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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAD47 it is the complementary color #4252B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAD47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAD47 shade: #C2AD42, #D3BF55, #E4D168, #F5E37B and #FFF58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAD47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAD47 shade: #BDAD47, #AC9B34, #9B8921, #8A770E and #796500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAD47 shade: #BCAC47, #BC8D47, #BC6D47, #BC4D47 and #BC4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAD47 shade: #BCAC47, #ADBC47, #8DBC47, #6DBC47 and #4EBC47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAD47 shade matches the following richer shades: #BCAC47, #D0BB33, #E5CA1E and #F9D90A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAD47 shade: #BCAC47, #A89E5B, #948F6F, #808083 and #6B7198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAD47 shade: #BC6C47, #BC8B47, #BCAB47, #AFBC47 and #8FBC47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAD47 shade: #82772F, #A09239, #BCAC47, #C7BA65 and #D2C783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAD47 shade: #BDAD47, #47BC4D and #7C47BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAD47 shade: #BDAD47, #47BCAB and #AB47BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAD47 shade: #BDAD47, #47BC4D, #4758BC and #BC47B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAD47 shade: #BDAD47, #47BC70, #4758BC and #BC4793

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

Complementary color

CMYK 64 / 55 / 0 / 28

HEX #4252B8

RGB 66 82 184

HSL 231.86, 0.47%, 0.49%

LAB 38.99, 26.5, -55.98

 

CMYK 0 / 11 / 66 / 24

HEX #C2AD42

RGB 194 173 66

HSL 50.16, 0.51%, 0.51%

LAB 70.7, -4.79, 55.77

 

CMYK 0 / 9 / 60 / 17

HEX #D3BF55

RGB 211 191 85

HSL 50.48, 0.59%, 0.58%

LAB 77.14, -5.71, 54.82

 

CMYK 0 / 8 / 54 / 11

HEX #E4D168

RGB 228 209 104

HSL 50.81, 0.7%, 0.65%

LAB 83.49, -6.47, 53.73

 

CMYK 0 / 7 / 50 / 4

HEX #F5E37B

RGB 245 227 123

HSL 51.15, 0.86%, 0.72%

LAB 89.76, -7.13, 52.57

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58E

RGB 255 245 142

HSL 54.69, 1%, 0.78%

LAB 95.38, -10.42, 50.58

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 0 / 10 / 70 / 33

HEX #AC9B34

RGB 172 155 52

HSL 51.5, 0.54%, 0.44%

LAB 63.72, -5.66, 53.8

 

CMYK 0 / 12 / 79 / 39

HEX #9B8921

RGB 155 137 33

HSL 51.15, 0.65%, 0.37%

LAB 57.05, -4.46, 54.04

 

CMYK 0 / 14 / 90 / 46

HEX #8A770E

RGB 138 119 14

HSL 50.81, 0.82%, 0.3%

LAB 50.25, -2.98, 53.11

 

CMYK 0 / 17 / 100 / 53

HEX #796500

RGB 121 101 0

HSL 50.08, 1%, 0.24%

LAB 43.32, -1.15, 50.22

 

CMYK 0 / 9 / 62 / 26

HEX #BCAC47

RGB 188 172 71

HSL 51.79, 0.47%, 0.51%

LAB 69.93, -6.53, 52.6

 

CMYK 0 / 25 / 62 / 26

HEX #BC8D47

RGB 188 141 71

HSL 35.9, 0.47%, 0.51%

LAB 61.82, 10.21, 43.54

 

CMYK 0 / 42 / 62 / 26

HEX #BC6D47

RGB 188 109 71

HSL 19.49, 0.47%, 0.51%

LAB 54.12, 27.86, 34.48

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D47

RGB 188 77 71

HSL 3.08, 0.47%, 0.51%

LAB 47.56, 44.35, 26.37

 

CMYK 0 / 62 / 62 / 26

HEX #BC4747

RGB 188 71 71

HSL 0, 0.47%, 0.51%

LAB 46.52, 47.13, 25.04

 

CMYK 0 / 9 / 62 / 26

HEX #BCAC47

RGB 188 172 71

HSL 51.79, 0.47%, 0.51%

LAB 69.93, -6.53, 52.6

 

CMYK 8 / 0 / 62 / 26

HEX #ADBC47

RGB 173 188 71

HSL 67.69, 0.47%, 0.51%

LAB 73.09, -21.07, 55.66

 

CMYK 25 / 0 / 62 / 26

HEX #8DBC47

RGB 141 188 71

HSL 84.1, 0.47%, 0.51%

LAB 70.93, -33.86, 52.68

 

CMYK 42 / 0 / 62 / 26

HEX #6DBC47

RGB 109 188 71

HSL 100.51, 0.47%, 0.51%

LAB 69.24, -45.22, 50.33

 

CMYK 59 / 0 / 62 / 26

HEX #4EBC47

RGB 78 188 71

HSL 116.41, 0.47%, 0.51%

LAB 68.05, -54.08, 48.68

 

CMYK 0 / 9 / 62 / 26

HEX #BCAC47

RGB 188 172 71

HSL 51.79, 0.47%, 0.51%

LAB 69.93, -6.53, 52.6

 

CMYK 0 / 10 / 75 / 18

HEX #D0BB33

RGB 208 187 51

HSL 51.97, 0.63%, 0.51%

LAB 75.57, -6.79, 66.79

 

