EE376 and #4E71E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

Complementary color

CMYK 84 / 0 / 60 / 31

HEX #1CB146

RGB 28 177 70

HSL 136.91, 0.73%, 0.4%

LAB 63.45, -59.07, 43.6

 

CMYK 0 / 66 / 22 / 9

HEX #E84EB4

RGB 232 78 180

HSL 320.26, 0.77%, 0.61%

LAB 57.94, 68.78, -22.42

 

CMYK 0 / 61 / 20 / 2

HEX #F960C7

RGB 249 96 199

HSL 319.61, 0.93%, 0.68%

LAB 63.86, 68.76, -23.98

 

CMYK 0 / 55 / 15 / 0

HEX #FF72DA

RGB 255 114 218

HSL 315.74, 1%, 0.72%

LAB 68.28, 65.42, -27.77

 

CMYK 0 / 48 / 7 / 0

HEX #FF84ED

RGB 255 132 237

HSL 308.78, 1%, 0.76%

LAB 72.15, 60.07, -32.31

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 71 / 21 / 18

HEX #D23CA6

RGB 210 60 166

HSL 317.6, 0.63%, 0.53%

LAB 51.48, 67.78, -24.5

 

CMYK 0 / 78 / 24 / 24

HEX #C12A93

RGB 193 42 147

HSL 318.28, 0.64%, 0.46%

LAB 45.77, 66.78, -22.23

 

CMYK 0 / 86 / 27 / 31

HEX #B01880

RGB 176 24 128

HSL 318.95, 0.76%, 0.39%

LAB 40.31, 64.85, -19.3

 

CMYK 0 / 96 / 31 / 38

HEX #9F066D

RGB 159 6 109

HSL 319.61, 0.93%, 0.32%

LAB 35.21, 61.65, -15.51

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 66 / 36 / 11

HEX #E34E91

RGB 227 78 145

HSL 333.02, 0.73%, 0.6%

LAB 55.91, 63.21, -5.14

 

CMYK 0 / 66 / 54 / 11

HEX #E34E69

RGB 227 78 105

HSL 349.13, 0.73%, 0.6%

LAB 54.87, 59.47, 17.04

 

CMYK 0 / 66 / 66 / 11

HEX #E34E4E

RGB 227 78 78

HSL 0, 0.73%, 0.6%

LAB 54.38, 57.68, 32.22

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 66 / 1 / 11

HEX #E34EE1

RGB 227 78 225

HSL 300.81, 0.73%, 0.6%

LAB 59.17, 74.13, -46.2

 

CMYK 17 / 66 / 0 / 11

HEX #BD4EE3

RGB 189 78 227

HSL 284.7, 0.73%, 0.6%

LAB 53.83, 65.98, -56.16

 

CMYK 35 / 66 / 0 / 11

HEX #944EE3

RGB 148 78 227

HSL 268.19, 0.73%, 0.6%

LAB 48.62, 57.29, -64.81

 

CMYK 52 / 66 / 0 / 11

HEX #6C4EE3

RGB 108 78 227

HSL 252.08, 0.73%, 0.6%

LAB 44.49, 49.8, -71.71

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 74 / 21 / 5

HEX #F33EC0

RGB 243 62 192

HSL 316.91, 0.88%, 0.6%

LAB 58.33, 78.35, -28.59

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 55 / 15 / 18

HEX #D25FB2

RGB 210 95 178

HSL 316.7, 0.56%, 0.6%

LAB 57.17, 55.21, -22.73

 

CMYK 0 / 43 / 12 / 24

HEX #C26FAB

RGB 194 111 171

HSL 316.63, 0.4%, 0.6%

LAB 57.83, 41.13, -17.89

 

CMYK 0 / 28 / 8 / 31

HEX #B180A3

RGB 177 128 163

HSL 317.14, 0.24%, 0.6%

LAB 59.37, 24.63, -11.15

 

CMYK 0 / 11 / 3 / 37

HEX #A1909C

RGB 161 144 156

HSL 317.65, 0.08%, 0.6%

LAB 61.59, 8.52, -4.02

 

