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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 154 104 it is the complementary color RGB 80 101 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 154 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 154 104 shade: RGB 180 154 99, RGB 197 172 118, RGB 214 190 137, RGB 231 208 156 and RGB 248 226 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 154 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 158 136 85, RGB 141 118 66, RGB 124 100 47 and RGB 107 82 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 175 135 104, RGB 175 116 104 and RGB 175 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 175 173 104, RGB 158 175 104, RGB 139 175 104 and RGB 120 175 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 154 104 shade matches the following richer shades: RGB 175 154 104, RGB 194 162 86, RGB 212 169 67, RGB 231 177 48 and RGB 250 185 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 157 147 123, RGB 138 139 141, RGB 120 132 160 and RGB 101 124 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 154 104 shade: RGB 175 116 104, RGB 175 135 104, RGB 175 154 104, RGB 175 173 104 and RGB 159 175 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 154 104 shade: RGB 129 111 68, RGB 156 134 82, RGB 175 154 104, RGB 190 172 131 and RGB 204 190 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 111 175 104 and RGB 126 104 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 104 175 154 and RGB 154 104 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 111 175 104, RGB 104 126 175 and RGB 168 104 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 154 104 shade: RGB 175 154 104, RGB 104 175 118, RGB 104 126 175 and RGB 175 104 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

Complementary color

CMYK 47 / 33 / 0 / 41

HEX #506597

RGB 80 101 151

HSL 222.25, 0.31%, 0.45%

LAB 43.13, 6.3, -29.79

 

CMYK 0 / 14 / 45 / 29

HEX #B49A63

RGB 180 154 99

HSL 40.74, 0.35%, 0.55%

LAB 64.74, 2.1, 32.37

 

CMYK 0 / 13 / 40 / 23

HEX #C5AC76

RGB 197 172 118

HSL 41.01, 0.41%, 0.62%

LAB 71.34, 1.48, 31.1

 

CMYK 0 / 11 / 36 / 16

HEX #D6BE89

RGB 214 190 137

HSL 41.3, 0.48%, 0.69%

LAB 77.83, 0.94, 29.91

 

CMYK 0 / 10 / 32 / 9

HEX #E7D09C

RGB 231 208 156

HSL 41.6, 0.61%, 0.76%

LAB 84.23, 0.48, 28.78

 

CMYK 0 / 9 / 29 / 3

HEX #F8E2AF

RGB 248 226 175

HSL 41.92, 0.84%, 0.83%

LAB 90.53, 0.08, 27.71

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 14 / 46 / 38

HEX #9E8855

RGB 158 136 85

HSL 41.92, 0.3%, 0.48%

LAB 57.59, 1.2, 30.39

 

CMYK 0 / 16 / 53 / 45

HEX #8D7642

RGB 141 118 66

HSL 41.6, 0.36%, 0.41%

LAB 50.7, 1.98, 31.76

 

CMYK 0 / 19 / 62 / 51

HEX #7C642F

RGB 124 100 47

HSL 41.3, 0.45%, 0.34%

LAB 43.66, 2.96, 33.16

 

CMYK 0 / 23 / 74 / 58

HEX #6B521C

RGB 107 82 28

HSL 41.01, 0.59%, 0.26%

LAB 36.45, 4.24, 34.41

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 23 / 41 / 31

HEX #AF8768

RGB 175 135 104

HSL 26.2, 0.31%, 0.55%

LAB 59.38, 11.08, 22.54

 

CMYK 0 / 34 / 41 / 31

HEX #AF7468

RGB 175 116 104

HSL 10.14, 0.31%, 0.55%

LAB 54.66, 21.75, 16.14

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 1 / 41 / 31

HEX #AFAD68

RGB 175 173 104

HSL 58.31, 0.31%, 0.55%

LAB 69.47, -9.61, 35.67

 

CMYK 10 / 0 / 41 / 31

HEX #9EAF68

RGB 158 175 104

HSL 74.37, 0.31%, 0.55%

LAB 68.7, -17.51, 34.41

 

CMYK 21 / 0 / 41 / 31

HEX #8BAF68

RGB 139 175 104

HSL 90.42, 0.31%, 0.55%

LAB 67.39, -24.86, 32.47

 

CMYK 31 / 0 / 41 / 31

HEX #78AF68

RGB 120 175 104

HSL 106.48, 0.31%, 0.55%

LAB 66.25, -31.75, 30.78

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 16 / 56 / 24

HEX #C2A256

RGB 194 162 86

HSL 42.22, 0.47%, 0.55%

LAB 68.01, 2.48, 43.43

 

CMYK 0 / 20 / 68 / 17

HEX #D4A943

RGB 212 169 67

HSL 42.21, 0.63%, 0.55%

LAB 71.4, 5.16, 56.61

 

