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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAC83 it is the complementary color #42537C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAC83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAC83 shade: #C2AC7E, #D3BE91, #E4D0A4, #F5E2B7 and #FFF4CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAC83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAC83 shade: #BDAC83, #AC9A70, #9B885D, #8A764A and #796437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAC83 shade: #BDAC83, #BD9C83, #BD8D83 and #BD8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAC83 shade: #BDAC83, #BDBC83, #AFBD83, #9FBD83 and #8FBD83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAC83 shade matches the following richer shades: #BDAC83, #CDB374, #DCB964, #EBBF55 and #FAC646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAC83 shade: #BDAC83, #AEA692, #9FA0A1, #9099B1 and #8093C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAC83 shade: #BD8D83, #BD9C83, #BDAC83, #BDBB83 and #B0BD83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAC83 shade: #9C8652, #AF9A68, #BDAC83, #CCBE9E and #DAD0B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAC83 shade: #BDAC83, #89BD83 and #9483BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAC83 shade: #BDAC83, #83BDAC and #AC83BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAC83 shade: #BDAC83, #89BD83, #8394BD and #B883BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAC83 shade: #BDAC83, #83BD8F, #8394BD and #BD83B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

Complementary color

CMYK 47 / 33 / 0 / 51

HEX #42537C

RGB 66 83 124

HSL 222.41, 0.31%, 0.37%

LAB 35.6, 5.31, -25.28

 

CMYK 0 / 11 / 35 / 24

HEX #C2AC7E

RGB 194 172 126

HSL 40.59, 0.36%, 0.63%

LAB 71.2, 1.21, 26.6

 

CMYK 0 / 10 / 31 / 17

HEX #D3BE91

RGB 211 190 145

HSL 40.91, 0.43%, 0.7%

LAB 77.71, 0.75, 25.47

 

CMYK 0 / 9 / 28 / 11

HEX #E4D0A4

RGB 228 208 164

HSL 41.25, 0.54%, 0.77%

LAB 84.11, 0.35, 24.41

 

CMYK 0 / 8 / 25 / 4

HEX #F5E2B7

RGB 245 226 183

HSL 41.61, 0.76%, 0.84%

LAB 90.42, 0, 23.41

 

CMYK 0 / 4 / 21 / 0

HEX #FFF4CA

RGB 255 244 202

HSL 47.55, 1%, 0.9%

LAB 96.09, -2.84, 21.59

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 10 / 35 / 33

HEX #AC9A70

RGB 172 154 112

HSL 42, 0.27%, 0.56%

LAB 64.2, 0.29, 24.5

 

CMYK 0 / 12 / 40 / 39

HEX #9B885D

RGB 155 136 93

HSL 41.61, 0.25%, 0.49%

LAB 57.43, 0.82, 25.73

 

CMYK 0 / 14 / 46 / 46

HEX #8A764A

RGB 138 118 74

HSL 41.25, 0.3%, 0.42%

LAB 50.52, 1.46, 27.05

 

CMYK 0 / 17 / 55 / 53

HEX #796437

RGB 121 100 55

HSL 40.91, 0.38%, 0.35%

LAB 43.44, 2.27, 28.47

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 17 / 31 / 26

HEX #BD9C83

RGB 189 156 131

HSL 25.86, 0.31%, 0.63%

LAB 66.7, 8.53, 17.69

 

CMYK 0 / 25 / 31 / 26

HEX #BD8D83

RGB 189 141 131

HSL 10.34, 0.31%, 0.63%

LAB 62.93, 16.81, 12.44

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 1 / 31 / 26

HEX #BDBC83

RGB 189 188 131

HSL 58.97, 0.31%, 0.63%

LAB 75.09, -8.6, 29.04

 

CMYK 7 / 0 / 31 / 26

HEX #AFBD83

RGB 175 189 131

HSL 74.48, 0.31%, 0.63%

LAB 74.28, -14.54, 27.78

 

CMYK 16 / 0 / 31 / 26

HEX #9FBD83

RGB 159 189 131

HSL 91.03, 0.31%, 0.63%

LAB 73.16, -20.56, 26.07

 

CMYK 24 / 0 / 31 / 26

HEX #8FBD83

RGB 143 189 131

HSL 107.59, 0.31%, 0.63%

LAB 72.14, -26.31, 24.53

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 13 / 43 / 20

HEX #CDB374

RGB 205 179 116

HSL 42.47, 0.47%, 0.63%

LAB 73.86, 0.79, 35.55

 

CMYK 0 / 16 / 55 / 14

HEX #DCB964

RGB 220 185 100

HSL 42.5, 0.63%, 0.63%

LAB 76.58, 2.32, 47.31

 