CMYK 0 / 12 / 87 / 10

HEX #E5CA1E

RGB 229 202 30

HSL 51.86, 0.79%, 0.51%

LAB 81.29, -6.08, 78.15

 

CMYK 0 / 13 / 96 / 2

HEX #F9D90A

RGB 249 217 10

HSL 51.97, 0.95%, 0.51%

LAB 86.89, -5.41, 86.01

 

CMYK 0 / 9 / 62 / 26

HEX #BCAC47

RGB 188 172 71

HSL 51.79, 0.47%, 0.51%

LAB 69.93, -6.53, 52.6

 

CMYK 0 / 6 / 46 / 34

HEX #A89E5B

RGB 168 158 91

HSL 52.21, 0.31%, 0.51%

LAB 64.59, -5.95, 36.17

 

CMYK 0 / 3 / 25 / 42

HEX #948F6F

RGB 148 143 111

HSL 51.89, 0.15%, 0.51%

LAB 59.06, -3.57, 17.73

 

CMYK 2 / 2 / 0 / 49

HEX #808083

RGB 128 128 131

HSL 240, 0.01%, 0.51%

LAB 53.67, 0.61, -1.63

 

CMYK 30 / 26 / 0 / 40

HEX #6B7198

RGB 107 113 152

HSL 232, 0.18%, 0.51%

LAB 48.51, 7.1, -21.87

 

CMYK 0 / 43 / 62 / 26

HEX #BC6C47

RGB 188 108 71

HSL 18.97, 0.47%, 0.51%

LAB 53.89, 28.4, 34.2

 

CMYK 0 / 26 / 62 / 26

HEX #BC8B47

RGB 188 139 71

HSL 34.87, 0.47%, 0.51%

LAB 61.32, 11.31, 42.96

 

CMYK 0 / 9 / 62 / 26

HEX #BCAB47

RGB 188 171 71

HSL 51.28, 0.47%, 0.51%

LAB 69.66, -6.01, 52.3

 

CMYK 7 / 0 / 62 / 26

HEX #AFBC47

RGB 175 188 71

HSL 66.67, 0.47%, 0.51%

LAB 73.24, -20.25, 55.86

 

CMYK 24 / 0 / 62 / 26

HEX #8FBC47

RGB 143 188 71

HSL 83.08, 0.47%, 0.51%

LAB 71.05, -33.1, 52.85

 

CMYK 0 / 8 / 64 / 49

HEX #82772F

RGB 130 119 47

HSL 52.05, 0.47%, 0.35%

LAB 49.67, -5.18, 40.06

 

CMYK 0 / 9 / 64 / 37

HEX #A09239

RGB 160 146 57

HSL 51.84, 0.47%, 0.43%

LAB 60.18, -5.83, 47.6

 

CMYK 0 / 9 / 62 / 26

HEX #BCAC47

RGB 188 172 71

HSL 51.79, 0.47%, 0.51%

LAB 69.93, -6.53, 52.6

 

CMYK 0 / 7 / 49 / 22

HEX #C7BA65

RGB 199 186 101

HSL 52.04, 0.47%, 0.59%

LAB 74.95, -6.82, 44.42

 

CMYK 0 / 5 / 38 / 18

HEX #D2C783

RGB 210 199 131

HSL 51.65, 0.47%, 0.67%

LAB 79.72, -6.03, 35.44

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 0 / 59 / 26

HEX #47BC4D

RGB 71 188 77

HSL 123.08, 0.47%, 0.51%

LAB 67.9, -55.03, 45.75

 

CMYK 34 / 62 / 0 / 26

HEX #7C47BC

RGB 124 71 188

HSL 267.18, 0.47%, 0.51%

LAB 41.88, 46.13, -53.41

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 0 / 9 / 26

HEX #47BCAB

RGB 71 188 171

HSL 171.28, 0.47%, 0.51%

LAB 69.64, -36.73, -1.12

 

CMYK 9 / 62 / 0 / 26

HEX #AB47BC

RGB 171 71 188

HSL 291.28, 0.47%, 0.51%

LAB 48, 57.32, -43.27

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 0 / 59 / 26

HEX #47BC4D

RGB 71 188 77

HSL 123.08, 0.47%, 0.51%

LAB 67.9, -55.03, 45.75

 

CMYK 62 / 53 / 0 / 26

HEX #4758BC

RGB 71 88 188

HSL 231.28, 0.47%, 0.51%

LAB 41.14, 24.91, -54.84

 

CMYK 0 / 62 / 3 / 26

HEX #BC47B6

RGB 188 71 182

HSL 303.08, 0.47%, 0.51%

LAB 50.19, 60.49, -36.16

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 0 / 40 / 26

HEX #47BC70

RGB 71 188 112

HSL 141.03, 0.47%, 0.51%

LAB 68.37, -49.82, 28.97

 

CMYK 62 / 53 / 0 / 26

HEX #4758BC

RGB 71 88 188

HSL 231.28, 0.47%, 0.51%

LAB 41.14, 24.91, -54.84

 

CMYK 0 / 62 / 22 / 26

HEX #BC4793

RGB 188 71 147

HSL 321.03, 0.47%, 0.51%

LAB 48.64, 55.09, -17.9

 

Description

Color code: HEX #BDAD47 | qconv.com Color code: HEX #BDAD47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 173 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 173 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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