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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 172 131 it is the complementary color RGB 65 83 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 172 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 172 131 shade: RGB 195 172 126, RGB 212 190 145, RGB 229 208 164, RGB 246 226 183 and RGB 255 244 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 172 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 172 131 shade: RGB 190 172 131, RGB 173 154 112, RGB 156 136 93, RGB 139 118 74 and RGB 122 100 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 172 131 shade: RGB 189 172 131, RGB 189 156 131, RGB 189 140 131 and RGB 189 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 172 131 shade: RGB 189 172 131, RGB 189 187 131, RGB 176 189 131, RGB 160 189 131 and RGB 144 189 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 172 131 shade matches the following richer shades: RGB 189 172 131, RGB 205 177 116, RGB 220 183 100, RGB 235 189 85 and RGB 250 195 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 172 131 shade: RGB 189 172 131, RGB 174 166 146, RGB 159 160 161, RGB 144 154 177 and RGB 128 148 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 172 131 shade: RGB 189 140 131, RGB 189 155 131, RGB 189 171 131, RGB 189 186 131 and RGB 177 189 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 172 131 shade: RGB 156 133 82, RGB 175 153 104, RGB 189 172 131, RGB 204 190 158 and RGB 218 208 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 172 131 shade: RGB 190 172 131, RGB 138 189 131 and RGB 147 131 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 172 131 shade: RGB 190 172 131, RGB 131 189 171 and RGB 171 131 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 172 131 shade: RGB 190 172 131, RGB 138 189 131, RGB 131 149 189 and RGB 183 131 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 172 131 shade: RGB 190 172 131, RGB 131 189 142, RGB 131 149 189 and RGB 189 131 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

Complementary color

CMYK 48 / 33 / 0 / 51

HEX #41537C

RGB 65 83 124

HSL 221.69, 0.31%, 0.37%

LAB 35.53, 5.04, -25.4

 

CMYK 0 / 12 / 35 / 24

HEX #C3AC7E

RGB 195 172 126

HSL 40, 0.37%, 0.63%

LAB 71.29, 1.61, 26.74

 

CMYK 0 / 10 / 32 / 17

HEX #D4BE91

RGB 212 190 145

HSL 40.3, 0.44%, 0.7%

LAB 77.8, 1.14, 25.61

 

CMYK 0 / 9 / 28 / 10

HEX #E5D0A4

RGB 229 208 164

HSL 40.62, 0.56%, 0.77%

LAB 84.2, 0.73, 24.54

 

CMYK 0 / 8 / 26 / 4

HEX #F6E2B7

RGB 246 226 183

HSL 40.95, 0.78%, 0.84%

LAB 90.51, 0.37, 23.53

 

CMYK 0 / 4 / 21 / 0

HEX #FFF4CA

RGB 255 244 202

HSL 47.55, 1%, 0.9%

LAB 96.09, -2.84, 21.59

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 0 / 11 / 35 / 32

HEX #AD9A70

RGB 173 154 112

HSL 41.31, 0.27%, 0.56%

LAB 64.29, 0.7, 24.64

 

CMYK 0 / 13 / 40 / 39

HEX #9C885D

RGB 156 136 93

HSL 40.95, 0.25%, 0.49%

LAB 57.53, 1.24, 25.87

 

CMYK 0 / 15 / 47 / 45

HEX #8B764A

RGB 139 118 74

HSL 40.62, 0.31%, 0.42%

LAB 50.62, 1.9, 27.2

 

CMYK 0 / 18 / 55 / 52

HEX #7A6437

RGB 122 100 55

HSL 40.3, 0.38%, 0.35%

LAB 43.55, 2.73, 28.62

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 17 / 31 / 26

HEX #BD9C83

RGB 189 156 131

HSL 25.86, 0.31%, 0.63%

LAB 66.7, 8.53, 17.69

 

CMYK 0 / 26 / 31 / 26

HEX #BD8C83

RGB 189 140 131

HSL 9.31, 0.31%, 0.63%

LAB 62.69, 17.36, 12.1

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 1 / 31 / 26

HEX #BDBB83

RGB 189 187 131

HSL 57.93, 0.31%, 0.63%

LAB 74.82, -8.08, 28.69

 

CMYK 7 / 0 / 31 / 26

HEX #B0BD83

RGB 176 189 131

HSL 73.45, 0.31%, 0.63%

LAB 74.36, -14.16, 27.89

 

CMYK 15 / 0 / 31 / 26

HEX #A0BD83

RGB 160 189 131

HSL 90, 0.31%, 0.63%

LAB 73.22, -20.19, 26.17

 

CMYK 24 / 0 / 31 / 26

HEX #90BD83

RGB 144 189 131

HSL 106.55, 0.31%, 0.63%

LAB 72.2, -25.96, 24.62

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 14 / 43 / 20

HEX #CDB174

RGB 205 177 116

HSL 41.12, 0.47%, 0.63%

LAB 73.34, 1.85, 34.89

 

CMYK 0 / 17 / 55 / 14

HEX #DCB764

RGB 220 183 100

HSL 41.5, 0.63%, 0.63%

LAB 76.07, 3.37, 46.71

 