CMYK 0 / 19 / 64 / 8

HEX #EBBF55

RGB 235 191 85

HSL 42.4, 0.79%, 0.63%

LAB 79.37, 4.38, 57.92

 

CMYK 0 / 21 / 72 / 2

HEX #FAC646

RGB 250 198 70

HSL 42.67, 0.95%, 0.63%

LAB 82.46, 6.23, 67.87

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 5 / 16 / 32

HEX #AEA692

RGB 174 166 146

HSL 42.86, 0.15%, 0.63%

LAB 68.28, -0.56, 11.39

 

CMYK 1 / 1 / 0 / 37

HEX #9FA0A1

RGB 159 160 161

HSL 210, 0.01%, 0.63%

LAB 65.82, -0.16, -0.65

 

CMYK 19 / 14 / 0 / 31

HEX #9099B1

RGB 144 153 177

HSL 223.64, 0.17%, 0.63%

LAB 63.25, 1.95, -13.57

 

CMYK 33 / 23 / 0 / 25

HEX #8093C0

RGB 128 147 192

HSL 222.19, 0.34%, 0.63%

LAB 61.01, 4.08, -25.53

 

CMYK 0 / 25 / 31 / 26

HEX #BD8D83

RGB 189 141 131

HSL 10.34, 0.31%, 0.63%

LAB 62.93, 16.81, 12.44

 

CMYK 0 / 17 / 31 / 26

HEX #BD9C83

RGB 189 156 131

HSL 25.86, 0.31%, 0.63%

LAB 66.7, 8.53, 17.69

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 1 / 31 / 26

HEX #BDBB83

RGB 189 187 131

HSL 57.93, 0.31%, 0.63%

LAB 74.82, -8.08, 28.69

 

CMYK 7 / 0 / 31 / 26

HEX #B0BD83

RGB 176 189 131

HSL 73.45, 0.31%, 0.63%

LAB 74.36, -14.16, 27.89

 

CMYK 0 / 14 / 47 / 39

HEX #9C8652

RGB 156 134 82

HSL 42.16, 0.31%, 0.47%

LAB 56.81, 1.13, 30.98

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 7 / 23 / 20

HEX #CCBE9E

RGB 204 190 158

HSL 41.74, 0.31%, 0.71%

LAB 77.36, -0.17, 17.96

 

CMYK 0 / 5 / 15 / 15

HEX #DAD0B9

RGB 218 208 185

HSL 41.82, 0.31%, 0.79%

LAB 83.72, -0.35, 12.66

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 28 / 0 / 31 / 26

HEX #89BD83

RGB 137 189 131

HSL 113.79, 0.31%, 0.63%

LAB 71.79, -28.38, 24

 

CMYK 22 / 31 / 0 / 26

HEX #9483BD

RGB 148 131 189

HSL 257.59, 0.31%, 0.63%

LAB 58.23, 18.63, -27.99

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 31 / 0 / 9 / 26

HEX #83BDAC

RGB 131 189 172

HSL 162.41, 0.31%, 0.63%

LAB 72.36, -22.47, 2.59

 

CMYK 9 / 31 / 0 / 26

HEX #AC83BD

RGB 172 131 189

HSL 282.41, 0.31%, 0.63%

LAB 60.5, 26.3, -24.31

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 28 / 0 / 31 / 26

HEX #89BD83

RGB 137 189 131

HSL 113.79, 0.31%, 0.63%

LAB 71.79, -28.38, 24

 

CMYK 31 / 22 / 0 / 26

HEX #8394BD

RGB 131 148 189

HSL 222.41, 0.31%, 0.63%

LAB 61.38, 3.61, -23.26

 

CMYK 3 / 31 / 0 / 26

HEX #B883BD

RGB 184 131 189

HSL 294.83, 0.31%, 0.63%

LAB 61.74, 30.23, -22.3

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 31 / 0 / 24 / 26

HEX #83BD8F

RGB 131 189 143

HSL 132.41, 0.31%, 0.63%

LAB 71.69, -28.29, 17.38

 

CMYK 31 / 22 / 0 / 26

HEX #8394BD

RGB 131 148 189

HSL 222.41, 0.31%, 0.63%

LAB 61.38, 3.61, -23.26

 

CMYK 0 / 31 / 6 / 26

HEX #BD83B2

RGB 189 131 178

HSL 311.38, 0.31%, 0.63%

LAB 61.88, 29.84, -15.79

 

Description

Color code: HEX #BDAC83 | qconv.com Color code: HEX #BDAC83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 172 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 172 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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