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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDBBC2 it is the complementary color #42443D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDBBC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDBBC2 shade: #C2BBBD, #D3CDD0, #E4DFE3 and #F5F1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDBBC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDBBC2 shade: #BDBBC2, #ACA9AF, #9B979C, #8A8589 and #797376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDBBC2 shade: #BDBCC2, #BFBCC2, #C1BCC2, #C2BCC1 and #C2BCC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDBBC2 shade: #BDBCC2, #BCBCC2 and #BCBCC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDBBC2 shade matches the following richer shades: #BDBCC2, #B9B1CC, #B5A7D7, #B09DE1 and #AC92EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDBBC2 shade: #BDBCC2, #C2C6B8, #C6D0AD, #CBDBA3 and #CFE599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDBBC2 shade: #BCBDC2, #BCBCC2, #BDBCC2, #BFBCC2 and #C1BCC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDBBC2 shade: #93909B, #A8A6AE, #BDBCC2, #D2D1D6 and #E8E7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDBBC2 shade: #BDBBC2, #C2BCBF and #BCC2BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDBBC2 shade: #BDBBC2, #C2BDBC and #BCC2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDBBC2 shade: #BDBBC2, #C2BCBF, #C0C2BC and #BCC2BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDBBC2 shade: #BDBBC2, #C2BCBD, #C0C2BC and #BCC2C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

Complementary color

CMYK 3 / 0 / 10 / 73

HEX #42443D

RGB 66 68 61

HSL 77.14, 0.05%, 0.25%

LAB 28.46, -2.35, 3.95

 

CMYK 0 / 4 / 3 / 24

HEX #C2BBBD

RGB 194 187 189

HSL 342.86, 0.05%, 0.75%

LAB 76.49, 2.82, -0.14

 

CMYK 0 / 3 / 1 / 17

HEX #D3CDD0

RGB 211 205 208

HSL 330, 0.06%, 0.82%

LAB 82.95, 2.61, -0.76

 

CMYK 0 / 2 / 0 / 11

HEX #E4DFE3

RGB 228 223 227

HSL 312, 0.08%, 0.88%

LAB 89.31, 2.41, -1.36

 

CMYK 0 / 2 / 0 / 4

HEX #F5F1F6

RGB 245 241 246

HSL 288, 0.22%, 0.95%

LAB 95.57, 2.22, -1.94

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

CMYK 2 / 3 / 0 / 31

HEX #ACA9AF

RGB 172 169 175

HSL 270, 0.04%, 0.67%

LAB 69.64, 2.21, -2.71

 

CMYK 1 / 3 / 0 / 39

HEX #9B979C

RGB 155 151 156

HSL 288, 0.02%, 0.6%

LAB 62.93, 2.42, -2.11

 

CMYK 0 / 4 / 1 / 46

HEX #8A8589

RGB 138 133 137

HSL 312, 0.02%, 0.53%

LAB 56.07, 2.65, -1.49

 

CMYK 0 / 5 / 2 / 53

HEX #797376

RGB 121 115 118

HSL 330, 0.03%, 0.46%

LAB 49.05, 2.9, -0.83

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 2 / 3 / 0 / 24

HEX #BFBCC2

RGB 191 188 194

HSL 270, 0.05%, 0.75%

LAB 76.64, 2.17, -2.66

 

CMYK 1 / 3 / 0 / 24

HEX #C1BCC2

RGB 193 188 194

HSL 290, 0.05%, 0.75%

LAB 76.8, 2.86, -2.41

 

CMYK 0 / 3 / 1 / 24

HEX #C2BCC1

RGB 194 188 193

HSL 310, 0.05%, 0.75%

LAB 76.85, 3.02, -1.78

 

CMYK 0 / 3 / 1 / 24

HEX #C2BCC0

RGB 194 188 192

HSL 320, 0.05%, 0.75%

LAB 76.83, 2.83, -1.28

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 3 / 3 / 0 / 24

HEX #BCBCC2

RGB 188 188 194

HSL 240, 0.05%, 0.75%

LAB 76.41, 1.13, -3.03

 

CMYK 3 / 3 / 0 / 24

HEX #BCBCC2

RGB 188 188 194

HSL 240, 0.05%, 0.75%

LAB 76.41, 1.13, -3.03

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 9 / 13 / 0 / 20

HEX #B9B1CC

RGB 185 177 204

HSL 257.78, 0.21%, 0.75%

LAB 73.62, 8.04, -12.64

 