CMYK 18 / 66 / 0 / 11

HEX #BB4EE3

RGB 187 78 227

HSL 283.89, 0.73%, 0.6%

LAB 53.56, 65.54, -56.61

 

CMYK 0 / 66 / 0 / 11

HEX #E34EE3

RGB 227 78 227

HSL 300, 0.73%, 0.6%

LAB 59.27, 74.45, -47.16

 

CMYK 0 / 66 / 18 / 11

HEX #E34EBB

RGB 227 78 187

HSL 316.11, 0.73%, 0.6%

LAB 57.43, 68.43, -27.31

 

CMYK 0 / 66 / 35 / 11

HEX #E34E94

RGB 227 78 148

HSL 331.81, 0.73%, 0.6%

LAB 56.01, 63.54, -6.77

 

CMYK 0 / 66 / 52 / 11

HEX #E34E6C

RGB 227 78 108

HSL 347.92, 0.73%, 0.6%

LAB 54.93, 59.71, 15.36

 

CMYK 0 / 84 / 24 / 24

HEX #C11E93

RGB 193 30 147

HSL 316.93, 0.73%, 0.44%

LAB 44.76, 69.68, -23.79

 

CMYK 0 / 81 / 23 / 13

HEX #DD2AAB

RGB 221 42 171

HSL 316.76, 0.72%, 0.52%

LAB 51.8, 76.09, -26.79

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 51 / 15 / 9

HEX #E972C7

RGB 233 114 199

HSL 317.14, 0.73%, 0.68%

LAB 64.55, 56.25, -23.12

 

CMYK 0 / 37 / 11 / 7

HEX #EE95D5

RGB 238 149 213

HSL 316.85, 0.72%, 0.76%

LAB 72.55, 42.48, -18.69

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 35 / 66 / 11

HEX #E3944E

RGB 227 148 78

HSL 28.19, 0.73%, 0.6%

LAB 68.07, 23.39, 48.38

 

CMYK 66 / 0 / 9 / 11

HEX #4EE3CF

RGB 78 227 207

HSL 171.95, 0.73%, 0.6%

LAB 82.41, -43.74, -1.79

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 18 / 0 / 66 / 11

HEX #BBE34E

RGB 187 227 78

HSL 76.11, 0.73%, 0.6%

LAB 85.02, -33.61, 65.74

 

CMYK 66 / 18 / 0 / 11

HEX #4EBBE3

RGB 78 187 227

HSL 196.11, 0.73%, 0.6%

LAB 71.36, -18.91, -29.17

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 35 / 66 / 11

HEX #E3944E

RGB 227 148 78

HSL 28.19, 0.73%, 0.6%

LAB 68.07, 23.39, 48.38

 

CMYK 66 / 0 / 48 / 11

HEX #4EE376

RGB 78 227 118

HSL 136.11, 0.73%, 0.6%

LAB 80.66, -62.13, 41.76

 

CMYK 66 / 31 / 0 / 11

HEX #4E9DE3

RGB 78 157 227

HSL 208.19, 0.73%, 0.6%

LAB 62.74, -2.56, -42.56

 

CMYK 0 / 66 / 19 / 11

HEX #E34EB9

RGB 227 78 185

HSL 316.91, 0.73%, 0.6%

LAB 57.35, 68.15, -26.28

 

CMYK 0 / 15 / 66 / 11

HEX #E3C04E

RGB 227 192 78

HSL 45.91, 0.73%, 0.6%

LAB 78.8, 0.07, 60.14

 

CMYK 66 / 0 / 48 / 11

HEX #4EE376

RGB 78 227 118

HSL 136.11, 0.73%, 0.6%

LAB 80.66, -62.13, 41.76

 

CMYK 66 / 50 / 0 / 11

HEX #4E71E3

RGB 78 113 227

HSL 225.91, 0.73%, 0.6%

LAB 50.66, 23.86, -61.8

 

Description

Color code: HEX #E34EB9 | qconv.com Color code: HEX #E34EB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 78 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 78 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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