CMYK 0 / 23 / 79 / 9

HEX #E7B130

RGB 231 177 48

HSL 42.3, 0.79%, 0.55%

LAB 75.23, 8.26, 68.3

 

CMYK 0 / 26 / 88 / 2

HEX #FAB91E

RGB 250 185 30

HSL 42.27, 0.96%, 0.55%

LAB 79.11, 11.72, 77.31

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 6 / 22 / 38

HEX #9D937B

RGB 157 147 123

HSL 42.35, 0.15%, 0.55%

LAB 61.19, -0.37, 14.05

 

CMYK 2 / 1 / 0 / 45

HEX #8A8B8D

RGB 138 139 141

HSL 220, 0.01%, 0.55%

LAB 57.84, 0.03, -1.2

 

CMYK 25 / 18 / 0 / 37

HEX #7884A0

RGB 120 132 160

HSL 222, 0.17%, 0.55%

LAB 55.11, 2.08, -16.37

 

CMYK 43 / 30 / 0 / 30

HEX #657CB2

RGB 101 124 178

HSL 222.08, 0.33%, 0.55%

LAB 52.28, 6.07, -31.21

 

CMYK 0 / 34 / 41 / 31

HEX #AF7468

RGB 175 116 104

HSL 10.14, 0.31%, 0.55%

LAB 54.66, 21.75, 16.14

 

CMYK 0 / 23 / 41 / 31

HEX #AF8768

RGB 175 135 104

HSL 26.2, 0.31%, 0.55%

LAB 59.38, 11.08, 22.54

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 1 / 41 / 31

HEX #AFAD68

RGB 175 173 104

HSL 58.31, 0.31%, 0.55%

LAB 69.47, -9.61, 35.67

 

CMYK 9 / 0 / 41 / 31

HEX #9FAF68

RGB 159 175 104

HSL 73.52, 0.31%, 0.55%

LAB 68.77, -17.11, 34.52

 

CMYK 0 / 14 / 47 / 49

HEX #816F44

RGB 129 111 68

HSL 42.3, 0.31%, 0.39%

LAB 47.56, 0.83, 26.48

 

CMYK 0 / 14 / 47 / 39

HEX #9C8652

RGB 156 134 82

HSL 42.16, 0.31%, 0.47%

LAB 56.81, 1.13, 30.98

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 0 / 7 / 23 / 20

HEX #CCBE9E

RGB 204 190 158

HSL 41.74, 0.31%, 0.71%

LAB 77.36, -0.17, 17.96

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 37 / 0 / 41 / 31

HEX #6FAF68

RGB 111 175 104

HSL 114.08, 0.31%, 0.55%

LAB 65.78, -34.79, 30.08

 

CMYK 28 / 41 / 0 / 31

HEX #7E68AF

RGB 126 104 175

HSL 258.59, 0.31%, 0.55%

LAB 48.8, 24.36, -34.78

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 41 / 0 / 12 / 31

HEX #68AF9A

RGB 104 175 154

HSL 162.25, 0.31%, 0.55%

LAB 66.47, -27.32, 3.78

 

CMYK 12 / 41 / 0 / 31

HEX #9A68AF

RGB 154 104 175

HSL 282.25, 0.31%, 0.55%

LAB 51.69, 32.89, -30.06

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 37 / 0 / 41 / 31

HEX #6FAF68

RGB 111 175 104

HSL 114.08, 0.31%, 0.55%

LAB 65.78, -34.79, 30.08

 

CMYK 41 / 28 / 0 / 31

HEX #687EAF

RGB 104 126 175

HSL 221.41, 0.31%, 0.55%

LAB 52.91, 4.82, -28.5

 

CMYK 4 / 41 / 0 / 31

HEX #A868AF

RGB 168 104 175

HSL 294.08, 0.31%, 0.55%

LAB 53.3, 37.27, -27.43

 

CMYK 0 / 12 / 41 / 31

HEX #AF9A68

RGB 175 154 104

HSL 42.25, 0.31%, 0.55%

LAB 64.34, 0.56, 29.09

 

CMYK 41 / 0 / 33 / 31

HEX #68AF76

RGB 104 175 118

HSL 131.83, 0.31%, 0.55%

LAB 65.68, -34.69, 22.42

 

CMYK 41 / 28 / 0 / 31

HEX #687EAF

RGB 104 126 175

HSL 221.41, 0.31%, 0.55%

LAB 52.91, 4.82, -28.5

 

CMYK 0 / 41 / 8 / 31

HEX #AF68A1

RGB 175 104 161

HSL 311.83, 0.31%, 0.55%

LAB 53.59, 36.91, -18.77

 

Description

Color code: RGB 175 154 104 | qconv.com Color code: RGB 175 154 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 154 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 154 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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