CMYK 16 / 22 / 0 / 16

HEX #B5A7D7

RGB 181 167 215

HSL 257.5, 0.38%, 0.75%

LAB 71.12, 14.57, -22.47

 

CMYK 22 / 30 / 0 / 12

HEX #B09DE1

RGB 176 157 225

HSL 256.76, 0.53%, 0.75%

LAB 68.59, 20.85, -31.89

 

CMYK 27 / 38 / 0 / 8

HEX #AC92EB

RGB 172 146 235

HSL 257.53, 0.69%, 0.75%

LAB 66, 28.25, -41.45

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 2 / 0 / 7 / 22

HEX #C2C6B8

RGB 194 198 184

HSL 77.14, 0.11%, 0.75%

LAB 79.22, -3.9, 6.53

 

CMYK 5 / 0 / 17 / 18

HEX #C6D0AD

RGB 198 208 173

HSL 77.14, 0.27%, 0.75%

LAB 81.91, -9.49, 16.25

 

CMYK 7 / 0 / 26 / 14

HEX #CBDBA3

RGB 203 219 163

HSL 77.14, 0.44%, 0.75%

LAB 85, -14.75, 25.82

 

CMYK 10 / 0 / 33 / 10

HEX #CFE599

RGB 207 229 153

HSL 77.37, 0.59%, 0.75%

LAB 87.78, -19.59, 34.71

 

CMYK 3 / 3 / 0 / 24

HEX #BCBDC2

RGB 188 189 194

HSL 230, 0.05%, 0.75%

LAB 76.67, 0.6, -2.65

 

CMYK 3 / 3 / 0 / 24

HEX #BCBCC2

RGB 188 188 194

HSL 240, 0.05%, 0.75%

LAB 76.41, 1.13, -3.03

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 2 / 3 / 0 / 24

HEX #BFBCC2

RGB 191 188 194

HSL 270, 0.05%, 0.75%

LAB 76.64, 2.17, -2.66

 

CMYK 1 / 3 / 0 / 24

HEX #C1BCC2

RGB 193 188 194

HSL 290, 0.05%, 0.75%

LAB 76.8, 2.86, -2.41

 

CMYK 5 / 7 / 0 / 39

HEX #93909B

RGB 147 144 155

HSL 256.36, 0.05%, 0.59%

LAB 60.35, 3.28, -5.42

 

CMYK 3 / 5 / 0 / 32

HEX #A8A6AE

RGB 168 166 174

HSL 255, 0.05%, 0.67%

LAB 68.5, 2.25, -3.87

 

CMYK 3 / 3 / 0 / 24

HEX #BDBCC2

RGB 189 188 194

HSL 250, 0.05%, 0.75%

LAB 76.48, 1.48, -2.91

 

CMYK 2 / 2 / 0 / 16

HEX #D2D1D6

RGB 210 209 214

HSL 252, 0.06%, 0.83%

LAB 84.05, 1.26, -2.36

 

CMYK 0 / 1 / 0 / 9

HEX #E8E7E9

RGB 232 231 233

HSL 270, 0.04%, 0.91%

LAB 91.77, 0.7, -0.86

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBF

RGB 194 188 191

HSL 330, 0.05%, 0.75%

LAB 76.8, 2.65, -0.77

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

CMYK 0 / 3 / 3 / 24

HEX #C2BDBC

RGB 194 189 188

HSL 10, 0.05%, 0.75%

LAB 76.98, 1.57, 1.12

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BD

RGB 188 194 189

HSL 130, 0.05%, 0.75%

LAB 77.84, -3, 1.78

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBF

RGB 194 188 191

HSL 330, 0.05%, 0.75%

LAB 76.8, 2.65, -0.77

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BF

RGB 188 194 191

HSL 150, 0.05%, 0.75%

LAB 77.9, -2.63, 0.78

 

CMYK 3 / 4 / 0 / 24

HEX #BDBBC2

RGB 189 187 194

HSL 257.14, 0.05%, 0.75%

LAB 76.23, 2.01, -3.29

 

CMYK 0 / 3 / 3 / 24

HEX #C2BCBD

RGB 194 188 189

HSL 350, 0.05%, 0.75%

LAB 76.75, 2.29, 0.24

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C1

RGB 188 194 193

HSL 170, 0.05%, 0.75%

LAB 77.95, -2.25, -0.23

 

Description

Color code: HEX #BDBBC2 | qconv.com Color code: HEX #BDBBC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 187 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 187 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 4 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 4% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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