CMYK 0 / 20 / 64 / 8

HEX #EBBD55

RGB 235 189 85

HSL 41.6, 0.79%, 0.63%

LAB 78.88, 5.42, 57.38

 

CMYK 0 / 22 / 72 / 2

HEX #FAC346

RGB 250 195 70

HSL 41.67, 0.95%, 0.63%

LAB 81.73, 7.79, 67.14

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 5 / 16 / 32

HEX #AEA692

RGB 174 166 146

HSL 42.86, 0.15%, 0.63%

LAB 68.28, -0.56, 11.39

 

CMYK 1 / 1 / 0 / 37

HEX #9FA0A1

RGB 159 160 161

HSL 210, 0.01%, 0.63%

LAB 65.82, -0.16, -0.65

 

CMYK 19 / 13 / 0 / 31

HEX #909AB1

RGB 144 154 177

HSL 221.82, 0.17%, 0.63%

LAB 63.52, 1.39, -13.16

 

CMYK 33 / 23 / 0 / 25

HEX #8094C0

RGB 128 148 192

HSL 221.25, 0.34%, 0.63%

LAB 61.29, 3.5, -25.11

 

CMYK 0 / 26 / 31 / 26

HEX #BD8C83

RGB 189 140 131

HSL 9.31, 0.31%, 0.63%

LAB 62.69, 17.36, 12.1

 

CMYK 0 / 18 / 31 / 26

HEX #BD9B83

RGB 189 155 131

HSL 24.83, 0.31%, 0.63%

LAB 66.44, 9.08, 17.33

 

CMYK 0 / 10 / 31 / 26

HEX #BDAB83

RGB 189 171 131

HSL 41.38, 0.31%, 0.63%

LAB 70.58, 0.38, 23

 

CMYK 0 / 2 / 31 / 26

HEX #BDBA83

RGB 189 186 131

HSL 56.9, 0.31%, 0.63%

LAB 74.56, -7.56, 28.33

 

CMYK 6 / 0 / 31 / 26

HEX #B1BD83

RGB 177 189 131

HSL 72.41, 0.31%, 0.63%

LAB 74.43, -13.78, 28

 

CMYK 0 / 15 / 47 / 39

HEX #9C8552

RGB 156 133 82

HSL 41.35, 0.31%, 0.47%

LAB 56.54, 1.69, 30.64

 

CMYK 0 / 13 / 41 / 31

HEX #AF9968

RGB 175 153 104

HSL 41.41, 0.31%, 0.55%

LAB 64.08, 1.11, 28.74

 

CMYK 0 / 9 / 31 / 26

HEX #BDAC83

RGB 189 172 131

HSL 42.41, 0.31%, 0.63%

LAB 70.85, -0.15, 23.35

 

CMYK 0 / 7 / 23 / 20

HEX #CCBE9E

RGB 204 190 158

HSL 41.74, 0.31%, 0.71%

LAB 77.36, -0.17, 17.96

 

CMYK 0 / 5 / 15 / 15

HEX #DAD0B9

RGB 218 208 185

HSL 41.82, 0.31%, 0.79%

LAB 83.72, -0.35, 12.66

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 27 / 0 / 31 / 26

HEX #8ABD83

RGB 138 189 131

HSL 112.76, 0.31%, 0.63%

LAB 71.85, -28.04, 24.09

 

CMYK 22 / 31 / 0 / 26

HEX #9383BD

RGB 147 131 189

HSL 256.55, 0.31%, 0.63%

LAB 58.14, 18.32, -28.14

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 10 / 31 / 0 / 26

HEX #AB83BD

RGB 171 131 189

HSL 281.38, 0.31%, 0.63%

LAB 60.4, 25.98, -24.47

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 27 / 0 / 31 / 26

HEX #8ABD83

RGB 138 189 131

HSL 112.76, 0.31%, 0.63%

LAB 71.85, -28.04, 24.09

 

CMYK 31 / 21 / 0 / 26

HEX #8395BD

RGB 131 149 189

HSL 221.38, 0.31%, 0.63%

LAB 61.65, 3.04, -22.84

 

CMYK 3 / 31 / 0 / 26

HEX #B783BD

RGB 183 131 189

HSL 293.79, 0.31%, 0.63%

LAB 61.63, 29.9, -22.47

 

CMYK 0 / 9 / 31 / 25

HEX #BEAC83

RGB 190 172 131

HSL 41.69, 0.31%, 0.63%

LAB 70.93, 0.24, 23.49

 

CMYK 31 / 0 / 25 / 26

HEX #83BD8E

RGB 131 189 142

HSL 131.38, 0.31%, 0.63%

LAB 71.67, -28.48, 17.89

 

CMYK 31 / 21 / 0 / 26

HEX #8395BD

RGB 131 149 189

HSL 221.38, 0.31%, 0.63%

LAB 61.65, 3.04, -22.84

 

CMYK 0 / 31 / 5 / 26

HEX #BD83B3

RGB 189 131 179

HSL 310.34, 0.31%, 0.63%

LAB 61.92, 30.02, -16.31

 

Description

Color code: RGB 190 172 131 | qconv.com Color code: RGB 190 172 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 172 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 172 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 31 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 31% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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